Канал: Lilli Lehmann - Topic

Die Walküre, WWV 86B (Excerpts) : Du bist der Lenz (2) (Live)

Die Walküre, WWV 86B (Excerpts) : Du bist der Lenz (2) (Live)

Tristan und Isolde, WWV 90 (Excerpts) : Mild und leise, wie er lächelt! (2) (Live)

Tristan und Isolde, WWV 90 (Excerpts) : Mild und leise, wie er lächelt! (2) (Live)

Norma: Casta Diva

Norma: Casta Diva

Le nozze di Figaro, K.492: Heil'ge Quelle

Le nozze di Figaro, K.492: Heil'ge Quelle

Die Walküre, WWV 86B: Du bist der lenz (Recorded 1907)

Die Walküre, WWV 86B: Du bist der lenz (Recorded 1907)

Egmont, Op. 84: No. 4, Freudvoll und Leidvoll "Klärchens Lied" (Recorded 1907)

Egmont, Op. 84: No. 4, Freudvoll und Leidvoll "Klärchens Lied" (Recorded 1907)

Le nozze di Figaro, K. 492: Heil'ge quelle (Recorded 1907)

Le nozze di Figaro, K. 492: Heil'ge quelle (Recorded 1907)

Così fan tutte, K. 588: Ich erwähle mir den Muntern (Recorded 1907)

Così fan tutte, K. 588: Ich erwähle mir den Muntern (Recorded 1907)

Liederkreis, Op. 39: II. Intermezzo (Recorded 1907)

Liederkreis, Op. 39: II. Intermezzo (Recorded 1907)

La Traviata: Alfredo, Alfredo in questo core (Recorded 1907)

La Traviata: Alfredo, Alfredo in questo core (Recorded 1907)

Norma: Ah! sì fa core (Recorded 1907)

Norma: Ah! sì fa core (Recorded 1907)

Don Giovanni, K. 527: Non mi dir... Fors' è un giorno il cielo (Recorded 1907)

Don Giovanni, K. 527: Non mi dir... Fors' è un giorno il cielo (Recorded 1907)

Le nozze di Figaro, K. 492: Wenn di sanften Abendlüfte (Recorded 1907)

Le nozze di Figaro, K. 492: Wenn di sanften Abendlüfte (Recorded 1907)

Du bist die Ruh', D. 776 (Recorded 1907)

Du bist die Ruh', D. 776 (Recorded 1907)

La Traviata: Ah fors' è lui…Sempre libera (Recorded 1907)

La Traviata: Ah fors' è lui…Sempre libera (Recorded 1907)

Les Huguenots: O Glüchlich Land (Recorded 1907)

Les Huguenots: O Glüchlich Land (Recorded 1907)

Don Giovanni, K. 527: Don Ottavio, son morta... Or sai che l'onore (Recorded 1906)

Don Giovanni, K. 527: Don Ottavio, son morta... Or sai che l'onore (Recorded 1906)

Fidelio, Op. 72: Abscheulicher…Komm' Hoffnung…Ich folg'dem inner Triebe (Recorded 1907)

Fidelio, Op. 72: Abscheulicher…Komm' Hoffnung…Ich folg'dem inner Triebe (Recorded 1907)

Norma: Casta Diva (Recorded 1907)

Norma: Casta Diva (Recorded 1907)

Auf dem Wasser zu singen, D. 774 (Recorded 1906)

Auf dem Wasser zu singen, D. 774 (Recorded 1906)

Die Entführung aus dem serail, K. 384: Marten aller arten (Recorded 1907)

Die Entführung aus dem serail, K. 384: Marten aller arten (Recorded 1907)

Die Entführung aus dem serail, K. 384: Ach ich liebte (Recorded 1907)

Die Entführung aus dem serail, K. 384: Ach ich liebte (Recorded 1907)

Liederkreis, Op. 39: V. Mondnacht (Recorded 1907)

Liederkreis, Op. 39: V. Mondnacht (Recorded 1907)

Joshua, HWV 64: O hätt' ich Jubals Harf' (Recorded 1907)

Joshua, HWV 64: O hätt' ich Jubals Harf' (Recorded 1907)

Le nozze di Figaro, K. 492: Heil'ge quelle (Recorded 1907)

Le nozze di Figaro, K. 492: Heil'ge quelle (Recorded 1907)

Josua: O hätt' ich Jubals Harf.

Josua: O hätt' ich Jubals Harf.

