Канал: Cooke Optics

SP3 Showreel

SP3 Showreel

Cooke Gallery - Deep Focus

Cooke Gallery - Deep Focus

S8/i FF and Varotal/i FF comparison video

S8/i FF and Varotal/i FF comparison video

Three-Body interview with Mr. Liu Yi, CNSC

Three-Body interview with Mr. Liu Yi, CNSC

Cooke Gallery London

Cooke Gallery London

Frybread Face and Me

Frybread Face and Me

Insights: Bradford Young - Finding Himself in the Stor y

Insights: Bradford Young - Finding Himself in the Stor y

Insights: Benoît Delhomme - Art and Film insight

Insights: Benoît Delhomme - Art and Film insight

2023 Cooke round up

2023 Cooke round up

Cooke at EnergaCAMERIMAGE

Cooke at EnergaCAMERIMAGE

Cooke SP3 demo reel

Cooke SP3 demo reel

Cooke SP3 lens aesthetic film

Cooke SP3 lens aesthetic film

Speed Panchro Legacy Film

Speed Panchro Legacy Film

Insights: Ben Davis - A Unique Experience

Insights: Ben Davis - A Unique Experience

Insights: John de Borman - Framing

Insights: John de Borman - Framing

Insights: Matthew Libatique - Character of Lenses

Insights: Matthew Libatique - Character of Lenses

Creating Cooke Lenses

Creating Cooke Lenses

The Dawn of NRT - A Metadata Story

The Dawn of NRT - A Metadata Story

Insights: Colin Tilley - Emotion

Insights: Colin Tilley - Emotion

Insights: Bradford Young - Intimacy

Insights: Bradford Young - Intimacy

Behind The Cine Lens Manual: The Cooke Look

Behind The Cine Lens Manual: The Cooke Look

Behind The Cine Lens Manual: Evolution of Lens Design

Behind The Cine Lens Manual: Evolution of Lens Design

Cooke Anamorphic/i FF Showreel

Cooke Anamorphic/i FF Showreel

Cooke S7/i FF Showreel

Cooke S7/i FF Showreel

Behind The Cine Lens Manual: Zoom Lenses

Behind The Cine Lens Manual: Zoom Lenses

Behind The Cine Lens Manual: Rebirth of S35

Behind The Cine Lens Manual: Rebirth of S35

British Cinematographer interview Cooke Varotal/i FF

British Cinematographer interview Cooke Varotal/i FF

Insights: Vittorio Storaro - Colour

Insights: Vittorio Storaro - Colour

Insights: Barry Ackroyd - Focus

Insights: Barry Ackroyd - Focus

Behind the Cine Lens Manual: The Nature of Lens Character

Behind the Cine Lens Manual: The Nature of Lens Character

Behind The Cine Lens Manual: Lens Manufacturers

Behind The Cine Lens Manual: Lens Manufacturers

Behind The Cine Lens Manual: What Makes a Lens

Behind The Cine Lens Manual: What Makes a Lens

Behind The Cine Lens Manual: Introduction

Behind The Cine Lens Manual: Introduction

Cooke 2022 Historical Showreel

Cooke 2022 Historical Showreel

Varotal/i FF - Demo Film

Varotal/i FF - Demo Film

S8/i FF - Demo Film

S8/i FF - Demo Film

S8/i FF - Demo Film

S8/i FF - Demo Film

Cooke Burbank

Cooke Burbank

Varotal/i FF - Demo film

