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Lesson JAZ.CP.3: Melody & Final Touches
Mr. Clark Music Theory
109 подписчиков
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200 видео с канала:
Mr. Clark Music Theory
Lesson JAZ.CP.3: Melody & Final Touches
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Lesson JAZ.CP.2: Voicing
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Lesson JAZ.CP.1: Form & Chords
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Lesson JAZ.ET.3: Contrafact
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Lesson JAZ.ET.2: Chords
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Lesson JAZ.ET.1: Melody
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Lesson JAZ.4.3: Rhythm Changes
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Lesson JAZ.4.2: 32-Bar Forms
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Lesson JAZ.4.1 - 12-Bar Blues
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Lesson JAZ.3.4: Modal Harmony
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Lesson JAZ.3.3: Chord-Scale Theory
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Lesson JAZ.3.2: Tritone Substitutions
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Lesson JAZ.3.1 - ii-V-I
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Lesson JAZ.2.4: Voicings
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Lesson JAZ.2.3: Chord Extensions
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Lesson JAZ.2.2: Four-Note Chords
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Lesson JAZ.2.1: Three-Note Chords
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Lesson JAZ.1.6: Whole Tone & Octatonic Scales
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Lesson JAZ.1.5: Pentatonic & Blues Scales
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Lesson JAZ.1.4: Modes of the Melodic Minor Scale
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Lesson JAZ.1.3: Modes of the Major Scale
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Lesson JAZ.1.2: Jazz Articulations
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Lesson JAZ.1.1: Swing Rhythm
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Lesson 6.CP.1: Setting Up Shop
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Lesson 4.CP.1: Setting Up Shop
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Lesson 2.CP.1: Setting Up Shop
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Lesson MED.CP.4: Medieval Notation
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Lesson MED.CP.3: Motet
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Lesson MED.CP.2: Substitute Clausula
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Lesson MED.CP.1: 2-Part Organum
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Lesson MED.ET.2: Medieval Notation
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Lesson MED.ET.1: Modern Notation
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Lesson MED.5.4: Harmonic Developments in the 1300s
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Lesson MED.5.3: Musica Ficta
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Lesson MED.5.2: Harmony and Cadences
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Lesson MED.5.1: Early Note-Against-Note Counterpoint
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Lesson MED.4.7: Ars Subtilior
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Lesson MED.4.6: Trecento Notation
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Lesson MED.4.5: Mensural Notation - Ars Nova
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Lesson MED.4.4: Franconian Notation and the Petronian Dot of Division
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Lesson MED.4.3: Pre-Franconian Notation
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Lesson MED.4.2: Modal Rhythm - Notational Issues
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Lesson MED.4.1: Modal Rhythm
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Lesson MED.3.5: Isorhythm
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Lesson MED.3.4: Secular Forms
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Lesson MED.3.3: Polyphonic Chant
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Lesson MED.3.2: Monophonic Chant - The Mass
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Lesson MED 3.3.1: Monophonic Chant - The Divine Office
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Lesson MED 2.3: Hexachord Mutation
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Lesson MED 2.2.2: Hexachords and the Guidonian Hand
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Lesson MED.2.1: Gregorian Modes
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Lesson MED.1.4: Modern Neumes
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Lesson MED.1.3: The Medieval Staff & Clefs
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Lesson MED.1.2: Daesian Notation
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Lesson MED.1.1: Unheighted Neumes
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Lesson 12.CP.6: Putting It All Together
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Lesson 12.CP.5: Writing an Intro/Outro
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Lesson 12.CP.4: Writing an Instrumental
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Lesson 12.CP.3: Writing a Bridge
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Lesson 12.CP.2: Writing Verses
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Lesson 12.ET.1: Melody
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Lesson 12.CP.1: Writing a Chorus
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Lesson 12.ET.3: Contrafact
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Lesson 12.ET.2: Bass Line & Chords
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Lesson 12.5.4: Analyzing Sonata Form
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Lesson 12.5.3: The Recapitulation
