Канал: Eiji Obata

III VI II V Pattern #1 (David Baker’s How to Play BEBOP 1 ) - Rhythm Change, A Section

III VI II V Pattern #1 (David Baker’s How to Play BEBOP 1 ) - Rhythm Change, A Section

All of Me (Last Section)Octave Practice - Diminished Pattern #9 (David Baker’s How to Play BEBOP 1 )

All of Me (Last Section)Octave Practice - Diminished Pattern #9 (David Baker’s How to Play BEBOP 1 )

All of Me (Last Section)Octave Practice - Diminished Pattern #8 (David Baker’s How to Play BEBOP 1 )

All of Me (Last Section)Octave Practice - Diminished Pattern #8 (David Baker’s How to Play BEBOP 1 )

All of Me (Last Section)Octave Practice - Diminished Pattern #7 (David Baker’s How to Play BEBOP 1 )

All of Me (Last Section)Octave Practice - Diminished Pattern #7 (David Baker’s How to Play BEBOP 1 )

All of Me (Last Section)Octave Practice - Diminished Pattern #6 (David Baker’s How to Play BEBOP 1 )

All of Me (Last Section)Octave Practice - Diminished Pattern #6 (David Baker’s How to Play BEBOP 1 )

All of Me (Last Section)Octave Practice - Diminished Pattern #5 (David Baker’s How to Play BEBOP 1 )

All of Me (Last Section)Octave Practice - Diminished Pattern #5 (David Baker’s How to Play BEBOP 1 )

All of Me (Last Section)Octave Practice - Diminished Pattern #4 (David Baker’s How to Play BEBOP 1 )

All of Me (Last Section)Octave Practice - Diminished Pattern #4 (David Baker’s How to Play BEBOP 1 )

All of Me (Last Section)Octave Practice - Diminished Pattern #3 (David Baker’s How to Play BEBOP 1 )

All of Me (Last Section)Octave Practice - Diminished Pattern #3 (David Baker’s How to Play BEBOP 1 )

All of Me (Last Section)Octave Practice - Diminished Pattern #2 (David Baker’s How to Play BEBOP 1 )

All of Me (Last Section)Octave Practice - Diminished Pattern #2 (David Baker’s How to Play BEBOP 1 )

All of Me (Last Section)Octave Practice - Diminished Pattern #1 (David Baker’s How to Play BEBOP 1 )

All of Me (Last Section)Octave Practice - Diminished Pattern #1 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #10 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #10 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #9 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #9 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #8 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #8 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #7 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #7 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #6 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #6 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #5 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #5 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #4 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #4 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #3 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #3 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #2 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #2 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #1 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Diminished Pattern #1 (David Baker’s How to Play BEBOP 1 )

Girl from Ipanema (A Sec.) Octave Practice - Whole Tone #10 (David Baker’s How to Play BEBOP 1 )

Girl from Ipanema (A Sec.) Octave Practice - Whole Tone #10 (David Baker’s How to Play BEBOP 1 )

Take The A Train (A Sec.) Octave Practice - Whole Tone #9 (David Baker’s How to Play BEBOP 1 )

Take The A Train (A Sec.) Octave Practice - Whole Tone #9 (David Baker’s How to Play BEBOP 1 )

All The Things You Are - Swing Rhythm Practice (Root and 5th Bass Note on Beat 1 &3 )

All The Things You Are - Swing Rhythm Practice (Root and 5th Bass Note on Beat 1 &3 )

Girl from Ipanema (A Sec.) Octave Practice - Whole Tone #8 (David Baker’s How to Play BEBOP 1 )

Girl from Ipanema (A Sec.) Octave Practice - Whole Tone #8 (David Baker’s How to Play BEBOP 1 )

Girl from Ipanema (A Sec.) Octave Practice - Whole Tone #7 (David Baker’s How to Play BEBOP 1 )

Girl from Ipanema (A Sec.) Octave Practice - Whole Tone #7 (David Baker’s How to Play BEBOP 1 )

Girl from Ipanema (A Sec.) Octave Practice - Whole Tone #6 (David Baker’s How to Play BEBOP 1 )

Girl from Ipanema (A Sec.) Octave Practice - Whole Tone #6 (David Baker’s How to Play BEBOP 1 )

Octave Practice - Whole Tone Pattern #10 (David Baker’s How to Play BEBOP 1 Part II )

