Канал: Mathew R

Rendering Texture Channels in Maya to Create a Contact Sheet

Rendering Texture Channels in Maya to Create a Contact Sheet

Python for Maya Note 04: Finding and editing the material attached to an object

Python for Maya Note 04: Finding and editing the material attached to an object

Implementing PSNR, SIMM and VMAF Video Quality Metrics using ffmpeg

Implementing PSNR, SIMM and VMAF Video Quality Metrics using ffmpeg

Introduction to Python for Maya: 05 Creating a UI

Introduction to Python for Maya: 05 Creating a UI

Introduction to Python for Maya: 03 Selections

Introduction to Python for Maya: 03 Selections

Introduction to Python for Maya: 02 Transforms and Duplication

Introduction to Python for Maya: 02 Transforms and Duplication

Introduction to Python for Maya: 04 Working with Nodes

Introduction to Python for Maya: 04 Working with Nodes

Introduction to Python for Maya: 01 Creating Primitives

Introduction to Python for Maya: 01 Creating Primitives

Procedural Rendering Recipes for Maya and Arnold - 04 Using Curvature for Dirt and Wear

Procedural Rendering Recipes for Maya and Arnold - 04 Using Curvature for Dirt and Wear

Procedural Rendering Recipes for Maya and Arnold - 03 Randomizing Colour

Procedural Rendering Recipes for Maya and Arnold - 03 Randomizing Colour

Procedural Rendering Recipes for Maya and Arnold - 02 Glitter, Metallic Paint and the aiFlakes node

Procedural Rendering Recipes for Maya and Arnold - 02 Glitter, Metallic Paint and the aiFlakes node

Procedural Rendering Recipes for Maya and Arnold - 01 Using Noise

Procedural Rendering Recipes for Maya and Arnold - 01 Using Noise

Removing Noise From Your Arnold Renders

Removing Noise From Your Arnold Renders

Maya Arnold HDRI Lighting and Shadow Matte for VFX using the Ricoh Theta S

Maya Arnold HDRI Lighting and Shadow Matte for VFX using the Ricoh Theta S

Creating a normal map in Photoshop, then rendering in Arnold for Maya

Creating a normal map in Photoshop, then rendering in Arnold for Maya

Maya and Mudbox Sculpting Workflow

Maya and Mudbox Sculpting Workflow

UV Mapping Tools in Maya

UV Mapping Tools in Maya

Modelling a Vase in Maya

Modelling a Vase in Maya

Fixing Floor Contacts with Motion Builder

Fixing Floor Contacts with Motion Builder

Creating Deepfakes: Animating Images with AI

Creating Deepfakes: Animating Images with AI

Rendering from MotionBuilder

Rendering from MotionBuilder

Cleaning Up Mocap in MotionBuilder

Cleaning Up Mocap in MotionBuilder

Python for Maya Notes 03: Getting the XYZ position of a UV point on a surface.

Python for Maya Notes 03: Getting the XYZ position of a UV point on a surface.

Python for Maya Notes 02: Component Selection

Python for Maya Notes 02: Component Selection

Python for Maya Notes 01: Checking Geometry and Selecting Components using polySelectConstraint()

Python for Maya Notes 01: Checking Geometry and Selecting Components using polySelectConstraint()

Luxo Jr in MoBu: Bring Objects to life using Motion Capture and Constraints in MotionBuilder

Luxo Jr in MoBu: Bring Objects to life using Motion Capture and Constraints in MotionBuilder