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Lesson 12.5.2: The Development
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Lesson 12.5.1: The Exposition
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Lesson 12.4.5: 5:4 with Triplets
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Lesson 12.4.4: Transformational Analysis
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Lesson 12.4.3: Power Towers
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Lesson 12.4.2: Boretz Regions
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Lesson 12.4.1: Boretz Operators
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Lesson 12.3.4: 5:4 with Sixteenths
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Lesson 12.3.3: Octatonic Regions
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Lesson 12.3.2: Octatonic Operators
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Lesson 12.3.1: Nearly-Even Tetrachords
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Lesson 12.2.5: 5:4 with Eighths
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Lesson 12.2.4: Voice-Leading Zones
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Lesson 12.2.3: Cube Dance
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Lesson 12.2.2: Weitzmann Regions
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Lesson 12.2.1: R, N, and S Operators
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Lesson 12.1.5: An Introduction to 5:4 Polyrhythms
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Lesson 12.1.4: Hexatonic Regions
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Lesson 12.1.3: P, L, and H Operators
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Lesson 12.1.2: The Tonnetz
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Lesson 12.1.1: The Pitch Wheel
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Lesson 11.ET.3: Contrafact
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Lesson 11.ET.2: Bass Line & Chords
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Lesson 11.ET.1: Aeolian Melodies
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Lesson 11.5.5: Verse-Chorus Form
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Lesson 11.5.4: 32-bar Form
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Lesson 11.5.3: Through-Composed Form
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Lesson 11.5.2: Strophic Form
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Lesson 11.4.6: 3:4 with Triplets
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Lesson 11.5.1: Da Capo Aria Form
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Lesson 11.4.5: Ger+6 Modulations - Analysis
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Lesson 11.4.4: Ger+6 Modulation - Resolutions
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Lesson 11.4.3: Chromatic Pivot Chord Modulation
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Lesson 11.4.2: o7 Modulation - Analysis
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Lesson 11.4.1: o7 Modulation - Resolutions
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Lesson 11.3.5: 3:4 with Sixteenths
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Lesson 11.3.4: Analyzing Augmented-Sixth Chords
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Lesson 11.3.3: German Augmented-Sixth Chords
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Lesson 11.3.2: French Augmented-Sixth Chords
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Lesson 11.3.1: Italian Augmented-Sixth Chords
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Lesson 11.2.3: 3:4 with Eighth Notes
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Lesson 11.2.2: Analyzing the Neapolitan
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Lesson 11.2.1: Writing & Resolving the Neapolitan
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Lesson 11.1.4: An Introduction to 3:4 Polyrhythms
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Lesson 11.1.3: Tonicizing Mixture Chords
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Lesson 11.1.2: Analyzing Mixture Chords
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Lesson 11.1.1: Writing & Resolving Mixture Chords
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Lesson 10.CP.6: Assembly Time
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Lesson 10.CP.5: Free Choice Variation
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Lesson 10.CP.4: Modal Variation
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Lesson 10.CP.3: Metric Variation
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Lesson 10.CP.2: Embellishment
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Lesson 10.CP.1: Writing a Theme
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Lesson 10.ET.4: Contrafact
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Lesson 10.ET.3: Voice Leading
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Lesson 10.ET.2: Chord Progression
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Lesson 10.ET.1: Melody
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Lesson 10.4.6: Rondo
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Lesson 10.4.5: Sectional Variations
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Lesson 10.4.4: Continuous Variations
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Lesson 10.4.3: Composite Forms
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Lesson 10.4.2: Ternary Form
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Lesson 10.4.1: Binary Form
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Lesson 10.3.3: 3:2 with Triplets
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Lesson 10.3.2: Other Chromatic Sequences
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Lesson 10.3.1: Chromatic D5 Sequences
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Lesson 10.2.3: 3:2 with Sixteenths