Octave Practice - Whole Tone Pattern #10 (David Baker’s How to Play BEBOP 1 Part II )

Octave Practice - Whole Tone Pattern #9 (David Baker’s How to Play BEBOP 1 Part II )

Octave Practice - Whole Tone Pattern #9 (David Baker’s How to Play BEBOP 1 Part II )

Octave Practice - Whole Tone Pattern #8 (David Baker’s How to Play BEBOP 1 Part II )

Octave Practice - Whole Tone Pattern #8 (David Baker’s How to Play BEBOP 1 Part II )

Octave Practice - Whole Tone Pattern #7 (David Baker’s How to Play BEBOP 1 Part II )

Octave Practice - Whole Tone Pattern #7 (David Baker’s How to Play BEBOP 1 Part II )

Octave Practice - Whole Tone Pattern #6 (David Baker’s How to Play BEBOP 1 Part II )

Octave Practice - Whole Tone Pattern #6 (David Baker’s How to Play BEBOP 1 Part II )

Take The A Train (A Sec.) Octave Practice - Whole Tone #5 (David Baker’s How to Play BEBOP 1 )

Take The A Train (A Sec.) Octave Practice - Whole Tone #5 (David Baker’s How to Play BEBOP 1 )

Take The A Train (A Sec.) Octave Practice - Whole Tone #4 (David Baker’s How to Play BEBOP 1 )

Take The A Train (A Sec.) Octave Practice - Whole Tone #4 (David Baker’s How to Play BEBOP 1 )

Take The A Train (A Sec.) Octave Practice - Whole Tone #3 (David Baker’s How to Play BEBOP 1 )

Take The A Train (A Sec.) Octave Practice - Whole Tone #3 (David Baker’s How to Play BEBOP 1 )

Take The A Train (A Sec.) Octave Practice - Whole Tone #2 (David Baker’s How to Play BEBOP 1 )

Take The A Train (A Sec.) Octave Practice - Whole Tone #2 (David Baker’s How to Play BEBOP 1 )

Take The A Train (A Sec.) Octave Practice - Whole Tone #1 (David Baker’s How to Play BEBOP 1 )

Take The A Train (A Sec.) Octave Practice - Whole Tone #1 (David Baker’s How to Play BEBOP 1 )

A Triads from Root bpm20, 16th notes

A Triads from Root bpm20, 16th notes

A Triads from Root bpm30, 16th notes

A Triads from Root bpm30, 16th notes

A Triads from Root bpm40, 16th notes

A Triads from Root bpm40, 16th notes

A Triads from Root bpm50, 16th notes

A Triads from Root bpm50, 16th notes

Octave Practice - Whole Tone Pattern #5 (David Baker’s How to Play BEBOP 1 Part II )

Octave Practice - Whole Tone Pattern #5 (David Baker’s How to Play BEBOP 1 Part II )

Octave Practice - Whole Tone Pattern #4 (David Baker’s How to Play BEBOP 1 Part II )

Octave Practice - Whole Tone Pattern #4 (David Baker’s How to Play BEBOP 1 Part II )

Octave Practice - Whole Tone Pattern #3 (David Baker’s How to Play BEBOP 1 Part II )

Octave Practice - Whole Tone Pattern #3 (David Baker’s How to Play BEBOP 1 Part II )

Octave Practice - Whole Tone Pattern #2 (David Baker’s How to Play BEBOP 1 Part II )

Octave Practice - Whole Tone Pattern #2 (David Baker’s How to Play BEBOP 1 Part II )

Octave Practice - Whole Tone Pattern #1 (David Baker’s How to Play BEBOP 1 Part II )

Octave Practice - Whole Tone Pattern #1 (David Baker’s How to Play BEBOP 1 Part II )

