Канал: Alannah Marie

Breaking Boundaries: Revolutionary Art Movements of the 20th Century

Breaking Boundaries: Revolutionary Art Movements of the 20th Century

why do people hate Avant Garde music? (research vlog)

why do people hate Avant Garde music? (research vlog)

What is Avant Garde? Marina Abramović, Marcel Duchamp, and more

What is Avant Garde? Marina Abramović, Marcel Duchamp, and more

'Un Alphabet Prononcé' | Composing with Poetry

'Un Alphabet Prononcé' | Composing with Poetry

Composing with Poetry - composition commentary on 'one that got away'

Composing with Poetry - composition commentary on 'one that got away'

Compose with me: trial and error

Compose with me: trial and error

Compose with me: orchestration, textures, klangfarbenmelodie

Compose with me: orchestration, textures, klangfarbenmelodie

The Erroneous Fetishisation of Precomposition | Response to Comments

The Erroneous Fetishisation of Precomposition | Response to Comments

writing for orchestra | compose with me

writing for orchestra | compose with me

the incomprehensibility that is me composing | compose with me

the incomprehensibility that is me composing | compose with me

Everything you need to know about the Bass Voice | Operatic Voices #9

Everything you need to know about the Bass Voice | Operatic Voices #9

intuitive composing, playing with tempo

intuitive composing, playing with tempo

Everything you need to know about the Baritone Voice | Operatic Voices #8

Everything you need to know about the Baritone Voice | Operatic Voices #8

compose with me

compose with me

Composing music, really

Composing music, really

Analysing Rachmaninoff's The Bells

Analysing Rachmaninoff's The Bells

Composing with Magic Squares

Composing with Magic Squares

Everything you need to know about the Tenor Voice | Operatic Voices #7

Everything you need to know about the Tenor Voice | Operatic Voices #7

Everything you need to know about the Castrato Voice | Operatic Voices #6

Everything you need to know about the Castrato Voice | Operatic Voices #6

MALE SOPRANO! Everything you need to know about the Countertenor Voice | Operatic Voices #5

MALE SOPRANO! Everything you need to know about the Countertenor Voice | Operatic Voices #5

Everything you need to know about the Contralto Voice | Opera Voices #4

Everything you need to know about the Contralto Voice | Opera Voices #4

Everything you need to know about the Mezzo Soprano | Opera Voices #3

Everything you need to know about the Mezzo Soprano | Opera Voices #3

Everything you need to know about the Soprano Voice | Opera Voices #2

Everything you need to know about the Soprano Voice | Opera Voices #2

BOY SOPRANO! Everything you need to know about the Treble Voice | Opera Voices #1

BOY SOPRANO! Everything you need to know about the Treble Voice | Opera Voices #1

pitching our opera to opera companies | writing an opera #10

pitching our opera to opera companies | writing an opera #10

Time and Texture | Harrison Birtwistle #4

Time and Texture | Harrison Birtwistle #4

Generating Pitch, Ostinatos, Secret Theatre | Harrison Birtwistle #3

Generating Pitch, Ostinatos, Secret Theatre | Harrison Birtwistle #3

Isorhythms, Hocket, abrupt changes in Carmen Arcadiae Mechanicae Perpetuum | Harrison Birtwistle #2

Isorhythms, Hocket, abrupt changes in Carmen Arcadiae Mechanicae Perpetuum | Harrison Birtwistle #2

why my opera will never be ground-breaking | writing an opera #7

why my opera will never be ground-breaking | writing an opera #7

Cantus Firmus, Hocket, Repetition, Silence, Instrumental Register | Harrison Birtwistle #1

Cantus Firmus, Hocket, Repetition, Silence, Instrumental Register | Harrison Birtwistle #1

conducting professional opera singers | writing an opera #6

conducting professional opera singers | writing an opera #6

first funded opera workshop at the Gulbenkian Foundation | writing an opera #5

first funded opera workshop at the Gulbenkian Foundation | writing an opera #5

operatic voices, text setting, musical quotation | writing an opera #4

operatic voices, text setting, musical quotation | writing an opera #4

narrative, music, scenography | writing an opera #3

narrative, music, scenography | writing an opera #3

Composing with Restrictions 3 : working with the musical instrument (dialectically)

