Канал: LoGsounds

she's my fav #ambermark

she's my fav #ambermark

blues but with a little extra

blues but with a little extra

the don't speak solo as a chord melody #nodoubt #dontspeak

the don't speak solo as a chord melody #nodoubt #dontspeak

Turning One Idea Into 100 (Full Short Series)

Turning One Idea Into 100 (Full Short Series)

How You Should Think About Chord Shapes (Full Short Series)

How You Should Think About Chord Shapes (Full Short Series)

just a guy playing happy birthday

just a guy playing happy birthday

final solo of 2023

final solo of 2023

bee-boo-dah-buh-doo

bee-boo-dah-buh-doo

LoG Pants - Turning Exercises into Musical Tools | Part 4 (Finger Independence)

LoG Pants - Turning Exercises into Musical Tools | Part 4 (Finger Independence)

very cute guitar solo

very cute guitar solo

very popular pretty/melancholy chord shape

very popular pretty/melancholy chord shape

The sound of the Nintendo GameCube

The sound of the Nintendo GameCube

LoG Pants - Turning Exercises into Musical Tools | Part 3 (Sweep Picking)

LoG Pants - Turning Exercises into Musical Tools | Part 3 (Sweep Picking)

LoG Pants - Turning Exercises into Musical Tools | Part 2 (Chords and Finger Switching)

LoG Pants - Turning Exercises into Musical Tools | Part 2 (Chords and Finger Switching)

LoG Pants - Turning Exercises into Musical Tools | Part 1 (Chromatic Stuff)

LoG Pants - Turning Exercises into Musical Tools | Part 1 (Chromatic Stuff)

Bbm - Ebm Shuffle Backing Track | 120 bpm

Bbm - Ebm Shuffle Backing Track | 120 bpm

LoG's Practical Guide to Diminished 7 | Part 4 (Traveling to Two Different Minor Chords)

LoG's Practical Guide to Diminished 7 | Part 4 (Traveling to Two Different Minor Chords)

a bunch of chords and notes

a bunch of chords and notes

a fun writing strategy with one chord shape

a fun writing strategy with one chord shape

practicing things you'll actually use

practicing things you'll actually use

Purple Rain Solo Section | Backing Track - Key of Bb

Purple Rain Solo Section | Backing Track - Key of Bb

I Was Asked to Solo Over Purple Rain. Here it is.

I Was Asked to Solo Over Purple Rain. Here it is.

The easiest way to write modern pop

The easiest way to write modern pop

how to start playing over chord changes - part 27 (chord vs chord)

how to start playing over chord changes - part 27 (chord vs chord)

fun way to get colorful chord progressions

fun way to get colorful chord progressions

how to start playing over chord changes - part 26 (The sound of the 2 chord, min6)

how to start playing over chord changes - part 26 (The sound of the 2 chord, min6)

Using Chords as Leads over a Blues

Using Chords as Leads over a Blues

how to start playing over chord changes - part 25 (How I Think about Keys)

how to start playing over chord changes - part 25 (How I Think about Keys)

how to start playing over chord changes - part 24 (more ideas over the 5 chord)

how to start playing over chord changes - part 24 (more ideas over the 5 chord)

how to start playing over chord changes - part 23 (simple ideas for the 5 chord)

how to start playing over chord changes - part 23 (simple ideas for the 5 chord)

how to start playing over chord changes - part 22 (The sound of the 5 chord)

how to start playing over chord changes - part 22 (The sound of the 5 chord)

how to start playing over chord changes - part 21 (The key we are in)

how to start playing over chord changes - part 21 (The key we are in)

easiest way to write modern chill pop

easiest way to write modern chill pop

how to start playing over chord changes - part 20 (non chord tones, sus 4)

how to start playing over chord changes - part 20 (non chord tones, sus 4)

how to start playing over chord changes - part 19 (non chord tones)

how to start playing over chord changes - part 19 (non chord tones)

how to start playing over chord changes - part 18 (hearing notes before you play them)

how to start playing over chord changes - part 18 (hearing notes before you play them)

try this next time you sing over a chord

try this next time you sing over a chord

playing two melodies at the same time

playing two melodies at the same time

Don't neglect the chord progression

Don't neglect the chord progression

A fun way to move between these two chords

A fun way to move between these two chords

how to start playing over chord changes - part 17 (landing on chord tones down an octave)

how to start playing over chord changes - part 17 (landing on chord tones down an octave)

moving from a chorus to a bridge

moving from a chorus to a bridge

how to start playing over chord changes - part 16 (landing on chord tones)

how to start playing over chord changes - part 16 (landing on chord tones)

making things sound slightly less generic

making things sound slightly less generic

how to start playing over chord changes - part 15 (passive thinking)

how to start playing over chord changes - part 15 (passive thinking)

can you guess what I'm playing?

can you guess what I'm playing?