Harmonized A Bebop minor Scale with Min6 and Dim7, Top Strings Set

Harmonized A Bebop minor Scale with Min6 and Dim7, Top Strings Set

Harmonized A Bebop minor Scale with Min6 and Dim7, Middle Strings Set

Harmonized A Bebop minor Scale with Min6 and Dim7, Middle Strings Set

Harmonized A Bebop minor Scale with Min6 and Dim7, Bottom Strings Set

Harmonized A Bebop minor Scale with Min6 and Dim7, Bottom Strings Set

Am6 Drop2nd and Bebop minor Scale, Top Strings Set

Am6 Drop2nd and Bebop minor Scale, Top Strings Set

Am6 Drop2nd and Bebop minor Scale, Middle Strings Set

Am6 Drop2nd and Bebop minor Scale, Middle Strings Set

Am6 Drop2nd and Bebop minor Scale, Bottom Strings Set

Am6 Drop2nd and Bebop minor Scale, Bottom Strings Set

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #10 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #10 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #9 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #9 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #8 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #8 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #7 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #7 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #6 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #6 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #5 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #5 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #4 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #4 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #3 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #3 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #2 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #2 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #1 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - Minor II-V #1 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #10 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #10 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #9 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #9 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #8 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #8 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #7 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #7 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #6 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #6 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #5 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #5 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #4 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #4 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #3 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #3 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #2 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #2 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #1 (David Baker’s How to Play BEBOP 2)

Chord Rhythm, Single Tone & Octave Practice - II-V Pattern #1 (David Baker’s How to Play BEBOP 2)

Octave Practice - II-V Pattern #10 (David Baker’s How to Play BEBOP 2 Chapter 1)

Octave Practice - II-V Pattern #10 (David Baker’s How to Play BEBOP 2 Chapter 1)

Octave Practice - Cm11

Octave Practice - Cm11

Octave Practice - Cm9

Octave Practice - Cm9

Octave Practice - II-V Pattern #9 (David Baker’s How to Play BEBOP 2 Chapter 1)

Octave Practice - II-V Pattern #9 (David Baker’s How to Play BEBOP 2 Chapter 1)

Octave Practice - II-V Pattern #8 (David Baker’s How to Play BEBOP 2 Chapter 1)

Octave Practice - II-V Pattern #8 (David Baker’s How to Play BEBOP 2 Chapter 1)

Bret Willmott’s Harmony Book (Melbay) Chapter 1 Drop 2 Type Voicings #2b

Bret Willmott’s Harmony Book (Melbay) Chapter 1 Drop 2 Type Voicings #2b

Octave Practice - II-V Pattern #7 (David Baker’s How to Play BEBOP 2 Chapter 1)

Octave Practice - II-V Pattern #7 (David Baker’s How to Play BEBOP 2 Chapter 1)

Octave Practice - II-V Pattern #6 (David Baker’s How to Play BEBOP 2 Chapter 1)

Octave Practice - II-V Pattern #6 (David Baker’s How to Play BEBOP 2 Chapter 1)

Octave Practice - II-V Pattern #5 (David Baker’s How to Play BEBOP 2 Chapter 1)

Octave Practice - II-V Pattern #5 (David Baker’s How to Play BEBOP 2 Chapter 1)

Bret Willmott’s Harmony Book (Melbay) Chapter 1 Drop 2 Type Voicings #2a

Bret Willmott’s Harmony Book (Melbay) Chapter 1 Drop 2 Type Voicings #2a

Octave Practice - II-V Pattern #4 (David Baker’s How to Play BEBOP 2 Chapter 1)

Octave Practice - II-V Pattern #4 (David Baker’s How to Play BEBOP 2 Chapter 1)

Octave Practice - II-V Pattern #3 (David Baker’s How to Play BEBOP 2 Chapter 1)

Octave Practice - II-V Pattern #3 (David Baker’s How to Play BEBOP 2 Chapter 1)

Bret Willmott’s Harmony Book (Melbay) Chapter 1 Drop 2 Type Voicings #1

Bret Willmott’s Harmony Book (Melbay) Chapter 1 Drop 2 Type Voicings #1

Octave Practice - II-V Pattern #2 (David Baker’s How to Play BEBOP 2 Chapter 1)

Octave Practice - II-V Pattern #2 (David Baker’s How to Play BEBOP 2 Chapter 1)

Octave Practice - II-V Pattern #1 (David Baker’s How to Play BEBOP 2 Chapter 1)

Octave Practice - II-V Pattern #1 (David Baker’s How to Play BEBOP 2 Chapter 1)