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Lesson 10.2.2: Common Tone Modulation
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Lesson 10.2.1: Direct Modulation
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Lesson 10.1.4: An Introduction to 3:2 Polyrhythm
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Lesson 10.1.3: Writing Pivot Chords
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Lesson 10.1.2: Analyzing Pivot Chords
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Lesson 10.1.1: Closely Related Keys
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Lesson 9.ET.4: Contrafact
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Lesson 9.ET.3: Voice Leading
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Lesson 9.ET.2: Chord Progression
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Lesson 9.ET.1: Melody
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Lesson 9.3.5: Metric Modulation - Microbeat Constant
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Lesson 9.3.4: Secondary Chords in Sequences
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Lesson 9.3.3: Analyzing Secondary Chords
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Lesson 9.3.2: Identifying Secondary Chords
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Lesson 9.3.1: Writing & Resolving Secondary Chords
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Lesson 9.2.3: Metric Moduluation - Macrobeat Constant
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Lesson 9.2.2: Analyzing viio(7)/V
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Lesson 9.2.1: Writing & Resolving viio(7)/V
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Lesson 9.1.4: Mixed Meter - Simple or Compound Time
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Lesson 9.1.3: Analyzing V(7)/V
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Lesson 9.1.2: Writing V(7)/V in the BPM
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Lesson 9.1.1: Writing and Resolving V(7)/V
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Lesson 8.CP.6: Assembly Time
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Lesson 8.CP.5: The Final Phrase
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Lesson 8.CP.4: Writing a Sentence
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Lesson 8.CP.3: A Second Embellishment
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Lesson 8.CP.2: Writing & Embellishing a Melody
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Lesson 8.CP.1: Planning a Period
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Lesson 8.ET.5: Contrafact
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Lesson 8.ET.4: Inner Voices
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Lesson 8.ET.3: Bass Line
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Lesson 8.ET.2: Melody
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Lesson 8.ET.1: Mixolydian Key Signatures
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Lesson 8.4.5: Ascending 6/3 Sequences
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Lesson 8.4.4: Ascending 5th Sequences
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Lesson 8.4.3: Descending 6/3 Sequences
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Lesson 8.4.2: Pachelbel Sequences
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Lesson 8.4.1: Descending 5th Sequences
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Lesson 8.3.2: Voice-Leading Diatonic Triads
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Lesson 8.3.1: Voice-Leading iii/bIII
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Lesson 8.2.3: Compound-Combined Meter
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Lesson 8.2.2: Diminished Seventh Chords
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Lesson 8.2.1: Diminished Triads
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Lesson 7.ET.5: Contrafact
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Lesson 7.ET.4: Inner Voices
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Lesson 7.ET.3: Bass Line
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Lesson 7.ET.2: Melody
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Lesson 7.ET.1: Dorian Key Signatures
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Lesson 8.1.3: Simple-Combined Meter
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Lesson 8.1.2: Cadential 6/4 Chords
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Lesson 8.1.1: Arpeggiating, Neighbor, and Passing 6/4 Chords
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Lesson 7.3.6: Irregular 3-beat Meters, Divisions
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Lesson 7.3.5: Irregular 2-beat Meters, Divisions
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Lesson 7.3.4: Expanding the Basic Phrase Model
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Lesson 7.3.3: Voice leading vi/bVI
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Lesson 7.3.2: Voice leading ii(o)
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Lesson 7.3.1: Voice leading IV/iv
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Lesson 7.2.5: Irregular 3-beat Meters, Macrobeat/Microbeat
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Lesson 7.2.4: Voiceleading V7-I/i
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Lesson 7.2.3: Voiceleading V-I/i
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Lesson 7.2.2: Expanding Tonic
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Lesson 7.2.1: The Basic Phrase Model
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Lesson 7.1.4: Irregular 2-beat Meters, Macrobeat/Microbeat
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Lesson 7.1.3: Phrases
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Lesson 7.1.2: Cadences
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Lesson 7.1.1: Writing in Four Parts