Varotal/i FF - Demo film

Cooke All Lenses Showreel 2020-21

Cooke All Lenses Showreel 2020-21

Cooke S8 Lens Launch

Cooke S8 Lens Launch

Cooke 5/i Showreel 2020-21

Cooke 5/i Showreel 2020-21

Anamorphic/i Full Frame Plus Showreel 2020-21

Anamorphic/i Full Frame Plus Showreel 2020-21

Cooke Anamorphic/i SF Showreel 2020-21

Cooke Anamorphic/i SF Showreel 2020-21

Cooke MiniS4/i Showreel 2020-21

Cooke MiniS4/i Showreel 2020-21

Cooke Panchro/i Classic Showreel 2020-21

Cooke Panchro/i Classic Showreel 2020-21

Cooke S4/i Showreel 2020-21

Cooke S4/i Showreel 2020-21

Cooke S7/i Showreel 2020-21

Cooke S7/i Showreel 2020-21

Cooke Anamorphic/i Showreel 2020-21

Cooke Anamorphic/i Showreel 2020-21

Cooke Varotal/i FF Zoom lens comparison with the S7/i FF Prime lens

Cooke Varotal/i FF Zoom lens comparison with the S7/i FF Prime lens

BSC Expo 2022 | Cooke Optics

BSC Expo 2022 | Cooke Optics

Directing Music Videos | Colin Tilley

Directing Music Videos | Colin Tilley

What is the hardest to master in cinematography? | Cinematography Roundtable

What is the hardest to master in cinematography? | Cinematography Roundtable

Lawrence Sher on Pre-Production in Film

Lawrence Sher on Pre-Production in Film

Billy Williams' Cinematography Inspirations

Billy Williams' Cinematography Inspirations

The Cinematography of Fight Club | Jeff Cronenweth

The Cinematography of Fight Club | Jeff Cronenweth

The Cinematography of The French Dispatch

The Cinematography of The French Dispatch

'The Green Knight' Director on Filmmaking

'The Green Knight' Director on Filmmaking

Working with Ridley Scott | Dariusz Wolski

Working with Ridley Scott | Dariusz Wolski

Filming in Direct Sunlight - Ahmad Al Morsy

Filming in Direct Sunlight - Ahmad Al Morsy

Handheld Camera Operating | Peter Robertson and Rodrigo Gutierrez

Handheld Camera Operating | Peter Robertson and Rodrigo Gutierrez

Working with the Director | Cinematography Roundtable

Working with the Director | Cinematography Roundtable

Developments in Cinematography | Oliver Stapleton

Developments in Cinematography | Oliver Stapleton

Cinematographer deconstructs THAT shot in 'Contact' | Don Burgess

Cinematographer deconstructs THAT shot in 'Contact' | Don Burgess

The cinematography of the Sopranos | Alik Sakharov

The cinematography of the Sopranos | Alik Sakharov

Cinematographer Roundtable - Working with Practical Lighting

Cinematographer Roundtable - Working with Practical Lighting

Cinematographer Roundtable - Working with the Gaffer

Cinematographer Roundtable - Working with the Gaffer

How to block a film scene for camera operators | Peter Robertson and Rodrigo Gutierrez

How to block a film scene for camera operators | Peter Robertson and Rodrigo Gutierrez