LoG's Practical Guide to Diminished 7 | Part 3 (Playing Over Dominant 7)

LoG's Practical Guide to Diminished 7 | Part 3 (Playing Over Dominant 7)

the value of 6 notes per beat (1/16th triplets)

the value of 6 notes per beat (1/16th triplets)

If you don't do this, you're missing out

If you don't do this, you're missing out

how to start playing over chord changes - part 14 (Playing in time)

how to start playing over chord changes - part 14 (Playing in time)

part 2 of my Diminished guide out now

part 2 of my Diminished guide out now

LoG's Practical Guide to Diminished 7 | Part 2 (Transitioning to Minor)

LoG's Practical Guide to Diminished 7 | Part 2 (Transitioning to Minor)

how to start playing over chord changes - part 13 (copy and paste down an octave)

how to start playing over chord changes - part 13 (copy and paste down an octave)

play chords, then do this

play chords, then do this

LoG's Practical Guide to Diminished 7 | Part 1 (Basics, Creating Shapes)

LoG's Practical Guide to Diminished 7 | Part 1 (Basics, Creating Shapes)

how to start playing over chord changes - part 12 (always think of chords not scales)

how to start playing over chord changes - part 12 (always think of chords not scales)

finding a bunch of ideas with just two notes

finding a bunch of ideas with just two notes

how to start playing over chord changes - part 11 (bending to chord tones)

how to start playing over chord changes - part 11 (bending to chord tones)

using songs to memorize notes

using songs to memorize notes

why singers choose certain notes

why singers choose certain notes

how to start playing over chord changes - part 10 (Creating Built-In Ideas)

how to start playing over chord changes - part 10 (Creating Built-In Ideas)

easiest way to play whole tone scale over minor Pentatonic

easiest way to play whole tone scale over minor Pentatonic

how to start playing over chord changes - part 9 (Connecting the Two Octaves)

how to start playing over chord changes - part 9 (Connecting the Two Octaves)

a cute bending trick to impress your friends

a cute bending trick to impress your friends

how to start playing over chord changes - part 8 (Copy and Past Licks)

how to start playing over chord changes - part 8 (Copy and Past Licks)

try this hidden octave chord shape

try this hidden octave chord shape

how to start playing over chord changes - part 7 (Chord Shapes in Two Octaves)

how to start playing over chord changes - part 7 (Chord Shapes in Two Octaves)

That one part from the Nuno Bettencourt "Rise" solo

That one part from the Nuno Bettencourt "Rise" solo

that one part in the Nuno Bettencourt solo

that one part in the Nuno Bettencourt solo

use this slidey chord shape

use this slidey chord shape

how to start playing over chord changes - part 6 (Move Down an Octave)

how to start playing over chord changes - part 6 (Move Down an Octave)

Easiest Way to Play Augmented over Minor Pentatonic

Easiest Way to Play Augmented over Minor Pentatonic

how to start playing over chord changes - part 5 (Notes that are in Multiple Chords)

how to start playing over chord changes - part 5 (Notes that are in Multiple Chords)

the copy and paste chord trick

the copy and paste chord trick

how to start playing over chord changes - part 4 (Noticing the function of notes)

how to start playing over chord changes - part 4 (Noticing the function of notes)

how to start playing over chord changes - part 3 (Which Notes are Smooth, Which are Tense)

how to start playing over chord changes - part 3 (Which Notes are Smooth, Which are Tense)

how to start playing over chord changes - part 2 (Adding Simple Notes)

how to start playing over chord changes - part 2 (Adding Simple Notes)

how to start playing over chord changes - part 1 (No Scales)

how to start playing over chord changes - part 1 (No Scales)

LoG's Practical Guide to Playing Flat 5 (b5) In Minor Pentatonic | Pt. 3 - Spicy Flavor

LoG's Practical Guide to Playing Flat 5 (b5) In Minor Pentatonic | Pt. 3 - Spicy Flavor

Easiest way to play Diminished 7 over Minor Pentatonic

Easiest way to play Diminished 7 over Minor Pentatonic

soloing over the never ending chord progression

soloing over the never ending chord progression

The never ending chord progression

The never ending chord progression

LoG's Practical Guide to Playing Flat 5 (b5) In Minor Pentatonic | Pt. 2 - Medium Flavor