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Lesson 6.CP.5: All Your Ducks In A Row
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Канал: Mr. Clark Music Theory
Lesson JAZ.CP.3: Melody & Final Touches
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Lesson JAZ.CP.2: Voicing
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Lesson JAZ.CP.1: Form & Chords
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Lesson JAZ.ET.3: Contrafact
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Lesson JAZ.ET.2: Chords
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Lesson JAZ.ET.1: Melody
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Lesson JAZ.4.3: Rhythm Changes
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Lesson JAZ.4.2: 32-Bar Forms
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Lesson JAZ.4.1 - 12-Bar Blues
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Lesson JAZ.3.4: Modal Harmony
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Lesson JAZ.3.3: Chord-Scale Theory
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Lesson JAZ.3.2: Tritone Substitutions
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Lesson JAZ.3.1 - ii-V-I
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Lesson JAZ.2.4: Voicings
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Lesson JAZ.2.3: Chord Extensions
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Lesson JAZ.2.2: Four-Note Chords
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Lesson JAZ.2.1: Three-Note Chords
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Lesson JAZ.1.6: Whole Tone & Octatonic Scales
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Lesson JAZ.1.5: Pentatonic & Blues Scales
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Lesson JAZ.1.4: Modes of the Melodic Minor Scale
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Lesson JAZ.1.3: Modes of the Major Scale
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Lesson JAZ.1.2: Jazz Articulations
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Lesson JAZ.1.1: Swing Rhythm
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Lesson 6.CP.1: Setting Up Shop
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Lesson 4.CP.1: Setting Up Shop
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Lesson 2.CP.1: Setting Up Shop
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Lesson MED.CP.4: Medieval Notation
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Lesson MED.CP.3: Motet
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Lesson MED.CP.2: Substitute Clausula
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Lesson MED.CP.1: 2-Part Organum
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Lesson MED.ET.2: Medieval Notation
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Lesson MED.ET.1: Modern Notation
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Lesson MED.5.4: Harmonic Developments in the 1300s
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Lesson MED.5.3: Musica Ficta
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Lesson MED.5.2: Harmony and Cadences
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Lesson MED.5.1: Early Note-Against-Note Counterpoint
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Lesson MED.4.7: Ars Subtilior
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Lesson MED.4.6: Trecento Notation
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Lesson MED.4.5: Mensural Notation - Ars Nova
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Lesson MED.4.4: Franconian Notation and the Petronian Dot of Division
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Lesson MED.4.3: Pre-Franconian Notation
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Lesson MED.4.2: Modal Rhythm - Notational Issues
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Lesson MED.4.1: Modal Rhythm
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Lesson MED.3.5: Isorhythm
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Lesson MED.3.4: Secular Forms
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Lesson MED.3.3: Polyphonic Chant
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Lesson MED.3.2: Monophonic Chant - The Mass
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Lesson MED 3.3.1: Monophonic Chant - The Divine Office
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Lesson MED 2.3: Hexachord Mutation
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Lesson MED 2.2.2: Hexachords and the Guidonian Hand
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Lesson MED.2.1: Gregorian Modes
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Lesson MED.1.4: Modern Neumes
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Lesson MED.1.3: The Medieval Staff & Clefs
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Lesson MED.1.2: Daesian Notation
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Lesson MED.1.1: Unheighted Neumes
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Lesson 12.CP.6: Putting It All Together
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Lesson 12.CP.5: Writing an Intro/Outro
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Lesson 12.CP.4: Writing an Instrumental
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Lesson 12.CP.3: Writing a Bridge
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Lesson 12.CP.2: Writing Verses
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Lesson 12.ET.1: Melody
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Lesson 12.CP.1: Writing a Chorus
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Lesson 12.ET.3: Contrafact
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Lesson 12.ET.2: Bass Line & Chords
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Lesson 12.5.4: Analyzing Sonata Form
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Lesson 12.5.3: The Recapitulation
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Lesson 12.5.2: The Development
