Канал: ArtSongAlliance

The UniverSOUL Language: Italian, French, Creole, and German Songs

The UniverSOUL Language: Italian, French, Creole, and German Songs

“Tools for Improvisation/Interpretation: Sing Your Soul” (Workshop)

“Tools for Improvisation/Interpretation: Sing Your Soul” (Workshop)

A Salute to Margaret Bonds (1913 – 1972) (Performance)

A Salute to Margaret Bonds (1913 – 1972) (Performance)

Composers’ Forum Panel Discussion

Composers’ Forum Panel Discussion

Master Class with Bonita Hyman (Metropolitan Opera)

Master Class with Bonita Hyman (Metropolitan Opera)

Lectures by Bill Doggett & Nicole Jenkins

Lectures by Bill Doggett & Nicole Jenkins

In Memorium – Dorothy Rudd Moore (Performance)

In Memorium – Dorothy Rudd Moore (Performance)

For the Love of Langston (Performance)

For the Love of Langston (Performance)

Early Development of the Spiritual in the Harlem Renaissance (Lecture)

Early Development of the Spiritual in the Harlem Renaissance (Lecture)

A Century of Musical Perspectives on Georgia Douglas Johnson (Lecture-Recital)

A Century of Musical Perspectives on Georgia Douglas Johnson (Lecture-Recital)

"Religion, Resolve, and Rebuke: Dimensions of Justice in Baritone Solo Movements..." (Lecture)

"Religion, Resolve, and Rebuke: Dimensions of Justice in Baritone Solo Movements..." (Lecture)

“Black Feminism in Music, Poetry, and Literature” (Lecture-Recital)

“Black Feminism in Music, Poetry, and Literature” (Lecture-Recital)

“A Ghost No More: On a Prize-Winning Song by Margaret Bonds No Longer Lost" (Lecture)

“A Ghost No More: On a Prize-Winning Song by Margaret Bonds No Longer Lost" (Lecture)

Lectures by Mark Burford & Tsitsi Ella Jaji

Lectures by Mark Burford & Tsitsi Ella Jaji

My Sister’s Keeper: Celebrating the 150th Birthday of Paul Laurence Dunbar (Performance)

My Sister’s Keeper: Celebrating the 150th Birthday of Paul Laurence Dunbar (Performance)

Master Class with Louise Toppin (University of Michigan)

Master Class with Louise Toppin (University of Michigan)

Soul and Reconciliation (Performance)

Soul and Reconciliation (Performance)

Rights of Passage and Presence (Lecture)

Rights of Passage and Presence (Lecture)

Fires of Justice (Performance)

Fires of Justice (Performance)

Plenary Session & Panel Discussion / Arias from "Omar" (LA Opera)

Plenary Session & Panel Discussion / Arias from "Omar" (LA Opera)

African Diaspora – Caribbean, Central and South America

African Diaspora – Caribbean, Central and South America

"July Fourth Speech" (Moore/Moore)

"July Fourth Speech" (Moore/Moore)

"The Weary Blues" (Moore/Hughes)

"The Weary Blues" (Moore/Hughes)

"Lullaby" (Moore/Traditional)

"Lullaby" (Moore/Traditional)

"Charity" (Hageman, arr. Moore/Dickinson)

"Charity" (Hageman, arr. Moore/Dickinson)

"If Music be the Food of Love" (Purcell, arr. Moore/Shakespeare)

"If Music be the Food of Love" (Purcell, arr. Moore/Shakespeare)

"On Wings of Song" (Mendelssohn, arr. Moore/Heine)

"On Wings of Song" (Mendelssohn, arr. Moore/Heine)

"Sonnets on Love, Rosebuds, and Death" (song cycle; Moore/various)

"Sonnets on Love, Rosebuds, and Death" (song cycle; Moore/various)

"Hurston songs" (song cycle; Baiocchi/Hurston)

"Hurston songs" (song cycle; Baiocchi/Hurston)

"Life" (song cycle; Perry/Dunbar)

"Life" (song cycle; Perry/Dunbar)