LoG's Practical Guide to Playing Flat 5 (b5) In Minor Pentatonic | Pt. 2 - Medium Flavor

using diminished 7 to end the circle progression, it sounds awesome

using diminished 7 to end the circle progression, it sounds awesome

instant classical music with these chords

instant classical music with these chords

easy ways to navigate using diminished 7 in the circle progression

easy ways to navigate using diminished 7 in the circle progression

LoG's Practical Guide to Playing Flat 5 (b5) In Minor Pentatonic | Pt. 1 - Mild Flavor

LoG's Practical Guide to Playing Flat 5 (b5) In Minor Pentatonic | Pt. 1 - Mild Flavor

Diminished 7th chords make things super easy in the circle progression

Diminished 7th chords make things super easy in the circle progression

a very pretty way to resolve this nasty chord

a very pretty way to resolve this nasty chord

getting even darker and mysterious-er with this fancy note in the circle progression

getting even darker and mysterious-er with this fancy note in the circle progression

add this dark and mysterious flavor to the circle progression

add this dark and mysterious flavor to the circle progression

turning chords into leads with this crazy useful sound

turning chords into leads with this crazy useful sound

using dominant 7 as a transition chord is a trick you must know

using dominant 7 as a transition chord is a trick you must know

unlock classical music with these transition chords

unlock classical music with these transition chords

super easy way to sound melodic over the circle progression

super easy way to sound melodic over the circle progression

unlock classical music with this suspended trick

unlock classical music with this suspended trick

unlock classical music with this circle progression trick

unlock classical music with this circle progression trick

easy way to mix leads and chords using the circle progression

easy way to mix leads and chords using the circle progression

How I would write Metal with The 3 Chord (Minor-b2)

How I would write Metal with The 3 Chord (Minor-b2)

simple chord melodies with the circle progression

simple chord melodies with the circle progression

tricky to do, but sounds cool and is a good writing tool

tricky to do, but sounds cool and is a good writing tool

changing the rhythmic grouping of your riffs, It sounds cool.

changing the rhythmic grouping of your riffs, It sounds cool.

turn your leads into chords, It sounds cool.

turn your leads into chords, It sounds cool.

modifying a simple pentatonic melody to make it work

modifying a simple pentatonic melody to make it work

singing A Maj pentatonic over B minor sounds neat

singing A Maj pentatonic over B minor sounds neat

why these chords are so easy to sing over

why these chords are so easy to sing over

singing one note over three chords

singing one note over three chords

Interstellar Funk Groove Jam Party - Backing Track (Dmin6, 126 bpm)

Interstellar Funk Groove Jam Party - Backing Track (Dmin6, 126 bpm)

LoG Pants - My Favorite Way to Approach Soloing (Pretend Chords)

LoG Pants - My Favorite Way to Approach Soloing (Pretend Chords)

know how the note you're singing works over different chords

know how the note you're singing works over different chords

improvise vocal melodies while saying their numbers

improvise vocal melodies while saying their numbers

singing melodies over Major and Minor

singing melodies over Major and Minor

singing the same note while playing major and minor

singing the same note while playing major and minor

memorize the unique colors of notes by singing them.

memorize the unique colors of notes by singing them.

sing and visualize licks while you play chords

sing and visualize licks while you play chords

start visualizing the notes you're singing on guitar

start visualizing the notes you're singing on guitar

try miming scales or licks to strengthen your ear.

try miming scales or licks to strengthen your ear.

strengthen your musical ear by singing simple licks

strengthen your musical ear by singing simple licks

LoG Pants - Major Scale with a Bassline Sounds Awesome

LoG Pants - Major Scale with a Bassline Sounds Awesome

the easiest way to start strengthening your musical ear

the easiest way to start strengthening your musical ear

How I Practice Adapting to Different Positions

How I Practice Adapting to Different Positions

try these simple chords for a darker sound

try these simple chords for a darker sound

what's the deal with my nails

what's the deal with my nails

tilt your pick for smoother and faster playing.

tilt your pick for smoother and faster playing.