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Lesson 12.5.1: The Exposition
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Lesson 12.4.5: 5:4 with Triplets
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Lesson 12.4.4: Transformational Analysis
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Lesson 12.4.3: Power Towers
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Lesson 12.4.2: Boretz Regions
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Lesson 12.4.1: Boretz Operators
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Lesson 12.3.4: 5:4 with Sixteenths
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Lesson 12.3.3: Octatonic Regions
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Lesson 12.3.2: Octatonic Operators
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Lesson 12.3.1: Nearly-Even Tetrachords
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Lesson 12.2.5: 5:4 with Eighths
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Lesson 12.2.4: Voice-Leading Zones
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Lesson 12.2.3: Cube Dance
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Lesson 12.2.2: Weitzmann Regions
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Lesson 12.2.1: R, N, and S Operators
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Lesson 12.1.5: An Introduction to 5:4 Polyrhythms
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Lesson 12.1.4: Hexatonic Regions
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Lesson 12.1.3: P, L, and H Operators
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Lesson 12.1.2: The Tonnetz
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Lesson 12.1.1: The Pitch Wheel
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Lesson 11.ET.3: Contrafact
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Lesson 11.ET.2: Bass Line & Chords
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Lesson 11.ET.1: Aeolian Melodies
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Lesson 11.5.5: Verse-Chorus Form
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Lesson 11.5.4: 32-bar Form
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Lesson 11.5.3: Through-Composed Form
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Lesson 11.5.2: Strophic Form
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Lesson 11.4.6: 3:4 with Triplets
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Lesson 11.5.1: Da Capo Aria Form
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Lesson 11.4.5: Ger+6 Modulations - Analysis
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Lesson 11.4.4: Ger+6 Modulation - Resolutions
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Lesson 11.4.3: Chromatic Pivot Chord Modulation
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Lesson 11.4.2: o7 Modulation - Analysis
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Lesson 11.4.1: o7 Modulation - Resolutions
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Lesson 11.3.5: 3:4 with Sixteenths
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Lesson 11.3.4: Analyzing Augmented-Sixth Chords
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Lesson 11.3.3: German Augmented-Sixth Chords
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Lesson 11.3.2: French Augmented-Sixth Chords
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Lesson 11.3.1: Italian Augmented-Sixth Chords
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Lesson 11.2.3: 3:4 with Eighth Notes
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Lesson 11.2.2: Analyzing the Neapolitan
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Lesson 11.2.1: Writing & Resolving the Neapolitan
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Lesson 11.1.4: An Introduction to 3:4 Polyrhythms
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Lesson 11.1.3: Tonicizing Mixture Chords
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Lesson 11.1.2: Analyzing Mixture Chords
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Lesson 11.1.1: Writing & Resolving Mixture Chords
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Lesson 10.CP.6: Assembly Time
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Lesson 10.CP.5: Free Choice Variation
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Lesson 10.CP.4: Modal Variation
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Lesson 10.CP.3: Metric Variation
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Lesson 10.CP.2: Embellishment
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Lesson 10.CP.1: Writing a Theme
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Lesson 10.ET.4: Contrafact
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Lesson 10.ET.3: Voice Leading
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Lesson 10.ET.2: Chord Progression
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Lesson 10.ET.1: Melody
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Lesson 10.4.6: Rondo
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Lesson 10.4.5: Sectional Variations
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Lesson 10.4.4: Continuous Variations
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Lesson 10.4.3: Composite Forms
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Lesson 10.4.2: Ternary Form
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Lesson 10.4.1: Binary Form
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Lesson 10.3.3: 3:2 with Triplets
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Lesson 10.3.2: Other Chromatic Sequences
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Lesson 10.3.1: Chromatic D5 Sequences
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Lesson 10.2.3: 3:2 with Sixteenths
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Lesson 10.2.2: Common Tone Modulation