From "Cantata for Soprano and Piano" (Alston)

From "Cantata for Soprano and Piano" (Alston)

“I want to die while you love me” (Smith Moore/Johnson)

“I want to die while you love me” (Smith Moore/Johnson)

“The voice of my beloved” & “Arise, my love, my fair one” (Moore)

“The voice of my beloved” & “Arise, my love, my fair one” (Moore)

"Night" (Price/Wallace)

"Night" (Price/Wallace)

"She of the Dancing Feet" (Corley/Cullen)

"She of the Dancing Feet" (Corley/Cullen)

“A Choice” (from the song cycle “Dream Trilogy and Wake-Up Call”; Jennings/Dunbar)

“A Choice” (from the song cycle “Dream Trilogy and Wake-Up Call”; Jennings/Dunbar)

“The Paradox” (from the song cycle “Dream Trilogy and Wake-Up Call”; Jennings/Dunbar)

“The Paradox” (from the song cycle “Dream Trilogy and Wake-Up Call”; Jennings/Dunbar)

“Coming Back to Cleveland” (Adams/McDonald)

“Coming Back to Cleveland” (Adams/McDonald)

“Chalk Man” (world premiere; Walker/Walker)

“Chalk Man” (world premiere; Walker/Walker)

“Absalom” (Hancock; 2 Samuel)

“Absalom” (Hancock; 2 Samuel)

“Four Sonnets to Duse” (song cycle; Owens/Teasdale)

“Four Sonnets to Duse” (song cycle; Owens/Teasdale)

“Dunbar Songs” (song cycle; Adams/Dunbar)

“Dunbar Songs” (song cycle; Adams/Dunbar)

“Three Dream Portraits” (song cycle; Bonds/Hughes)

“Three Dream Portraits” (song cycle; Bonds/Hughes)

“Dawn” (from the song cycle “The Shadow of Dawn”; Thompson/Dunbar)

“Dawn” (from the song cycle “The Shadow of Dawn”; Thompson/Dunbar)

“It was a Lover” (Ingram/Shakespeare)

“It was a Lover” (Ingram/Shakespeare)

“Dream Valley” (Ingram/Blake)

“Dream Valley” (Ingram/Blake)

“Love Rejoices” (from the song cycle “The Wider View”; Adams/Freeman)

“Love Rejoices” (from the song cycle “The Wider View”; Adams/Freeman)

“Desire” (Owens/Hughes)

“Desire” (Owens/Hughes)

“His Helmet’s Blaze” & “I Hear His Footsteps” (from “Saracen Songs”; Burleigh/Bowles)

“His Helmet’s Blaze” & “I Hear His Footsteps” (from “Saracen Songs”; Burleigh/Bowles)

"Ethiopia Saluting the Colors" (Burleigh/Whitman)

"Ethiopia Saluting the Colors" (Burleigh/Whitman)

“Dust Bowl” (from the song cycle “Border Line”; Owens/Hughes)

“Dust Bowl” (from the song cycle “Border Line”; Owens/Hughes)

“Martin Luther King, Jr.” (Ragland/Brooks)

“Martin Luther King, Jr.” (Ragland/Brooks)

“When Michael Stands” (from “Songs of Prophetic Expectations”; Lee/Lee)

“When Michael Stands” (from “Songs of Prophetic Expectations”; Lee/Lee)

Three Maya Angelou Songs (Boykin/Angelou)

Three Maya Angelou Songs (Boykin/Angelou)

“Harlem Night Song” (Myers/Hughes)

“Harlem Night Song” (Myers/Hughes)

From the Dark Tower” (from the song cycle “Quilting”; Myers/Cullen)

From the Dark Tower” (from the song cycle “Quilting”; Myers/Cullen)

"Dream Variation" (Spencer/Hughes)

"Dream Variation" (Spencer/Hughes)

"I Believe" (Ragland/Anon.)

"I Believe" (Ragland/Anon.)

"Great Day" (Okpebholo/Trad.)

"Great Day" (Okpebholo/Trad.)

