Канал: SynthEyesHQ

Export to Nuke with Anamorphic Lens Distortion

Export to Nuke with Anamorphic Lens Distortion

Focus Breathing - Lens Grid with "Animate by Frames"

Focus Breathing - Lens Grid with "Animate by Frames"

Focus Breathing - Live Shot with "Animate on Keys"

Focus Breathing - Live Shot with "Animate on Keys"

Anamorphic Distance: what the heck?

Anamorphic Distance: what the heck?

Handling Animated Distortion on a Shot with Zoom

Handling Animated Distortion on a Shot with Zoom

Determining True Field of View and Focal Length

Determining True Field of View and Focal Length

Anamorphic Solve Using a Lidar Scan

Anamorphic Solve Using a Lidar Scan

RotoMasking in SynthEyes 2210

RotoMasking in SynthEyes 2210

ProRes Everywhere, and End-to-End Color Management

ProRes Everywhere, and End-to-End Color Management

How and Why to Unsolve a Scene!

How and Why to Unsolve a Scene!

SynthEyes 2204 Highlights!

SynthEyes 2204 Highlights!

Timecode Burn-in Details

Timecode Burn-in Details

Creating 3-D Curves with Flexes

Creating 3-D Curves with Flexes

Universal Scene Description (USD) Export, with Tricks

Universal Scene Description (USD) Export, with Tricks

Rectify Lens Grid: Just fix it!

Rectify Lens Grid: Just fix it!

Roto-masking for shots with pesky actors

Roto-masking for shots with pesky actors

How to Align Stereo Cameras Manually

How to Align Stereo Cameras Manually

Export and Setup in After Effects

Export and Setup in After Effects

Workflow for delivering distorted images

Workflow for delivering distorted images

Finding Your Plate Width

Finding Your Plate Width

Introduction to Perspective

Introduction to Perspective

Output movie from "Mixed Tracking exported to AfterEffects"

Output movie from "Mixed Tracking exported to AfterEffects"