Newton Thomas Sigel on the Making of Drive

Newton Thomas Sigel on the Making of Drive

The Trial of the Chicago 7 Exclusive Interview | Oscars 2021

The Trial of the Chicago 7 Exclusive Interview | Oscars 2021

The Cinematography of Minari | Oscars 2021 Exclusive Interview

The Cinematography of Minari | Oscars 2021 Exclusive Interview

The Cinematography of 'One Night in Miami' | Oscars 2021 Exclusive

The Cinematography of 'One Night in Miami' | Oscars 2021 Exclusive

Pixar's Soul | Oscars 2021 Exclusive Interview

Pixar's Soul | Oscars 2021 Exclusive Interview

Judas and the Black Messiah | Oscars 2021 Exclusive

Judas and the Black Messiah | Oscars 2021 Exclusive

Robert Yeoman - Shooting Exterior shots

Robert Yeoman - Shooting Exterior shots

Lighting Techniques by Hollywood Gaffer

Lighting Techniques by Hollywood Gaffer

Don Burgess Deconstructs Forrest Gump

Don Burgess Deconstructs Forrest Gump

Simplifying Film Lighting | Cinematography Roundtable

Simplifying Film Lighting | Cinematography Roundtable

The Cinematography of Natasha Braier

The Cinematography of Natasha Braier

How to light a water commercial | Geoff Boyle

How to light a water commercial | Geoff Boyle

Filming during COVID with Ridley Scott | Dariusz Wolski

Filming during COVID with Ridley Scott | Dariusz Wolski

What Cinematographers Have Learnt From Their Mistakes | Roundtable

What Cinematographers Have Learnt From Their Mistakes | Roundtable

Recreating Sunlight in Film | Autumn Durald

Recreating Sunlight in Film | Autumn Durald

Newton Thomas Sigel answers your questions

Newton Thomas Sigel answers your questions

The Usual Suspects Cinematographer Deconstructs Famous Scenes

The Usual Suspects Cinematographer Deconstructs Famous Scenes

What early projects taught us about Camera Operating | Peter Robertson and Rodrigo Gutierrez

What early projects taught us about Camera Operating | Peter Robertson and Rodrigo Gutierrez

Do Camera and Lenses affect lighting? || Julian White

Do Camera and Lenses affect lighting? || Julian White

Using fewer lights || Seamus McGarvey

Using fewer lights || Seamus McGarvey

Cinematography Advice From Our Mentors | Roundtable

Cinematography Advice From Our Mentors | Roundtable

How I Approach Lighting | Robert Yeoman

How I Approach Lighting | Robert Yeoman

How Cinematographers Broke into the Film Industry

How Cinematographers Broke into the Film Industry

Advice for working in the film industry | Oliver Stapleton

Advice for working in the film industry | Oliver Stapleton

Cinematography Advice For Our Younger Selves | Roundtable

Cinematography Advice For Our Younger Selves | Roundtable

Filming short films | Bradford Young

Filming short films | Bradford Young

How Pixar Movies Are Made | Jim Morris | Spotlight

How Pixar Movies Are Made | Jim Morris | Spotlight

The Art of Steadicam Operating in Cinema

The Art of Steadicam Operating in Cinema

BSC Retropsective - Suzie Lavelle BSC ISC talks about NORMAL PEOPLE

BSC Retropsective - Suzie Lavelle BSC ISC talks about NORMAL PEOPLE

BSC: A Restrospective with Roger Deakins CBE ASC BSC

BSC: A Restrospective with Roger Deakins CBE ASC BSC

Star Wars Cinematographer discusses his approach to lighting

Star Wars Cinematographer discusses his approach to lighting

Cinematography Masterclass: Filming Daytime Exteriors | Roundtable

Cinematography Masterclass: Filming Daytime Exteriors | Roundtable

Cinematography Masterclass: Filming Night Scenes | Roundtable

Cinematography Masterclass: Filming Night Scenes | Roundtable

Cinematography and Production Design in Film || Seamus McGarvey

Cinematography and Production Design in Film || Seamus McGarvey

Hollywood Gaffer explains Lighting Filters and Diffusion || Julian White

Hollywood Gaffer explains Lighting Filters and Diffusion || Julian White

Bollywood Cinematographer deconstructs his films || Sudeep Chatterjee

Bollywood Cinematographer deconstructs his films || Sudeep Chatterjee

Pixar Cinematographers Deconstruct Onward - Exclusive Behind the Scenes Video

Pixar Cinematographers Deconstruct Onward - Exclusive Behind the Scenes Video

The Role of the Camera Operator | Rodrigo Gutierrez and Peter Robertson

The Role of the Camera Operator | Rodrigo Gutierrez and Peter Robertson

Oliver Stapleton - What Film School teaches you & the NFTS

Oliver Stapleton - What Film School teaches you & the NFTS

Hollywood Cinematographer Shares Philosophy | Ben Davis

Hollywood Cinematographer Shares Philosophy | Ben Davis

Robert Yeoman - The Visual Grammar of Film

Robert Yeoman - The Visual Grammar of Film

Cinematography Lighting Tips: Practicals and Night Scenes || Julian White || Masterclass

Cinematography Lighting Tips: Practicals and Night Scenes || Julian White || Masterclass