Don Giovanni: Don Ottavio, son morta - Or sai chi l'onore

Don Giovanni: Don Ottavio, son morta - Or sai chi l'onore

Robert, der Teufel: Robert, Robert, mein Geliebter (Gnadenarie)

Robert, der Teufel: Robert, Robert, mein Geliebter (Gnadenarie)

Norma: Casta diva

Norma: Casta diva

La Traviata: Ah, fors' elui

La Traviata: Ah, fors' elui

Fidelio: Komm', Hoffnung, laß den letzten Stern

Fidelio: Komm', Hoffnung, laß den letzten Stern

Die Hugenotten: O glücklich Land

Die Hugenotten: O glücklich Land

Cosi Fan Tutti: Ich erwähle mir

Cosi Fan Tutti: Ich erwähle mir

Figaros Hochzeit: Wenn die sanften Abendwinde

Figaros Hochzeit: Wenn die sanften Abendwinde

Figaros Hochzeit: Heil'ge Quelle

Figaros Hochzeit: Heil'ge Quelle

Die Entfuhrung aus dem Serail: Martern aller Arten

Die Entfuhrung aus dem Serail: Martern aller Arten

Norma: Ah si, fa core

Norma: Ah si, fa core

Or sai chi l'onore (Don Giovanni, Act I)

Or sai chi l'onore (Don Giovanni, Act I)

Section 6: the Attack and the Vowels - Part 2

Section 6: the Attack and the Vowels - Part 2

Section 4: the Singer's Physiological Studies

Section 4: the Singer's Physiological Studies

Sections 22-24: Position of the Mouth; Connection of Vowels; the Lips - Part 2

Sections 22-24: Position of the Mouth; Connection of Vowels; the Lips - Part 2

Sections 20-21: the Tongue; Preparations for Singing

Sections 20-21: the Tongue; Preparations for Singing

Sections 13-14: On Vocal Registers; Development and Equalization - Part 2

Sections 13-14: On Vocal Registers; Development and Equalization - Part 2

Section 34: Pronunciation - Consonants - Part 3

Section 34: Pronunciation - Consonants - Part 3

Section 5: Equalizing the Voice - Form

Section 5: Equalizing the Voice - Form

Section 6: the Attack and the Vowels - Part 1

Section 6: the Attack and the Vowels - Part 1

Sections 28-30: Resonant Consonants; Practical Exercises; the Great Scale - Part 2

Sections 28-30: Resonant Consonants; Practical Exercises; the Great Scale - Part 2

Section 34: Pronunciation - Consonants - Part 4

Section 34: Pronunciation - Consonants - Part 4

Section 3: of the Breath and Whirling Currents

Section 3: of the Breath and Whirling Currents

Section 34: Pronunciation - Consonants - Part 1

Section 34: Pronunciation - Consonants - Part 1

Sections 15-16: White Voices; Theodor Wachtel

Sections 15-16: White Voices; Theodor Wachtel

Section 17: Highest Head Tones

Section 17: Highest Head Tones

Section 2: of the Breath

Section 2: of the Breath

Sections 37-38 and Note: Interpretation; in Conclusion; Remedy for Catarrh and Hoarseness Part 2

Sections 37-38 and Note: Interpretation; in Conclusion; Remedy for Catarrh and Hoarseness Part 2

Sections 9-12: Sensations of Tongue, Nose, Palate and Resonance of Head Cavities

Sections 9-12: Sensations of Tongue, Nose, Palate and Resonance of Head Cavities

Sections 13-14: On Vocal Registers; Development and Equalization - Part 1

Sections 13-14: On Vocal Registers; Development and Equalization - Part 1

Sections 35-36: Concerning Expression; Before the Public

Sections 35-36: Concerning Expression; Before the Public

Section 1 Preliminary Practice

Section 1 Preliminary Practice

Sections 7-8: Nasal Singing; the Head Voice - Part 2

Sections 7-8: Nasal Singing; the Head Voice - Part 2

Sections 7-8: Nasal Singing; the Head Voice - Part 1

Sections 7-8: Nasal Singing; the Head Voice - Part 1

Section 34: Pronunciation - Consonants - Part 2

Section 34: Pronunciation - Consonants - Part 2

Sections 22-24: Position of the Mouth; Connection of Vowels; the Lips - Part 1

Sections 22-24: Position of the Mouth; Connection of Vowels; the Lips - Part 1

Sections 25-27: the Vowel Sound Ah; Italian and German; Auxiliary Vowels - Part 1

Sections 25-27: the Vowel Sound Ah; Italian and German; Auxiliary Vowels - Part 1

Preface; My Purpose; My Title to Write On the Art of Song

Preface; My Purpose; My Title to Write On the Art of Song

Sections 31-32: Velocity; Trill

Sections 31-32: Velocity; Trill

Sections 25-27: the Vowel Sound Ah; Italian and German; Auxiliary Vowels - Part 2

Sections 25-27: the Vowel Sound Ah; Italian and German; Auxiliary Vowels - Part 2

Sections 28-30: Resonant Consonants; Practical Exercises; the Great Scale - Part 1

Sections 28-30: Resonant Consonants; Practical Exercises; the Great Scale - Part 1