Find Bad Trackers by Working in the Dark

Find Bad Trackers by Working in the Dark

A Motion 3 in 3D Example

A Motion 3 in 3D Example

Tracking then Export to Lightwave

Tracking then Export to Lightwave

Some New 2008 User Interface Features

Some New 2008 User Interface Features

Creating smooth tracks with Fine Tuning

Creating smooth tracks with Fine Tuning

Image Stabilization

Image Stabilization

Three-part look at a common Sports Stadium shot

Three-part look at a common Sports Stadium shot

Creating and Using Script Bars

Creating and Using Script Bars

Creating a Moving from a Still

Creating a Moving from a Still

Authorization Procedures

Authorization Procedures

Tracker Cleanup Dialog Walk-through

Tracker Cleanup Dialog Walk-through

Workflow for delivering undistorted images

Workflow for delivering undistorted images

Diagnosing Export Issues

Diagnosing Export Issues

Visualizing Coordinate System Alignment

Visualizing Coordinate System Alignment

Anaglyph Stereo Views

Anaglyph Stereo Views

Keep Your Distance

Keep Your Distance

Franken-Tracking with Splice Paths

Franken-Tracking with Splice Paths

Coordinate System Setup with a Distance Constraint

Coordinate System Setup with a Distance Constraint

Using the Green-Screen Panel

Using the Green-Screen Panel

Smoothing Zoom Shots

Smoothing Zoom Shots

Using Hold Mode

Using Hold Mode

Registration Procedures

Registration Procedures

Fun with changing the Coordinate Axis Setting

Fun with changing the Coordinate Axis Setting

Traveling-shot image stabilization

Traveling-shot image stabilization

Simultaneous Object and Camera Tracking

Simultaneous Object and Camera Tracking

Introduction to Tracking in SynthEyes

Introduction to Tracking in SynthEyes

Using the Image Preprocessor to Reduce RAM Cache

Using the Image Preprocessor to Reduce RAM Cache

Coordinates systems and the Constrained Points View

Coordinates systems and the Constrained Points View

Motion Capture in Stereoscopic Shots

Motion Capture in Stereoscopic Shots

Introduction to Modo Exports

Introduction to Modo Exports

Tracker Cleanup: Jumping and Far Trackers

Tracker Cleanup: Jumping and Far Trackers

Details of Supervised Stereoscopic Tracking

Details of Supervised Stereoscopic Tracking

How to Shoot a Gecko

How to Shoot a Gecko

SynthEyes Single-Frame Alignment Tutorial

SynthEyes Single-Frame Alignment Tutorial

Mesh Match-moving

Mesh Match-moving

Using the Batch Processor

Using the Batch Processor

Stereoscopic Object Auto-Tracking

Stereoscopic Object Auto-Tracking

Coordinate Scaling from Camera Height

Coordinate Scaling from Camera Height

Moving-Camera and -Object Track

Moving-Camera and -Object Track

Track and Stabilize, Export to Bentley Microstation

Track and Stabilize, Export to Bentley Microstation

'All Far' Tripod-type Stereoscopic Shots

'All Far' Tripod-type Stereoscopic Shots

Stereo Alignment Script

Stereo Alignment Script

Add Many/Coalesce Tutorial

Add Many/Coalesce Tutorial

Lens centering and Distortion

Lens centering and Distortion

But It Was Shot On A Crane!

But It Was Shot On A Crane!

Coordinate Scaling from Camera Travel

Coordinate Scaling from Camera Travel

Basic Automatic Stereoscopic Tracking and Solving

Basic Automatic Stereoscopic Tracking and Solving

Object Tracking with AprilTags in SynthEyes

Object Tracking with AprilTags in SynthEyes

Aligning Shots with AprilTags

Aligning Shots with AprilTags

Moving Object from AprilTag Corner Trackers

Moving Object from AprilTag Corner Trackers

SynthEyes Gets Global

SynthEyes Gets Global

ViewShift from a Clean Plate

ViewShift from a Clean Plate

ViewShift: Extracting Animated Textures

ViewShift: Extracting Animated Textures

ViewShift: Introduction

ViewShift: Introduction

ViewShift: Control by Meshes

ViewShift: Control by Meshes

Stabilization Rig Creator

Stabilization Rig Creator

Single- and Few-Tracker Tripod Shots

Single- and Few-Tracker Tripod Shots

Bad Tripod Solves Require Known Lenses

Bad Tripod Solves Require Known Lenses

Find Erratic Trackers Tool

Find Erratic Trackers Tool

New Lens Solving Features in SynthEyes 1806

New Lens Solving Features in SynthEyes 1806

Solving Long Shots in One Piece with SynthEyes 1806

Solving Long Shots in One Piece with SynthEyes 1806

Exporting 360VR to After Effects's 3D Environment, for 2.5 D

Exporting 360VR to After Effects's 3D Environment, for 2.5 D

Hut Approach With Tracker Layers

Hut Approach With Tracker Layers

Hut Approach With Cloned 3D Planes

Hut Approach With Cloned 3D Planes

Hut Approach With Tents, Using Cinema 4D

Hut Approach With Tents, Using Cinema 4D

Hut Approach Original Imagery

Hut Approach Original Imagery

Exporting 360VR to After Effects's 3D Environment, with Cinema 4D

Exporting 360VR to After Effects's 3D Environment, with Cinema 4D

3D Meshes to AfterEffects

3D Meshes to AfterEffects

Exporting 360VR to Fusion

Exporting 360VR to Fusion

Stabilized and Inserted Fusion Output

Stabilized and Inserted Fusion Output

Input for Fusion Stabilization and Insertion

Input for Fusion Stabilization and Insertion

Cloudless Stabilized and Inserted Fusion Output

Cloudless Stabilized and Inserted Fusion Output

Black Rock Sanctuary - Stabilized

Black Rock Sanctuary - Stabilized

Black Rock Sanctuary Tour - As Shot (unstable)

Black Rock Sanctuary Tour - As Shot (unstable)