The cinematography of Star Wars: The Force Awakens || Dan Mindel

The cinematography of Star Wars: The Force Awakens || Dan Mindel

The Cinematography of Joker || Case Study || Lawrence Sher

The Cinematography of Joker || Case Study || Lawrence Sher

The Cinematography of Chernobyl || Case Study

The Cinematography of Chernobyl || Case Study

The Irishman Cinematography Featurette by Rodrigo Prieto

The Irishman Cinematography Featurette by Rodrigo Prieto

Deconstructing long take camera movement || Seamus McGarvey || Spotlight

Deconstructing long take camera movement || Seamus McGarvey || Spotlight

Deconstructing a big budget commercial || Natasha Braier

Deconstructing a big budget commercial || Natasha Braier

Cinematographers: What is your favourite light and why? || Spotlight

Cinematographers: What is your favourite light and why? || Spotlight

How to communicate your vision on a film set || Bradford Young

How to communicate your vision on a film set || Bradford Young

Wes Anderson's Shots: Deconstructed by cinematographer Robert Yeoman

Wes Anderson's Shots: Deconstructed by cinematographer Robert Yeoman

Capturing the reality in cinematography || Barry Ackroyd

Capturing the reality in cinematography || Barry Ackroyd

Essential Lighting Kit for an Indie Film Production || Julian White || Spotlight

Essential Lighting Kit for an Indie Film Production || Julian White || Spotlight

The cinematography of Edgar Wright and Hot Fuzz || Jess Hall || Case Study

The cinematography of Edgar Wright and Hot Fuzz || Jess Hall || Case Study

The Cinematography of Gandhi || Billy Williams || Case Study

The Cinematography of Gandhi || Billy Williams || Case Study

Working with LUTs || Ben Davis

Working with LUTs || Ben Davis

Working with Anamorphic Lenses || Dan Mindel || Spotlight

Working with Anamorphic Lenses || Dan Mindel || Spotlight

Citizen Kane & Apocalypse Now || Geoff Boyle || Deconstructing Cinematography

Citizen Kane & Apocalypse Now || Geoff Boyle || Deconstructing Cinematography

Using colour in cinematography || Seamus McGarvey || Masterclass

Using colour in cinematography || Seamus McGarvey || Masterclass

The cinematography of The Empire Strikes Back || Peter Suschitsky || Case Study

The cinematography of The Empire Strikes Back || Peter Suschitsky || Case Study

Cinematography preparation || Bradford Young

Cinematography preparation || Bradford Young

What is the Future of Cinematography || Vittorio Storaro

What is the Future of Cinematography || Vittorio Storaro

The Art Direction of Aliens || Terry Ackland-Snow || Spotlight

The Art Direction of Aliens || Terry Ackland-Snow || Spotlight

Working with large format cameras || Greig Fraser || Spotlight

Working with large format cameras || Greig Fraser || Spotlight

Utilising Natural Lighting & Long Takes || Ben Davis || Spotlight

Utilising Natural Lighting & Long Takes || Ben Davis || Spotlight

Working with Darren Aronofsky || Matthew Libatique

Working with Darren Aronofsky || Matthew Libatique

Filming Commercials || Autumn Durald || Spotlight

Filming Commercials || Autumn Durald || Spotlight

Deconstructing Film Lighting || Masterclass by gaffer Julian White

Deconstructing Film Lighting || Masterclass by gaffer Julian White

Aspect Ratio in Cinema: Explained by Seamus McGarvey || Spotlight

Aspect Ratio in Cinema: Explained by Seamus McGarvey || Spotlight

The Cinematography of Barry Jenkins with James Laxton | Spotlight

The Cinematography of Barry Jenkins with James Laxton | Spotlight

Marvel Cinematography Masterclass Part 2 || Ben Davis || Masterclass

Marvel Cinematography Masterclass Part 2 || Ben Davis || Masterclass

Marvel Cinematography Masterclass Part 1 || Ben Davis || Masterclass

Marvel Cinematography Masterclass Part 1 || Ben Davis || Masterclass

The cinematography of A Star is Born || Matthew Libatique || Case Study