LoG Pants - How I Think About and Practice The Fretboard Using a Tiny Lick

LoG Pants - How I Think About and Practice The Fretboard Using a Tiny Lick

the sneaky thumb move during stretchy licks

the sneaky thumb move during stretchy licks

how I hold the guitar when sitting

how I hold the guitar when sitting

things patrons want to learn #5 (Rosenwinkel Solo on "WHOA")

things patrons want to learn #5 (Rosenwinkel Solo on "WHOA")

how you should think about chord shapes (final)

how you should think about chord shapes (final)

LoG Pants - How I Made This Short Funk Tune

LoG Pants - How I Made This Short Funk Tune

how you should think about chord shapes (part 40 - I wrote a tiny song)

how you should think about chord shapes (part 40 - I wrote a tiny song)

how you should think about chord shapes (part 39 - making it funky)

how you should think about chord shapes (part 39 - making it funky)

how you should think about chord shapes (part 38 - finishing the part)

how you should think about chord shapes (part 38 - finishing the part)

how you should think about chord shapes (part 37 - writing a part)

how you should think about chord shapes (part 37 - writing a part)

how you should think about chord shapes (part 36 - small pentatonic chords)

how you should think about chord shapes (part 36 - small pentatonic chords)

how you should think about chord shapes (part 35 - creating licks with color notes)

how you should think about chord shapes (part 35 - creating licks with color notes)

how you should think about chord shapes (part 34 - adding 7 to minor pentatonic)

how you should think about chord shapes (part 34 - adding 7 to minor pentatonic)

how you should think about chord shapes (part 33 - adding b5 to minor pentatonic)

how you should think about chord shapes (part 33 - adding b5 to minor pentatonic)

how you should think about chord shapes (part 32 - adding the 2 to minor pentatonic)

how you should think about chord shapes (part 32 - adding the 2 to minor pentatonic)

how you should think about chord shapes (part 31 - chord tones in minor pentatonic)

how you should think about chord shapes (part 31 - chord tones in minor pentatonic)

how you should think about chord shapes (part 30 - why minor pentatonic is so easy)

how you should think about chord shapes (part 30 - why minor pentatonic is so easy)

how you should think about chord shapes (part 29 - minor pentatonic)

how you should think about chord shapes (part 29 - minor pentatonic)

how you should think about chord shapes (part 28 - chord vs chord)

how you should think about chord shapes (part 28 - chord vs chord)

how you should think about chord shapes (part 27 - improvising)

how you should think about chord shapes (part 27 - improvising)

how you should think about chord shapes (part 26 - targeting chord tones)

how you should think about chord shapes (part 26 - targeting chord tones)

how you should think about chord shapes (part 25 - practicing triad pairs)

how you should think about chord shapes (part 25 - practicing triad pairs)

how you should think about chord shapes (part 24 - triad pairs)

how you should think about chord shapes (part 24 - triad pairs)

how you should think about chord shapes (part 23 - minor)

how you should think about chord shapes (part 23 - minor)

LoG Pants - Playing Dominant 7 Plus the 4th

LoG Pants - Playing Dominant 7 Plus the 4th

how you should think about chord shapes (part 22 - even more passing tones)

how you should think about chord shapes (part 22 - even more passing tones)

how you should think about chord shapes (part 21 - leads with more passing tones)

how you should think about chord shapes (part 21 - leads with more passing tones)

how you should think about chord shapes (part 20 - Dom7 leads in blues)

how you should think about chord shapes (part 20 - Dom7 leads in blues)

how you should think about chord shapes (part 19 - Dom 7 leads in rock/jam band)

how you should think about chord shapes (part 19 - Dom 7 leads in rock/jam band)

how you should think about chord shapes (part 18 - messing with dom7 leads)

how you should think about chord shapes (part 18 - messing with dom7 leads)

how you should think about chord shapes (part 17 - messing around dom 7 chords)

how you should think about chord shapes (part 17 - messing around dom 7 chords)

how you should think about chord shapes (part 16 - dominant 7 chords)

how you should think about chord shapes (part 16 - dominant 7 chords)

how you should think about chord shapes (part 15 - playing flat 7)

how you should think about chord shapes (part 15 - playing flat 7)

how you should think about chord shapes (part 14 - hold the chord, change the bass)

how you should think about chord shapes (part 14 - hold the chord, change the bass)