Sections 18-19: the Tremolo; the Cure

Sections 18-19: the Tremolo; the Cure

Section 33: How to Hold One's Self When Practicing

Section 33: How to Hold One's Self When Practicing

Sections 37-38 and Note: Interpretation; in Conclusion; Remedy for Catarrh and Hoarseness Part 1

Sections 37-38 and Note: Interpretation; in Conclusion; Remedy for Catarrh and Hoarseness Part 1

La traviata, Act II: Alfredo, Alfredo, di questo core

La traviata, Act II: Alfredo, Alfredo, di questo core

Don Giovanni, K. 527, Act I: Recitativo: Don Ottavio, son morta! … Or sai chi l'onore

Don Giovanni, K. 527, Act I: Recitativo: Don Ottavio, son morta! … Or sai chi l'onore

Die Walküre

Die Walküre

Egmont: Freudvoll und Leidvoll No. 7 (Klärchens Lied)

Egmont: Freudvoll und Leidvoll No. 7 (Klärchens Lied)

Fidelio: Abscheulicher... Komm? Hoffnung... Ich folg?dem inner Triebe

Fidelio: Abscheulicher... Komm? Hoffnung... Ich folg?dem inner Triebe

Les Huguenots: O Glücklich Land

Les Huguenots: O Glücklich Land

Joshua: O hätt? ich Jubals Harf?

Joshua: O hätt? ich Jubals Harf?

La Traviata: Alfredo, Alfredo, in questo core

La Traviata: Alfredo, Alfredo, in questo core

Liederkreis Op.39, No.2: Intermezzo

Liederkreis Op.39, No.2: Intermezzo

La Traviata: Ah fors? è lui ... Sempre libera

La Traviata: Ah fors? è lui ... Sempre libera

Norma: Casta diva

Norma: Casta diva

Norma: Ah! sì fa core

Norma: Ah! sì fa core

Liederkreis Op.39, No. 5: Mondnacht

Liederkreis Op.39, No. 5: Mondnacht

Così Fan Tutte

Così Fan Tutte

Le Nozze Di Figaro: Heil?ge quelle

Le Nozze Di Figaro: Heil?ge quelle

Die Entführung Aus Dem Serail

Die Entführung Aus Dem Serail

Die Entführung Aus Dem Serail

Die Entführung Aus Dem Serail

Don Giovanni: Don Ottavio, son morta ... Or sai che l?onore

Don Giovanni: Don Ottavio, son morta ... Or sai che l?onore

Le Nozze Di Figaro: Wenn di sanften Abendlüfte

Le Nozze Di Figaro: Wenn di sanften Abendlüfte

Auf dem Wasser zu singen: Auf dem Wasser zu singen

Auf dem Wasser zu singen: Auf dem Wasser zu singen

Du bist die Ruh’

Du bist die Ruh’

Don Giovanni: Non mi dir ... Fors? è un giorno il cielo

Don Giovanni: Non mi dir ... Fors? è un giorno il cielo

Im Kahne

Im Kahne

Auf dem Wasser zu singen

Auf dem Wasser zu singen

Erlkönig

Erlkönig

Long, Long Ago

Long, Long Ago

Du bist die Ruh

Du bist die Ruh

Freudvoll und leidvoll

Freudvoll und leidvoll

Ah, fors`e lui - Sempre libera (La Traviata)

Ah, fors`e lui - Sempre libera (La Traviata)

Ach ich liebte (Die Entführung aus dem Serail)

Ach ich liebte (Die Entführung aus dem Serail)

Martern aller Arten (Die Entführung aus dem Serail)

Martern aller Arten (Die Entführung aus dem Serail)

Intermezzo

Intermezzo

Or sai chi I´onore (Don Giovanni)

Or sai chi I´onore (Don Giovanni)

Heil´ge Quelle (Figaros Hochzeit)

Heil´ge Quelle (Figaros Hochzeit)

Robin Adair

Robin Adair

Ave Maria

Ave Maria

Frohe Botschaft

Frohe Botschaft

Heidenröslein

Heidenröslein

Crucifix

Crucifix

Die Loreley

Die Loreley

O hätt´ ich Jubals Harf (Joshua)

O hätt´ ich Jubals Harf (Joshua)

Robert, Robert, mein Geliebter (Robert der Teufel)

Robert, Robert, mein Geliebter (Robert der Teufel)

Freudvoll und leidvoll

Freudvoll und leidvoll

Non mi dir, bell´idol mio (Don Giovanni)

Non mi dir, bell´idol mio (Don Giovanni)

O glücklich Land (Die Hugenotten)

O glücklich Land (Die Hugenotten)

Mondnacht

Mondnacht

Le Nozze Di Figaro: Heil'ge Quelle

Le Nozze Di Figaro: Heil'ge Quelle

Casta Diva (Norma)

Casta Diva (Norma)

Du bist der Lenz (Die Walküre)

Du bist der Lenz (Die Walküre)