Octave Practice - C Major Scale, 3rds

Octave Practice - C Major Scale, 3rds

Octave Practice - C Major Scale

Octave Practice - C Major Scale

Dm7 (Drop2nd) and Scale Connection

Dm7 (Drop2nd) and Scale Connection

Dm7 (Drop2nd, Middle and Top Set) and Chord Tone Connection

Dm7 (Drop2nd, Middle and Top Set) and Chord Tone Connection

Dm7 (Drop2nd, Bottom and Top Set) and Chord Tone Connection

Dm7 (Drop2nd, Bottom and Top Set) and Chord Tone Connection

9 Notes Sequence- C Major Scale (Start from Descending)

9 Notes Sequence- C Major Scale (Start from Descending)

9 Notes Sequence - Dm7 and Inversions (Start from Descending)

9 Notes Sequence - Dm7 and Inversions (Start from Descending)

9 Notes Sequence- C Major Scale

9 Notes Sequence- C Major Scale

9 Notes Sequence- C Diatonic Chords (Start from Descending)

9 Notes Sequence- C Diatonic Chords (Start from Descending)

9 Notes Sequence - C Major7 and Inversions (Start from Descending)

9 Notes Sequence - C Major7 and Inversions (Start from Descending)

9 Notes per Beat Ascending - Misty (A Section)

9 Notes per Beat Ascending - Misty (A Section)

CMaj7 (Drop2nd, Middle and Top Set) and Chord Tone Connection

CMaj7 (Drop2nd, Middle and Top Set) and Chord Tone Connection

CMaj7 (Drop2nd, Bottom and Top Set) and Chord Tone Connection

CMaj7 (Drop2nd, Bottom and Top Set) and Chord Tone Connection

CMaj7 (Drop2nd, Middle and Top Set) and Major Scale Connection

CMaj7 (Drop2nd, Middle and Top Set) and Major Scale Connection

CMaj7 (Drop2nd, Bottom and Top Set) and Major Scale Connection

CMaj7 (Drop2nd, Bottom and Top Set) and Major Scale Connection

9 Notes Sequence - Bm7(b5) and Inversions

9 Notes Sequence - Bm7(b5) and Inversions

9 Notes Sequence - Amin7 and Inversions

9 Notes Sequence - Amin7 and Inversions

9 Notes Sequence - G7 and Inversions

9 Notes Sequence - G7 and Inversions

9 Notes Sequence - F Major7 and Inversions

9 Notes Sequence - F Major7 and Inversions

9 Notes Sequence - Emin7 and Inversions

9 Notes Sequence - Emin7 and Inversions

9 Notes Sequence - Practicing 2 Octave C Major7 Arpeggio

9 Notes Sequence - Practicing 2 Octave C Major7 Arpeggio

9 Notes Sequence - Dmin7 and Inversions

9 Notes Sequence - Dmin7 and Inversions

9 Notes Sequence - C Major7 and Inversions

9 Notes Sequence - C Major7 and Inversions

9 Notes Sequence- C Diatonic Chords

9 Notes Sequence- C Diatonic Chords

Practicing Descending C Major Scale (9 Notes per Beat - 60 BPM)

Practicing Descending C Major Scale (9 Notes per Beat - 60 BPM)

Playing II-V-I and II-V of IV (Double Time 16th) - Misty (Section A) #8

Playing II-V-I and II-V of IV (Double Time 16th) - Misty (Section A) #8

Playing II-V-I and II-V of IV (Double Time 16th) - Misty (Section A) #7

Playing II-V-I and II-V of IV (Double Time 16th) - Misty (Section A) #7

On The Sunny Side of The Street - Simple Chords and Rhythm Backing 60 BPM

On The Sunny Side of The Street - Simple Chords and Rhythm Backing 60 BPM

Playing II-V-I and II-V of IV (Double Time 16th) - Misty (Section A) #6

Playing II-V-I and II-V of IV (Double Time 16th) - Misty (Section A) #6

Practicing Eb Major Scale (Each Strings), Faster Tempo

Practicing Eb Major Scale (Each Strings), Faster Tempo

Practicing Eb Major Scale (Each Strings)

Practicing Eb Major Scale (Each Strings)

Playing II-V-I and II-V of IV (Double Time 16th) - Misty (Section A) #5

Playing II-V-I and II-V of IV (Double Time 16th) - Misty (Section A) #5

Playing II-V-I and II-V of IV (Double Time 16th) - Misty (Section A) #4

Playing II-V-I and II-V of IV (Double Time 16th) - Misty (Section A) #4

Practicing Bass, C Major Scale 1st Position and Each Strings (3rds)

