Канал: Gustavo Gattino - ear training and music theory

Applying the diatonic approach- reharmonisation technique

Applying the diatonic approach- reharmonisation technique

Explaning the diatonic approach - reharmonisation technique

Explaning the diatonic approach - reharmonisation technique

Modal interchange ( part 2) - examples from the book Reharmonisation Techniques

Modal interchange ( part 2) - examples from the book Reharmonisation Techniques

Modal interchange ( part 3) - examples from the book Reharmonisation Techniques

Modal interchange ( part 3) - examples from the book Reharmonisation Techniques

Modal interchange ( part 1) - examples from the book Reharmonisation Techniques

Modal interchange ( part 1) - examples from the book Reharmonisation Techniques

Displacement ( part 4) - examples from the book Reharmonisation Techniques

Displacement ( part 4) - examples from the book Reharmonisation Techniques

Displacement ( part 3) - examples from the book Reharmonisation Techniques

Displacement ( part 3) - examples from the book Reharmonisation Techniques

Displacement ( part 2) - examples from the book Reharmonisation Techniques

Displacement ( part 2) - examples from the book Reharmonisation Techniques

Extended ii-V7 patterns - examples from the book Reharmonisation Techniques

Extended ii-V7 patterns - examples from the book Reharmonisation Techniques

Displacement ( part 1) - examples from the book Reharmonisation Techniques

Displacement ( part 1) - examples from the book Reharmonisation Techniques

Extended dominants ( part 2) - examples from the book Reharmonisation Techniques

Extended dominants ( part 2) - examples from the book Reharmonisation Techniques

Extended dominants ( part 1) - examples from the book Reharmonisation Techniques

Extended dominants ( part 1) - examples from the book Reharmonisation Techniques

Tritone substitution - examples from the book Reharmonisation Techniques

Tritone substitution - examples from the book Reharmonisation Techniques

Diatonic approach - Connecting chords part 3 - examples from the book Reharmonisation Techniques

Diatonic approach - Connecting chords part 3 - examples from the book Reharmonisation Techniques

Diatonic approach - Connecting chords part 2 - examples from the book Reharmonisation Techniques

Diatonic approach - Connecting chords part 2 - examples from the book Reharmonisation Techniques

Diatonic approach - Connecting chords part 1 - examples from the book Reharmonisation Techniques

Diatonic approach - Connecting chords part 1 - examples from the book Reharmonisation Techniques

Diatonic approach -Cadences - examples of the book Reharmonisation techniques

Diatonic approach -Cadences - examples of the book Reharmonisation techniques

Example1 - Unwanted intervals (Reharmonisation techniques by Randy Felts)

Example1 - Unwanted intervals (Reharmonisation techniques by Randy Felts)

Example1 -Unwanted tritone intervals (Reharmonisation techniques by Randy Felts)

Example1 -Unwanted tritone intervals (Reharmonisation techniques by Randy Felts)

Using V7sus4 and iii7 simple substitutions(Reharmonisation techniques by Randy Felts )

Using V7sus4 and iii7 simple substitutions(Reharmonisation techniques by Randy Felts )

Simple substitution example one from the book Reharmonisation techniques written by Randy Felts

Simple substitution example one from the book Reharmonisation techniques written by Randy Felts

Learning a song by ear

Learning a song by ear

Harmonising by ear - basic principles

Harmonising by ear - basic principles

Applying the principles of harmonising by ear in a practical example (parte 2)

Applying the principles of harmonising by ear in a practical example (parte 2)

Applying the harmonising by ear in a practical example (part 1)

Applying the harmonising by ear in a practical example (part 1)

Tritone substitution, extended dominant chords and ii-V progressions - reharmonisation techniques

Tritone substitution, extended dominant chords and ii-V progressions - reharmonisation techniques

Modal interchange- reharmonisation technique

Modal interchange- reharmonisation technique

Displacement- reharmonisation technique

Displacement- reharmonisation technique

Reharmonisation techniques- some basic explanations to guide you in your studies

Reharmonisation techniques- some basic explanations to guide you in your studies

Simple substitution- reharmonisation technique

Simple substitution- reharmonisation technique

Cadences in harmony theory according to Randy Felts

Cadences in harmony theory according to Randy Felts

Applying the simple substitution- reharmonisation technique

Applying the simple substitution- reharmonisation technique

Avoiding unwanted melody/harmony intervals (b9,b2, #11 and #4) in a harmonic progression

Avoiding unwanted melody/harmony intervals (b9,b2, #11 and #4) in a harmonic progression

Presenting the main terms on music theory in English

Presenting the main terms on music theory in English

Presenting advanced considerations on musical intervals

Presenting advanced considerations on musical intervals

Presenting basic musical intervals

Presenting basic musical intervals

Presenting the circle of fifths

Presenting the circle of fifths

Essentials of sight reading

Essentials of sight reading

Reading rhythmic exercises using the voice

Reading rhythmic exercises using the voice

Some considerations about solfeggio (Solmisation)

Some considerations about solfeggio (Solmisation)

Playing the harmonic and the Arabic scale

Playing the harmonic and the Arabic scale

Playing the blues scale

Playing the blues scale

Playing chords with different shape variations

Playing chords with different shape variations

Playing bar chords

Playing bar chords

Playing diminished chords

Playing diminished chords

Presenting the hexatonic scale

Presenting the hexatonic scale

Presenting the natural minor scale

Presenting the natural minor scale

Presenting the C major scale

Presenting the C major scale

Presenting the Hungarian scale

Presenting the Hungarian scale

Playing the harmonic minor and the Arabic scale

Playing the harmonic minor and the Arabic scale