Solving Long Shots in Pieces

Solving Long Shots in Pieces

360VR Alignment Using a Selected Frame

360VR Alignment Using a Selected Frame

360VR Alignment of the Initial Frame

360VR Alignment of the Initial Frame

360VR Alignment Using Three Trackers

360VR Alignment Using Three Trackers

360VR Alignment to the Perspective View's Horizon Line

360VR Alignment to the Perspective View's Horizon Line

360VR Alignment Using the Camera Path

360VR Alignment Using the Camera Path

360VR Alignment by Rotating the Image Sphere

360VR Alignment by Rotating the Image Sphere

Introduction to 360VR Stabilization in SynthEyes

Introduction to 360VR Stabilization in SynthEyes

Piece-wise 360VR Stabilization of Long Shots

Piece-wise 360VR Stabilization of Long Shots

HitFilm Export Run-through

HitFilm Export Run-through

Tracker Delete Mode

Tracker Delete Mode

Fisheye Calibration with Straight Lines

Fisheye Calibration with Straight Lines

Hand-Animating a Tracker

Hand-Animating a Tracker

Lens Master Calibration

Lens Master Calibration

Lens Centering from Vignetting

Lens Centering from Vignetting

Native 360VR Solving

Native 360VR Solving

Random-Dot Calibration

Random-Dot Calibration

Tracking Longer 360VR Shots

Tracking Longer 360VR Shots

Incident Analysis Part 2

Incident Analysis Part 2

Incident Analysis Part 1

Incident Analysis Part 1

Applying 360VR Stabilization in AfterEffects

Applying 360VR Stabilization in AfterEffects

Perspective View Locking

Perspective View Locking

Simple 360VR Stabilization

Simple 360VR Stabilization

Exporting Spherical Screens

Exporting Spherical Screens

Saving Stabilization Maps

Saving Stabilization Maps

Deglitch and Split

Deglitch and Split

Illumination Tracking

Illumination Tracking

Built-in Spherical Screen

Built-in Spherical Screen

Number Zone

Number Zone

Sticky Windows and Settings

Sticky Windows and Settings

360 VR #4 - More Trackers via Roto and Auto-Track

360 VR #4 - More Trackers via Roto and Auto-Track

360 VR #2 - Linearization and 3D Tracking

360 VR #2 - Linearization and 3D Tracking

360 VR #3 - More Trackers via Add Many

360 VR #3 - More Trackers via Add Many

360 VR #5 - Controlling Look Direction

360 VR #5 - Controlling Look Direction

360 VR #6 - Insert a Building, Find the Light

360 VR #6 - Insert a Building, Find the Light

360 VR #7 - Rendering with a 360 VR Camera

360 VR #7 - Rendering with a 360 VR Camera

360 VR #8 - Rendering with a Normal Perspective Camera

360 VR #8 - Rendering with a Normal Perspective Camera

360 VR #9 - Inserting a Nearby Object

360 VR #9 - Inserting a Nearby Object

360 VR #10 - Creating a Shadow Object

360 VR #10 - Creating a Shadow Object

360 VR #11 - Adapting to Jello-y Conditions

360 VR #11 - Adapting to Jello-y Conditions

360 VR #13 - Output as 2D

360 VR #13 - Output as 2D

360 VR #12 - Final Assembly

360 VR #12 - Final Assembly

360 VR #14 - Output as 360 VR

360 VR #14 - Output as 360 VR

#360 VR Tutorial Part #1 - Introduction

#360 VR Tutorial Part #1 - Introduction

Two-pass Lens Distortion Workflow with After Effects Export

Two-pass Lens Distortion Workflow with After Effects Export

One-Pass Lens Distortion Workflow with After Effects Export

One-Pass Lens Distortion Workflow with After Effects Export

Basic After Effects Export

Basic After Effects Export

Measuring Rolling Shutter - Overview

Measuring Rolling Shutter - Overview

Measuring Rolling Shutter - Detailed

Measuring Rolling Shutter - Detailed

Setting up Python for use with SynthEyes

Setting up Python for use with SynthEyes