Practicing Bass, C Major Scale 1st Position and Each Strings (3rds)

Practicing Bb Major Scale (Each Strings), Faster Tempo

Practicing Bb Major Scale (Each Strings), Faster Tempo

Practicing Bb Major Scale (Each Strings)

Practicing Bb Major Scale (Each Strings)

Playing II-V-I and II-V of IV (Double Time 16th) - Misty (Section A) #3

Playing II-V-I and II-V of IV (Double Time 16th) - Misty (Section A) #3

Practicing Bass, C Major Scale 1st Position and Each Strings

Practicing Bass, C Major Scale 1st Position and Each Strings

Practicing F Major Scale (Each Strings), Faster Tempo

Practicing F Major Scale (Each Strings), Faster Tempo

Practicing F Major Scale (Each Strings)

Practicing F Major Scale (Each Strings)

Playing II-V-I and II-V of IV (Double Time 16th) - Misty (Section A) #2

Playing II-V-I and II-V of IV (Double Time 16th) - Misty (Section A) #2

Misty - Simple Chords and Rhythm Backing 60 BPM

Misty - Simple Chords and Rhythm Backing 60 BPM

Playing II-V-I and II-V of IV (Double Time 16th) - Misty (Section A) #1

Playing II-V-I and II-V of IV (Double Time 16th) - Misty (Section A) #1

Playing II-V-I and II-V of IV (Triplets) - I’ll Close My Eyes #8

Playing II-V-I and II-V of IV (Triplets) - I’ll Close My Eyes #8

Playing II-V-I and II-V of IV (Triplets) - I’ll Close My Eyes #7

Playing II-V-I and II-V of IV (Triplets) - I’ll Close My Eyes #7

Playing II-V-I and II-V of IV (Triplets) - I’ll Close My Eyes #6

Playing II-V-I and II-V of IV (Triplets) - I’ll Close My Eyes #6

Playing II-V-I and II-V of IV (Triplets) - I’ll Close My Eyes #5

Playing II-V-I and II-V of IV (Triplets) - I’ll Close My Eyes #5

Playing II-V-I and II-V of IV (Triplets) - I’ll Close My Eyes #4

Playing II-V-I and II-V of IV (Triplets) - I’ll Close My Eyes #4

Playing II-V-I and II-V of IV (Triplets) - I’ll Close My Eyes #3

Playing II-V-I and II-V of IV (Triplets) - I’ll Close My Eyes #3

Playing II-V-I and II-V of IV (Triplets) - I’ll Close My Eyes #2

Playing II-V-I and II-V of IV (Triplets) - I’ll Close My Eyes #2

Playing II-V-I and II-V of IV (Triplets) - I’ll Close My Eyes #1

Playing II-V-I and II-V of IV (Triplets) - I’ll Close My Eyes #1

Playing II-V-I and II-V of IV (Double Time Triplets) - Misty (Section A) #8

Playing II-V-I and II-V of IV (Double Time Triplets) - Misty (Section A) #8

Playing II-V-I and II-V of IV (Double Time Triplets) - Misty (Section A) #7

Playing II-V-I and II-V of IV (Double Time Triplets) - Misty (Section A) #7

Playing II-V-I and II-V of IV (Double Time Triplets) - Misty (Section A) #6

Playing II-V-I and II-V of IV (Double Time Triplets) - Misty (Section A) #6

Playing II-V-I and II-V of IV (Double Time Triplets) - Misty (Section A) #5

Playing II-V-I and II-V of IV (Double Time Triplets) - Misty (Section A) #5

Playing II-V-I and II-V of IV (Double Time Triplets) - Misty (Section A) #4

Playing II-V-I and II-V of IV (Double Time Triplets) - Misty (Section A) #4

Playing II-V-I and II-V of IV (Double Time Triplets) - Misty (Section A) #3

Playing II-V-I and II-V of IV (Double Time Triplets) - Misty (Section A) #3

Playing II-V-I and II-V of IV (Double Time Triplets) - Misty (Section A) #2

Playing II-V-I and II-V of IV (Double Time Triplets) - Misty (Section A) #2

Playing II-V-I and II-V of IV (Double Time Triplets) - Misty (Section A) #1

Playing II-V-I and II-V of IV (Double Time Triplets) - Misty (Section A) #1

Playing II-V-I and II-V of IV - There Will Never Be Another You #8

Playing II-V-I and II-V of IV - There Will Never Be Another You #8

Playing II-V-I and II-V of IV - There Will Never Be Another You #7

Playing II-V-I and II-V of IV - There Will Never Be Another You #7