The cinematography of A Star is Born || Matthew Libatique || Case Study

How & Why I choose lenses || Bradford Young || Spotlight

How & Why I choose lenses || Bradford Young || Spotlight

Lighting Masterclass || Billy Williams || Masterclass

Lighting Masterclass || Billy Williams || Masterclass

The Shape of Water scene deconstruction || Dan Laustsen || Case Study

The Shape of Water scene deconstruction || Dan Laustsen || Case Study

The cinematography of At Eternity's Gate || Benoit Delhomme || Case Study

The cinematography of At Eternity's Gate || Benoit Delhomme || Case Study

Women in the film industry || Rachel Morrison || Spotlight

Women in the film industry || Rachel Morrison || Spotlight

The Ballad of Buster Scruggs & The Coen Brothers || Bruno Delbonnel || Case Study

The Ballad of Buster Scruggs & The Coen Brothers || Bruno Delbonnel || Case Study

Stanley Kubrick's Production Design || Terry Akland Snow || Spotlight

Stanley Kubrick's Production Design || Terry Akland Snow || Spotlight

The cinematography of Captain Phillips || Barry Ackroyd || Case Study

The cinematography of Captain Phillips || Barry Ackroyd || Case Study

Camera & lens choices in the new generation || Spotlight

Camera & lens choices in the new generation || Spotlight

Working with Nick Park at Aardman Animations || Dave Alex Riddett

Working with Nick Park at Aardman Animations || Dave Alex Riddett

The role of the Film Producer || Paula Wagner || Spotlight

The role of the Film Producer || Paula Wagner || Spotlight

The Cinematography of Life of Pi || Claudio Miranda || Case Study

The Cinematography of Life of Pi || Claudio Miranda || Case Study

The cinematography of Arrival || Bradford Young || Spotlight

The cinematography of Arrival || Bradford Young || Spotlight

Working with Wong Kar Wai || Christopher Doyle || Working with the Director

Working with Wong Kar Wai || Christopher Doyle || Working with the Director

What Is The Future of Cinematography? || Spotlight

What Is The Future of Cinematography? || Spotlight

My Cinematography Method || Barry Ackroyd || Spotlight

My Cinematography Method || Barry Ackroyd || Spotlight

The Role of the Art Director and Production Designer || Terry Ackland Snow

The Role of the Art Director and Production Designer || Terry Ackland Snow

Forget The Numbers || Geoff Boyle || Spotlight

Forget The Numbers || Geoff Boyle || Spotlight

The Godfather Part II Cinematography Analysis || Mike Eley

The Godfather Part II Cinematography Analysis || Mike Eley

What Film Students Need to Know || Billy Williams || Spotlight

What Film Students Need to Know || Billy Williams || Spotlight

The Craft of Film Editing || Paul Hirsch || Spotlight

The Craft of Film Editing || Paul Hirsch || Spotlight

There Will Be Blood Cinematography Analysis || Autumn Durald

There Will Be Blood Cinematography Analysis || Autumn Durald

Wes Anderson's Production Design || Grand Budapest Hotel

Wes Anderson's Production Design || Grand Budapest Hotel

Cinematography: The Language of Colour || Vittorio Storaro

Cinematography: The Language of Colour || Vittorio Storaro

The Hardest Thing About Your Job In The Film Industry || Spotlight

The Hardest Thing About Your Job In The Film Industry || Spotlight

Vittorio Storaro || Cinematography as Art

Vittorio Storaro || Cinematography as Art

The Cinematography of Black Panther || Rachel Morrison || Case Study

The Cinematography of Black Panther || Rachel Morrison || Case Study

The Cinematography of The Shape of Water || Dan Laustsen || Case Study

The Cinematography of The Shape of Water || Dan Laustsen || Case Study

The Cinematography of Three Billboards Outside Ebbing, Missouri || Ben Davis || Case Study

The Cinematography of Three Billboards Outside Ebbing, Missouri || Ben Davis || Case Study

The cinematography behind Stranger Things and Mr Robot || Tod Campbell || Case Study