LoG Pants - Understanding This Chord Melody Short

LoG Pants - Understanding This Chord Melody Short

how you should think about chord shapes (part 13 - adding the 4th)

how you should think about chord shapes (part 13 - adding the 4th)

how you should think about chord shapes (part 12 - the 2 to 3 hammer on)

how you should think about chord shapes (part 12 - the 2 to 3 hammer on)

how you should think about chord shapes (part 11 - creating major 7 chords)

how you should think about chord shapes (part 11 - creating major 7 chords)

how you should think about chord shapes (part 10 - leaving notes out)

how you should think about chord shapes (part 10 - leaving notes out)

how you should think about chord shapes (part 9 - adding the 7th)

how you should think about chord shapes (part 9 - adding the 7th)

how you should think about chord shapes (part 8 - licks I think are cool)

how you should think about chord shapes (part 8 - licks I think are cool)

how you should think about chord shapes (part 7 - creating a scale)

how you should think about chord shapes (part 7 - creating a scale)

how you should think about chord shapes (part 6 - leads, string skips)

how you should think about chord shapes (part 6 - leads, string skips)

how you should think about chord shapes (part 5 - leads, double stops)

how you should think about chord shapes (part 5 - leads, double stops)

how you should think about chord shapes (part 4 - finding cool sounds)

how you should think about chord shapes (part 4 - finding cool sounds)

how you should think about chord shapes (part 3 - adding notes to the right)

how you should think about chord shapes (part 3 - adding notes to the right)

how you should think about chord shapes (part 2 - smaller shapes)

how you should think about chord shapes (part 2 - smaller shapes)

how you should think about chord shapes (part 1 - note order)

how you should think about chord shapes (part 1 - note order)

a common misconception with knowing theory vs playing naturally

a common misconception with knowing theory vs playing naturally

have a musical reason to change positions

have a musical reason to change positions

moving chords one note at a time by ear. It's super awesome.

moving chords one note at a time by ear. It's super awesome.

using chords as leads (tap ▶ below for full video)

using chords as leads (tap ▶ below for full video)

my favorite way to strengthen your ear, learn the same thing everywhere.

my favorite way to strengthen your ear, learn the same thing everywhere.

turning 1 idea into 100 (final - instrumental guitar piece)

turning 1 idea into 100 (final - instrumental guitar piece)

turning 1 idea into 100 (part 16 - (Frankenstein licks)

turning 1 idea into 100 (part 16 - (Frankenstein licks)

turning 1 idea into 100 (part 15 - The power of moving one note)

turning 1 idea into 100 (part 15 - The power of moving one note)

turning 1 idea into 100 (part 14 - finding easy roots)

turning 1 idea into 100 (part 14 - finding easy roots)

turning 1 idea into 100 (part 13 - moving through the key)

turning 1 idea into 100 (part 13 - moving through the key)

turning 1 idea into 100 (part 12 - noticing valuable things)

turning 1 idea into 100 (part 12 - noticing valuable things)

turning 1 idea into 100 (part 11 - fancy dominant licks)

turning 1 idea into 100 (part 11 - fancy dominant licks)

Mini Power Up - Using Small Chords as Leads (Patreon Lesson)

Mini Power Up - Using Small Chords as Leads (Patreon Lesson)

turning 1 idea into 100 (part 10 - switching to dominant 7)

turning 1 idea into 100 (part 10 - switching to dominant 7)

turning 1 idea into 100 (part 9 - switching to minor)

turning 1 idea into 100 (part 9 - switching to minor)

turning 1 idea into 100 (part 8 - adding a vocal melody)

turning 1 idea into 100 (part 8 - adding a vocal melody)

turning 1 idea into 100 (part 7 - creating riff variations)

turning 1 idea into 100 (part 7 - creating riff variations)

turning 1 idea into 100 (part 6 - writing a song with it)

turning 1 idea into 100 (part 6 - writing a song with it)

turning 1 idea into 100 (part 5 - travel licks)

turning 1 idea into 100 (part 5 - travel licks)

turning 1 idea into 100 (part 4 - combining octaves)

turning 1 idea into 100 (part 4 - combining octaves)

turning 1 idea into 100 (part 3 - playing the idea everywhere)

turning 1 idea into 100 (part 3 - playing the idea everywhere)

turning 1 idea into 100 (part 2 - simple modifications)

turning 1 idea into 100 (part 2 - simple modifications)

turning 1 idea into 100 (part 1 - finding the idea)

turning 1 idea into 100 (part 1 - finding the idea)

writing music around different chords in the key ("Clocks" by Coldplay)

writing music around different chords in the key ("Clocks" by Coldplay)

The easiest way to approach major and minor keys

The easiest way to approach major and minor keys

this is how I solo over a tricky chord progression ("Best Part" by H.E.R.)

this is how I solo over a tricky chord progression ("Best Part" by H.E.R.)

this is why I play A minor Pentatonic over F major 7

this is why I play A minor Pentatonic over F major 7

this is why I play C pentatonic over F Maj 7

this is why I play C pentatonic over F Maj 7