Playing II-V-I and II-V of IV - There Will Never Be Another You #6

Playing II-V-I and II-V of IV - There Will Never Be Another You #6

Playing II-V-I and II-V of IV - There Will Never Be Another You #5

Playing II-V-I and II-V of IV - There Will Never Be Another You #5

Playing II-V-I and II-V of IV - There Will Never Be Another You #4

Playing II-V-I and II-V of IV - There Will Never Be Another You #4

Playing II-V-I and II-V of IV - There Will Never Be Another You #3

Playing II-V-I and II-V of IV - There Will Never Be Another You #3

Playing II-V-I and II-V of IV - There Will Never Be Another You #2

Playing II-V-I and II-V of IV - There Will Never Be Another You #2

Playing II-V-I and II-V of IV - There Will Never Be Another You #1

Playing II-V-I and II-V of IV - There Will Never Be Another You #1

Approach Note Study - From Wole Step Above Notes to C Triad

Approach Note Study - From Wole Step Above Notes to C Triad

Playing II -V of IV - There Will Never Be Another You #8

Playing II -V of IV - There Will Never Be Another You #8

Playing II -V of IV - There Will Never Be Another You #7

Playing II -V of IV - There Will Never Be Another You #7

Playing II -V of IV - There Will Never Be Another You #6

Playing II -V of IV - There Will Never Be Another You #6

Playing II -V of IV - There Will Never Be Another You #5

Playing II -V of IV - There Will Never Be Another You #5

Playing II -V of IV - There Will Never Be Another You #4

Playing II -V of IV - There Will Never Be Another You #4

Playing II -V of IV - There Will Never Be Another You #3

Playing II -V of IV - There Will Never Be Another You #3

Playing II -V of IV - There Will Never Be Another You #2

Playing II -V of IV - There Will Never Be Another You #2

Playing II -V of IV - There Will Never Be Another You #1

Playing II -V of IV - There Will Never Be Another You #1

Approach Note Study - Half Step Below to C (Triplet)

Approach Note Study - Half Step Below to C (Triplet)

Approach Note Study - Half Step Below to C

Approach Note Study - Half Step Below to C

Enclosure from Lower scale tone approach to II Dim. (Descending) II-V-I, 16th #4

Enclosure from Lower scale tone approach to II Dim. (Descending) II-V-I, 16th #4

Enclosure from Lower scale tone approach to II Dim. (Descending) II-V-I, 16th #3

Enclosure from Lower scale tone approach to II Dim. (Descending) II-V-I, 16th #3

Enclosure from Lower scale tone approach to II Dim. (Descending) II-V-I, 16th #2

Enclosure from Lower scale tone approach to II Dim. (Descending) II-V-I, 16th #2

Enclosure from Lower scale tone approach to II Dim. (Descending) II-V-I, 16th #1

Enclosure from Lower scale tone approach to II Dim. (Descending) II-V-I, 16th #1

Enclosure from Lower scale tone approach to II Dim. II-V-I, 16th #4

Enclosure from Lower scale tone approach to II Dim. II-V-I, 16th #4

Enclosure from Lower scale tone approach to II Dim. II-V-I, 16th #3

Enclosure from Lower scale tone approach to II Dim. II-V-I, 16th #3

Enclosure from Lower scale tone approach to II Dim. II-V-I, 16th #2

Enclosure from Lower scale tone approach to II Dim. II-V-I, 16th #2

Enclosure from Lower scale tone approach to II Dim. II-V-I, 16th #1

Enclosure from Lower scale tone approach to II Dim. II-V-I, 16th #1

Enclosure from Lower scale tone approach to II Dim. (Descending) II-V-I, Triplet #4

Enclosure from Lower scale tone approach to II Dim. (Descending) II-V-I, Triplet #4

Enclosure from Lower scale tone approach to II Dim. (Descending) II-V-I, Triplet #3

Enclosure from Lower scale tone approach to II Dim. (Descending) II-V-I, Triplet #3

Enclosure from Lower scale tone approach to II Dim. (Descending) II-V-I, Triplet #2