Two Handed Constraints in MotionBuilder

Two Handed Constraints in MotionBuilder

Exporting FBX Motion Data From Shogun Post

Exporting FBX Motion Data From Shogun Post

Retargeting Motion Capture Data in MotionBuilder

Retargeting Motion Capture Data in MotionBuilder

Motion Capture Clean-up in Shogun Post

Motion Capture Clean-up in Shogun Post

Python for Maya: Custom UIs and Fixing Textures - Part 3 - Fixing the Textures

Python for Maya: Custom UIs and Fixing Textures - Part 3 - Fixing the Textures

Python for Maya: Custom UIs and Fixing Textures - Part 2 - Creating the UI

Python for Maya: Custom UIs and Fixing Textures - Part 2 - Creating the UI

Python for Maya: Custom UIs and Fixing Textures - Part 1 - Creating a Window

Python for Maya: Custom UIs and Fixing Textures - Part 1 - Creating a Window

Motion Capture and Maya - 03 Combining motion using the Timeline Editor

Motion Capture and Maya - 03 Combining motion using the Timeline Editor

Motion Capture and Maya - 02 Editing Motion Capture Data

Motion Capture and Maya - 02 Editing Motion Capture Data

Motion Capture and Maya - Pt 1 Applying Motion Data to a Character

Motion Capture and Maya - Pt 1 Applying Motion Data to a Character

Photoshop Techniques for Creating Diffuse, Specular and Bump Textures

Photoshop Techniques for Creating Diffuse, Specular and Bump Textures

UV Mapping and Unfolding in Maya

UV Mapping and Unfolding in Maya

Setting Up ShadowMatte Shader and AOVs in Maya 2018.2

Setting Up ShadowMatte Shader and AOVs in Maya 2018.2

Using NURBs Effectively, modelling real shapes

Using NURBs Effectively, modelling real shapes

Nuke Cleanup Using Camera Projection - 02 Creating Projection

Nuke Cleanup Using Camera Projection - 02 Creating Projection

Nuke Cleanup Using Camera Projection - 03 Integrating Patch

Nuke Cleanup Using Camera Projection - 03 Integrating Patch

Nuke Cleanup Using Camera Projection - 01 Camera Track

Nuke Cleanup Using Camera Projection - 01 Camera Track

Remapping Texture Links in Maya

Remapping Texture Links in Maya

Multipass AOV Arnold Rendering in Maya 2018 for VFX Compositing - Pt 3 Debugging, DOF and Grain

Multipass AOV Arnold Rendering in Maya 2018 for VFX Compositing - Pt 3 Debugging, DOF and Grain

Exporting Displacement Map from Mudbox to Arnold

Exporting Displacement Map from Mudbox to Arnold

Matchmoving in Maya - Part 1 of 2 - Setup

Matchmoving in Maya - Part 1 of 2 - Setup

Matchmoving in Maya - Part 2 of 2 - Performing Matchmove

Matchmoving in Maya - Part 2 of 2 - Performing Matchmove

Projecting and Mapping Textures in Maya - 01 Introduction

Projecting and Mapping Textures in Maya - 01 Introduction

Projecting and Mapping Textures in Maya - 03 Aligning Images

Projecting and Mapping Textures in Maya - 03 Aligning Images

Projecting and Mapping Textures in Maya - 02 Output Wireframe

Projecting and Mapping Textures in Maya - 02 Output Wireframe

Projecting and Mapping Textures in Maya - 04 Mapping Textures

Projecting and Mapping Textures in Maya - 04 Mapping Textures

Multipass AOV Arnold Rendering in Maya 2018 for VFX Compositing - Pt 2 Compositing Passes in Nuke

Multipass AOV Arnold Rendering in Maya 2018 for VFX Compositing - Pt 2 Compositing Passes in Nuke

Multipass AOV Arnold Rendering in Maya 2018 for VFX Compositing - Pt 1 Defining Passes

Multipass AOV Arnold Rendering in Maya 2018 for VFX Compositing - Pt 1 Defining Passes

Preparing a Video For Camera Tracking

Preparing a Video For Camera Tracking

Polygon Modelling Maya Tour - 01 Creating and Manipulating Primitives

Polygon Modelling Maya Tour - 01 Creating and Manipulating Primitives

Polygon Modelling Maya Tour - 02 Manipulating Views

Polygon Modelling Maya Tour - 02 Manipulating Views

Polygon Modelling Maya Tour - 03 Grouping, Parenting and the Outliner

Polygon Modelling Maya Tour - 03 Grouping, Parenting and the Outliner

Polygon Modelling Maya Tour - 05 Component Manipulation

Polygon Modelling Maya Tour - 05 Component Manipulation

Polygon Modelling Maya Tour - 06 Snapping

Polygon Modelling Maya Tour - 06 Snapping

Polygon Modelling Maya Tour - 07 Smoothing Polygons

Polygon Modelling Maya Tour - 07 Smoothing Polygons

Polygon Modelling Maya Tour - 08 Manipulating Attributes

Polygon Modelling Maya Tour - 08 Manipulating Attributes

Polygon Modelling Maya Tour - 04 Duplicate and Duplicate Special

Polygon Modelling Maya Tour - 04 Duplicate and Duplicate Special

Creating HDRI Probes for Image Based Lighting - Part 3 of 3 - Merging HDRI Images

Creating HDRI Probes for Image Based Lighting - Part 3 of 3 - Merging HDRI Images

Creating HDRI Probes for Image Based Lighting - Part 1 of 3 - Merging the HDRs

Creating HDRI Probes for Image Based Lighting - Part 1 of 3 - Merging the HDRs

Creating HDRI Probes for Image Based Lighting - Part 2 of 3 - Unwrapping Imaged

Creating HDRI Probes for Image Based Lighting - Part 2 of 3 - Unwrapping Imaged

Nuke Camera Tracking and 3D Compositing - Part 7 of 9 - Lighting The Scene

Nuke Camera Tracking and 3D Compositing - Part 7 of 9 - Lighting The Scene

Nuke Camera Tracking and 3D Compositing - Part 5 of 9 - Working With 3D Models In Nuke