Aligning Tripod Shots with Pin Scene to a Mesh

Aligning Tripod Shots with Pin Scene to a Mesh

Springhouse Modeling

Springhouse Modeling

Smudge Tool for Mesh Refinement

Smudge Tool for Mesh Refinement

RED GPU-Based File Reading

RED GPU-Based File Reading

Mesh De-Duplication

Mesh De-Duplication

Using Google Maps as a Reference Mesh

Using Google Maps as a Reference Mesh

Combining GeoH and regular 3D camera tracking

Combining GeoH and regular 3D camera tracking

Hierarchy View

Hierarchy View

Rigging and Tracking a Pizza Box

Rigging and Tracking a Pizza Box

3D Bouncing Ball via Hybrid Geometric Hierarchy Tracking

3D Bouncing Ball via Hybrid Geometric Hierarchy Tracking

Hybrid Geometric Hierarchy Tracking

Hybrid Geometric Hierarchy Tracking

Tripod then GeoH Tracking

Tripod then GeoH Tracking

Deforming features of Geometric Hierarchy Tracking

Deforming features of Geometric Hierarchy Tracking

Introduction to Geometric Hierarchy Tracking

Introduction to Geometric Hierarchy Tracking

Moving-Object Track with GeoH Secondary Tracking

Moving-Object Track with GeoH Secondary Tracking

GeoH Export to Blender

GeoH Export to Blender

More GeoH Tracking Details

More GeoH Tracking Details

Geometric Hierarchy Tracking: Heads Up

Geometric Hierarchy Tracking: Heads Up

Different Frames in Different Shots

Different Frames in Different Shots

Error Curve Mini-View

Error Curve Mini-View

Softening Edges of Inserts

Softening Edges of Inserts

Fusion Corner Pin Export

Fusion Corner Pin Export

Fusion 3-D Comp Export

Fusion 3-D Comp Export

Offset Tracking in More Detail

Offset Tracking in More Detail

Understanding Sliding

Understanding Sliding

Putting Synthia Commands on Toolbars

Putting Synthia Commands on Toolbars

Reference Crosshairs for Supervised Tracking

Reference Crosshairs for Supervised Tracking

Supervised Tracking Master Class

Supervised Tracking Master Class

Offset Tracking in More Detail

Offset Tracking in More Detail

Synthia, an Introduction

Synthia, an Introduction

Adding Descriptive Notes to the Camera View

Adding Descriptive Notes to the Camera View

Auto-Save and -Increment Options

Auto-Save and -Increment Options

Trackers Masking Trackers

Trackers Masking Trackers

Roto-Masking and Search for Planar Tracking

Roto-Masking and Search for Planar Tracking

In-Plane Masking

In-Plane Masking

Combining Planar Trackers and Solving

Combining Planar Trackers and Solving

Basic 3-D Planar Tracking

Basic 3-D Planar Tracking

Using the Reference Circle for 3-D Planar Tracking

Using the Reference Circle for 3-D Planar Tracking

Multiple 3-D Planar Trackers

Multiple 3-D Planar Trackers

More 3-D Planar Tracking

More 3-D Planar Tracking

Exporting a Corner Pin to After Effects

Exporting a Corner Pin to After Effects

Clipping Planes for Point Clouds

Clipping Planes for Point Clouds

Dynamic Projection Screen

Dynamic Projection Screen

Rolling Shutter --- Jello Shot

Rolling Shutter --- Jello Shot

Stereo Tracking with Multiple Camera Views

Stereo Tracking with Multiple Camera Views

Disk Caching

Disk Caching

Inverted Perspective in Object Tracks

Inverted Perspective in Object Tracks

Tracking, Mesh Building, and More

Tracking, Mesh Building, and More

Multi-Lingual - Community Translation Project

Multi-Lingual - Community Translation Project

Ground Plane Methods

Ground Plane Methods

Manual Alignment

Manual Alignment

Tweaking the Solver

Tweaking the Solver

Handling Tripod Shots

Handling Tripod Shots

Changing a Camera Track to an Object Track

Changing a Camera Track to an Object Track