I want to die & Sometimes I feel" (Okpebholo/Trad.)

I want to die & Sometimes I feel" (Okpebholo/Trad.)

"Sonnet LXXXI" (Green/Green)

"Sonnet LXXXI" (Green/Green)

Four Songs to Poems by William Blake (Nombeko/Blake)

Four Songs to Poems by William Blake (Nombeko/Blake)

"Sence You Went Away" (Hicks/Johnson)

"Sence You Went Away" (Hicks/Johnson)

4. "Adieu, jusque je vous revoye" (Garrett/Anon.)

4. "Adieu, jusque je vous revoye" (Garrett/Anon.)

3. "Herz, mein Herz" (Garrett/Heine)

3. "Herz, mein Herz" (Garrett/Heine)

2. "O del mio amato ben" (Garrett/Donaudy)

2. "O del mio amato ben" (Garrett/Donaudy)

1. "A Love Song" (Garrett/Dunbar)

1. "A Love Song" (Garrett/Dunbar)

"If We Must Die" (Hailstork/McKay)

"If We Must Die" (Hailstork/McKay)

"The Song of Ruth" (Hailstork/Ruth 1)

"The Song of Ruth" (Hailstork/Ruth 1)

"The Song of Mary " (Hailstork/Luke 1)

"The Song of Mary " (Hailstork/Luke 1)

Selections from 'Four Romantic Songs' (Hailstork/Dunbar)

Selections from 'Four Romantic Songs' (Hailstork/Dunbar)

"Behold, I Build a House" (Hailstork/Chronicles)

"Behold, I Build a House" (Hailstork/Chronicles)

"Yet Do I Marvel" (Hailstork/Cullen)

"Yet Do I Marvel" (Hailstork/Cullen)

"Slave Song" (Hailstork/Douglass)

"Slave Song" (Hailstork/Douglass)

"Li'l Gal" (Adams/Dunbar)

"Li'l Gal" (Adams/Dunbar)

"The Awakening" (Hailstork/Dunbar)

"The Awakening" (Hailstork/Dunbar)

"Dawn" (King/Dunbar)

"Dawn" (King/Dunbar)

"Spring Song" (Perry/Dunbar)

"Spring Song" (Perry/Dunbar)

"How Shall I Woo Thee" (Coleridge-Taylor/Dunbar)

"How Shall I Woo Thee" (Coleridge-Taylor/Dunbar)

"The Glory of the Day" (Burleigh/Johnson)

"The Glory of the Day" (Burleigh/Johnson)

"Till I Wake" (Burleigh/Hope)

"Till I Wake" (Burleigh/Hope)

"Tide" (Burleigh/Paine)

"Tide" (Burleigh/Paine)

"Waiting" (Burleigh/Gilbert Dickinson)

"Waiting" (Burleigh/Gilbert Dickinson)

"Lovely, Dark and Lonely One" (Burleigh/Hughes)

"Lovely, Dark and Lonely One" (Burleigh/Hughes)

"On Virtue" (Mills/Wheatley)

"On Virtue" (Mills/Wheatley)

Moremi's Lullaby from Vanqui - Carmen Balthrop and Kei Akagi

Moremi's Lullaby from Vanqui - Carmen Balthrop and Kei Akagi

Sence You Went Away - Darryl Taylor, countertenor (Adams)

Sence You Went Away - Darryl Taylor, countertenor (Adams)

For You There is No Song, Darryl Taylor, countertenor (Adams)

For You There is No Song, Darryl Taylor, countertenor (Adams)

Prayer, by H. Leslie Adams - Darryl Taylor, countertenor

Prayer, by H. Leslie Adams - Darryl Taylor, countertenor

Composer Robert Owens in rehearsal

Composer Robert Owens in rehearsal

Monique Holmes, mezzo, AfAm Art Song Alliance Conference

Monique Holmes, mezzo, AfAm Art Song Alliance Conference

Anthony McGlaun, tenor - AfAm Art Song Alliance Conference

Anthony McGlaun, tenor - AfAm Art Song Alliance Conference