Nuke Camera Tracking and 3D Compositing - Part 5 of 9 - Working With 3D Models In Nuke

Nuke Camera Tracking and 3D Compositing - Part 8 of 9 - Adding a Shadow

Nuke Camera Tracking and 3D Compositing - Part 8 of 9 - Adding a Shadow

Nuke Camera Tracking and 3D Compositing - Part 6 of 9 - Adding a 3D Object

Nuke Camera Tracking and 3D Compositing - Part 6 of 9 - Adding a 3D Object

Nuke Camera Tracking and 3D Compositing - Part 2 of 9 - Masking Moving Objects

Nuke Camera Tracking and 3D Compositing - Part 2 of 9 - Masking Moving Objects

Nuke Camera Tracking and 3D Compositing - Part 9 of 9 - Grading

Nuke Camera Tracking and 3D Compositing - Part 9 of 9 - Grading

Nuke Camera Tracking and 3D Compositing - Part 4 of 9 - Overview of Composite

Nuke Camera Tracking and 3D Compositing - Part 4 of 9 - Overview of Composite

Nuke Camera Tracking and 3D Compositing - Part 1 of 9 - Distorting Video

Nuke Camera Tracking and 3D Compositing - Part 1 of 9 - Distorting Video

Nuke Camera Tracking and 3D Compositing - Part 3 of 9 - Camera Tracking

Nuke Camera Tracking and 3D Compositing - Part 3 of 9 - Camera Tracking

UV Mapping in Maya Part 5 of 5 - Creating a Texture

UV Mapping in Maya Part 5 of 5 - Creating a Texture

UV Mapping in Maya Part 1 of 5 - Preparing The Model

UV Mapping in Maya Part 1 of 5 - Preparing The Model

UV Mapping in Maya Part 4 of 5 - Mirroring the UV Map

UV Mapping in Maya Part 4 of 5 - Mirroring the UV Map

UV Mapping in Maya Part 2 of 5 - Projecting the Mesh

UV Mapping in Maya Part 2 of 5 - Projecting the Mesh

UV Mapping in Maya Part 3 of 5 - Unfolding the Mesh

UV Mapping in Maya Part 3 of 5 - Unfolding the Mesh

Simple Camera Projection in Maya

Simple Camera Projection in Maya

Creating Mattes Using Camera Projection - Part 8 of 10 - Overscan

Creating Mattes Using Camera Projection - Part 8 of 10 - Overscan

Creating Mattes Using Camera Projection - Part 4 of 10 - Capturing Images

Creating Mattes Using Camera Projection - Part 4 of 10 - Capturing Images

Creating Mattes Using Camera Projection - Part 2 of 10 - Planning Projection

Creating Mattes Using Camera Projection - Part 2 of 10 - Planning Projection

Creating Mattes Using Camera Projection - Part 1 of 10 - Introduction

Creating Mattes Using Camera Projection - Part 1 of 10 - Introduction

Creating Mattes Using Camera Projection - Part 9 of 10 - Refining the Matte

Creating Mattes Using Camera Projection - Part 9 of 10 - Refining the Matte

Creating Mattes Using Camera Projection - Part 6 of 10 - Projecting the Matte

Creating Mattes Using Camera Projection - Part 6 of 10 - Projecting the Matte

Creating Mattes Using Camera Projection - Part 5 of 10 - Creating a Matte

Creating Mattes Using Camera Projection - Part 5 of 10 - Creating a Matte

Creating Mattes Using Camera Projection - Part 3 of 10 - Render Wireframe

Creating Mattes Using Camera Projection - Part 3 of 10 - Render Wireframe

Creating Mattes Using Camera Projection - Part 10 of 10 - Moving Matte to Nuke

Creating Mattes Using Camera Projection - Part 10 of 10 - Moving Matte to Nuke

Creating Mattes Using Camera Projection - Part 7 of 10 - Refining Geometry

Creating Mattes Using Camera Projection - Part 7 of 10 - Refining Geometry

Python Scripting in Nuke - Part 2 of 2 - Creating Interface

Python Scripting in Nuke - Part 2 of 2 - Creating Interface

Python Scripting in Nuke - Part 1 of 2 - Creating Nodes

Python Scripting in Nuke - Part 1 of 2 - Creating Nodes

Creating a Gizmo in Nuke

Creating a Gizmo in Nuke

Supervised Tracking In Matchmover - Part 3 of 3 - Exporting Track To Maya

Supervised Tracking In Matchmover - Part 3 of 3 - Exporting Track To Maya

Supervised Tracking In Matchmover - Part 2 of 3 - Solving Camera Move

Supervised Tracking In Matchmover - Part 2 of 3 - Solving Camera Move

Supervised Tracking In Matchmover - Part 1 of 3 - Tracking Points

Supervised Tracking In Matchmover - Part 1 of 3 - Tracking Points