Enclosure from Lower scale tone approach to II Dim. (Descending) II-V-I, Triplet #2

Enclosure from Lower scale tone approach to II Dim. (Descending) II-V-I, Triplet #1

Enclosure from Lower scale tone approach to II Dim. (Descending) II-V-I, Triplet #1

Enclosure from Lower scale tone approach to II Dim. II-V-I, Triplet #4

Enclosure from Lower scale tone approach to II Dim. II-V-I, Triplet #4

Enclosure from Lower scale tone approach to II Dim. II-V-I, Triplet #3

Enclosure from Lower scale tone approach to II Dim. II-V-I, Triplet #3

Enclosure from Lower scale tone approach to II Dim. II-V-I, Triplet #2

Enclosure from Lower scale tone approach to II Dim. II-V-I, Triplet #2

Enclosure from Lower scale tone approach to II Dim. II-V-I, Triplet #1

Enclosure from Lower scale tone approach to II Dim. II-V-I, Triplet #1

Enclosure from upper scale tone approach to II Dim. (Descending) II-V-I, 16th #4

Enclosure from upper scale tone approach to II Dim. (Descending) II-V-I, 16th #4

Enclosure from upper scale tone approach to II Dim. (Descending) II-V-I, 16th #3

Enclosure from upper scale tone approach to II Dim. (Descending) II-V-I, 16th #3

Enclosure from upper scale tone approach to II Dim. (Descending) II-V-I, 16th #2

Enclosure from upper scale tone approach to II Dim. (Descending) II-V-I, 16th #2

Enclosure from upper scale tone approach to II Dim. (Descending) II-V-I, 16th #1

Enclosure from upper scale tone approach to II Dim. (Descending) II-V-I, 16th #1

Enclosure from upper scale tone approach to II Dim. II-V-I, 16th #4

Enclosure from upper scale tone approach to II Dim. II-V-I, 16th #4

Enclosure from upper scale tone approach to II Dim. II-V-I, 16th #3

Enclosure from upper scale tone approach to II Dim. II-V-I, 16th #3

Enclosure from upper scale tone approach to II Dim. II-V-I, 16th #2

Enclosure from upper scale tone approach to II Dim. II-V-I, 16th #2

Enclosure from upper scale tone approach to II Dim. II-V-I, 16th #1

Enclosure from upper scale tone approach to II Dim. II-V-I, 16th #1

Enclosure from upper scale tone approach to II Dim. (Descending) II-V-I, Triplet #4

Enclosure from upper scale tone approach to II Dim. (Descending) II-V-I, Triplet #4

Enclosure from upper scale tone approach to II Dim. (Descending) II-V-I, Triplet #3

Enclosure from upper scale tone approach to II Dim. (Descending) II-V-I, Triplet #3

Enclosure from upper scale tone approach to II Dim. (Descending) II-V-I, Triplet #2

Enclosure from upper scale tone approach to II Dim. (Descending) II-V-I, Triplet #2

Enclosure from upper scale tone approach to II Dim. (Descending) II-V-I, Triplet #1

Enclosure from upper scale tone approach to II Dim. (Descending) II-V-I, Triplet #1

Enclosure from upper scale tone approach to II Dim. II-V-I, Triplet #4

Enclosure from upper scale tone approach to II Dim. II-V-I, Triplet #4

Enclosure from upper scale tone approach to II Dim. II-V-I, Triplet #3

Enclosure from upper scale tone approach to II Dim. II-V-I, Triplet #3

Enclosure from upper scale tone approach to II Dim. II-V-I, Triplet #2

Enclosure from upper scale tone approach to II Dim. II-V-I, Triplet #2

Enclosure from upper scale tone approach to II Dim. II-V-I, Triplet #1

Enclosure from upper scale tone approach to II Dim. II-V-I, Triplet #1

Whole Tone Approach to II Dim. II-V-I #4

Whole Tone Approach to II Dim. II-V-I #4

Whole Tone Approach to II Dim. II-V-I #3

Whole Tone Approach to II Dim. II-V-I #3

Whole Tone Approach to II Dim. II-V-I #2

Whole Tone Approach to II Dim. II-V-I #2

Whole Tone Approach to II Dim. II-V-I #1

Whole Tone Approach to II Dim. II-V-I #1