The cinematography behind Stranger Things and Mr Robot || Tod Campbell || Case Study

How to Shoot Documentaries || Mike Eley || Masterclass

How to Shoot Documentaries || Mike Eley || Masterclass

Behind the Commercial: Smirnoff || Autumn Durald || Spotlight

Behind the Commercial: Smirnoff || Autumn Durald || Spotlight

Lighting Tips: Bounce and Negative Fill || Bradford Young || Spotlight

Lighting Tips: Bounce and Negative Fill || Bradford Young || Spotlight

Make pretty pictures, not accurate pictures || Spotlight || Geoff Boyle

Make pretty pictures, not accurate pictures || Spotlight || Geoff Boyle

Researching the Film/Lighting References || Ben Smithard || Spotlight

Researching the Film/Lighting References || Ben Smithard || Spotlight

Blade Runner Cinematography Analysis || Geoff Boyle/Nic Knowland

Blade Runner Cinematography Analysis || Geoff Boyle/Nic Knowland

Lighting Practical Sources in Film || Bradford Young || Cine School

Lighting Practical Sources in Film || Bradford Young || Cine School

Sexy Beast Cinematography Analysis (Part 2) || Deconstructing Cinematography || Ben Smithard

Sexy Beast Cinematography Analysis (Part 2) || Deconstructing Cinematography || Ben Smithard

How to manage Post Production (Part 2) || The Film Production Process

How to manage Post Production (Part 2) || The Film Production Process

Digital Sensors and Dynamic Range (Part 2) || Spotlight || Geoff Boyle

Digital Sensors and Dynamic Range (Part 2) || Spotlight || Geoff Boyle

Digital Sensors and Dynamic Range (Part 1) || Spotlight || Geoff Boyle

Digital Sensors and Dynamic Range (Part 1) || Spotlight || Geoff Boyle

How to manage Post Production (Part 1) || The Film Production Process

How to manage Post Production (Part 1) || The Film Production Process

Does Resolution Matter? || Geoff Boyle || Spotlight

Does Resolution Matter? || Geoff Boyle || Spotlight

My approach to lighting || Ben Smithard || Masterclass

My approach to lighting || Ben Smithard || Masterclass

The VFX Artist: Practical Effects and Christopher Nolan || Spotlight

The VFX Artist: Practical Effects and Christopher Nolan || Spotlight

What makes a cinematic image? || Spotlight

What makes a cinematic image? || Spotlight

What is the future of lighting? || Geoff Boyle || Spotlight

What is the future of lighting? || Geoff Boyle || Spotlight

Michael Seresin on Cinematography || Spotlight

Michael Seresin on Cinematography || Spotlight

The SFX Artist || Spielberg and Saving Private Ryan || Neil Corbould

The SFX Artist || Spielberg and Saving Private Ryan || Neil Corbould

Chapman on Martin Scorsese || Working with the Director

Chapman on Martin Scorsese || Working with the Director

Camera and lens choices for stop-motion || Dave-Alex Riddett || Spotlight

Camera and lens choices for stop-motion || Dave-Alex Riddett || Spotlight

Directors on cinematographers || Michael Apted || Spotlight

Directors on cinematographers || Michael Apted || Spotlight

How I approach cinematography || Steve Yedlin || Spotlight

How I approach cinematography || Steve Yedlin || Spotlight

The advantages of young cinematographers || Spotlight

The advantages of young cinematographers || Spotlight

Cinematography needs to serve the story || Michael Chapman || Spotlight

Cinematography needs to serve the story || Michael Chapman || Spotlight

Sean Bobbitt's Cinematography Influences || Spotlight

Sean Bobbitt's Cinematography Influences || Spotlight

How do cinematographers work with actors? || The Film Production Process

How do cinematographers work with actors? || The Film Production Process

Cinematography Tips: Don't complicate lighting - Geoff Boyle

Cinematography Tips: Don't complicate lighting - Geoff Boyle

How To Plan Your Film Production || The Film Production Process

How To Plan Your Film Production || The Film Production Process