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Lesson 10.2.1: Direct Modulation
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Lesson 10.1.4: An Introduction to 3:2 Polyrhythm
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Lesson 10.1.3: Writing Pivot Chords
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Lesson 10.1.2: Analyzing Pivot Chords
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Lesson 10.1.1: Closely Related Keys
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Lesson 9.ET.4: Contrafact
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Lesson 9.ET.3: Voice Leading
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Lesson 9.ET.2: Chord Progression
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Lesson 9.ET.1: Melody
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Lesson 9.3.5: Metric Modulation - Microbeat Constant
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Lesson 9.3.4: Secondary Chords in Sequences
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Lesson 9.3.3: Analyzing Secondary Chords
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Lesson 9.3.2: Identifying Secondary Chords
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Lesson 9.3.1: Writing & Resolving Secondary Chords
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Lesson 9.2.3: Metric Moduluation - Macrobeat Constant
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Lesson 9.2.2: Analyzing viio(7)/V
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Lesson 9.2.1: Writing & Resolving viio(7)/V
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Lesson 9.1.4: Mixed Meter - Simple or Compound Time
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Lesson 9.1.3: Analyzing V(7)/V
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Lesson 9.1.2: Writing V(7)/V in the BPM
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Lesson 9.1.1: Writing and Resolving V(7)/V
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Lesson 8.CP.6: Assembly Time
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Lesson 8.CP.5: The Final Phrase
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Lesson 8.CP.4: Writing a Sentence
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Lesson 8.CP.3: A Second Embellishment
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Lesson 8.CP.2: Writing & Embellishing a Melody
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Lesson 8.CP.1: Planning a Period
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Lesson 8.ET.5: Contrafact
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Lesson 8.ET.4: Inner Voices
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Lesson 8.ET.3: Bass Line
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Lesson 8.ET.2: Melody
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Lesson 8.ET.1: Mixolydian Key Signatures
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Lesson 8.4.5: Ascending 6/3 Sequences
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Lesson 8.4.4: Ascending 5th Sequences
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Lesson 8.4.3: Descending 6/3 Sequences
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Lesson 8.4.2: Pachelbel Sequences
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Lesson 8.4.1: Descending 5th Sequences
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Lesson 8.3.2: Voice-Leading Diatonic Triads
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Lesson 8.3.1: Voice-Leading iii/bIII
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Lesson 8.2.3: Compound-Combined Meter
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Lesson 8.2.2: Diminished Seventh Chords
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Lesson 8.2.1: Diminished Triads
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Lesson 7.ET.5: Contrafact
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Lesson 7.ET.4: Inner Voices
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Lesson 7.ET.3: Bass Line
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Lesson 7.ET.2: Melody
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Lesson 7.ET.1: Dorian Key Signatures
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Lesson 8.1.3: Simple-Combined Meter
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Lesson 8.1.2: Cadential 6/4 Chords
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Lesson 8.1.1: Arpeggiating, Neighbor, and Passing 6/4 Chords
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Lesson 7.3.6: Irregular 3-beat Meters, Divisions
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Lesson 7.3.5: Irregular 2-beat Meters, Divisions
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Lesson 7.3.4: Expanding the Basic Phrase Model
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Lesson 7.3.3: Voice leading vi/bVI
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Lesson 7.3.2: Voice leading ii(o)
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Lesson 7.3.1: Voice leading IV/iv
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Lesson 7.2.5: Irregular 3-beat Meters, Macrobeat/Microbeat
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Lesson 7.2.4: Voiceleading V7-I/i
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Lesson 7.2.3: Voiceleading V-I/i
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Lesson 7.2.2: Expanding Tonic
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Lesson 7.2.1: The Basic Phrase Model
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Lesson 7.1.4: Irregular 2-beat Meters, Macrobeat/Microbeat
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Lesson 7.1.3: Phrases
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Lesson 7.1.2: Cadences
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Lesson 7.1.1: Writing in Four Parts
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Lesson 6.CP.5: All Your Ducks In A Row
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