Composing with Restrictions 3 : working with the musical instrument (dialectically)

Composing with Restrictions 2: sonority and adhering to an Avant Garde style

Composing with Restrictions 2: sonority and adhering to an Avant Garde style

Composing with Restrictions 1: musical notation and the futility of being avant garde today

Composing with Restrictions 1: musical notation and the futility of being avant garde today

Lecture 3: "the truth is the whole" | Adorno's 'An Introduction to Dialectics' #3

Lecture 3: "the truth is the whole" | Adorno's 'An Introduction to Dialectics' #3

Composing with Cubes: Iannis Xenakis and Nomos Alpha

Composing with Cubes: Iannis Xenakis and Nomos Alpha

How to Act Drunk: 5 Approaches

How to Act Drunk: 5 Approaches

Acting Scared in Horror

Acting Scared in Horror

planning an opera | writing an opera #2

planning an opera | writing an opera #2

applying for opera funding | writing an opera #1

applying for opera funding | writing an opera #1

Crying on Cue | Bollywood vs Reality TV

Crying on Cue | Bollywood vs Reality TV

Study Vlog | Adorno's Dialectics: Lectures 5 & 6

Study Vlog | Adorno's Dialectics: Lectures 5 & 6

Lecture 2: Time & Reification | Adorno's 'An Introduction to Dialectics' #2

Lecture 2: Time & Reification | Adorno's 'An Introduction to Dialectics' #2

Study Vlog | Adorno's Dialectics: Lectures 3 & 4

Study Vlog | Adorno's Dialectics: Lectures 3 & 4

Dixieland Jazz (1910s—1940s) | Jazz Series ep. 3

Dixieland Jazz (1910s—1940s) | Jazz Series ep. 3

Study Vlog | Adorno's Dialectics: Lectures 1 & 2

Study Vlog | Adorno's Dialectics: Lectures 1 & 2

Exploring the Acting Theories of Dee Canon feat. Stanislavski & Uta Hagen

Exploring the Acting Theories of Dee Canon feat. Stanislavski & Uta Hagen

Lecture 1: Concept & Thing | Adorno's 'An Introduction to Dialectics' #1

Lecture 1: Concept & Thing | Adorno's 'An Introduction to Dialectics' #1

Ragtime & Stride Piano (1890s—1920s) | Jazz Series ep. 2

Ragtime & Stride Piano (1890s—1920s) | Jazz Series ep. 2

Exploring Brechtian Acting: Epic Theatre and Realism

Exploring Brechtian Acting: Epic Theatre and Realism

New Orleans Jazz Bands (1880s—1920s) | Jazz Series ep. 1

New Orleans Jazz Bands (1880s—1920s) | Jazz Series ep. 1

Appearing Drunk on Screen

Appearing Drunk on Screen

Music & Image: Graphic Scores and Kandinsky

Music & Image: Graphic Scores and Kandinsky

Camera Acting

Camera Acting

Subtext & Acting

Subtext & Acting

How (Not) to Look Confident

How (Not) to Look Confident

Portraying a "Realistic" Character on Screen | Acting 101

Portraying a "Realistic" Character on Screen | Acting 101

Canon (Music): Medieval to Modern

Canon (Music): Medieval to Modern

Camera Acting: 4 Tips

Camera Acting: 4 Tips

Analysing Peter Maxwell Davies' Ave Maris Stella

Analysing Peter Maxwell Davies' Ave Maris Stella

Comedy Acting

Comedy Acting

Acting Scared in Films

Acting Scared in Films

Confident Character Acting Techniques

Confident Character Acting Techniques

What to expect from Film & TV Auditions | Acting

What to expect from Film & TV Auditions | Acting

Analysing Messiaen's quatuor pour la fin du temps (Quartet for the End of Time)

Analysing Messiaen's quatuor pour la fin du temps (Quartet for the End of Time)

Alannah Marie Live Stream

Alannah Marie Live Stream

How to Act Drunk

How to Act Drunk

Composing for 28 Pianos!

Composing for 28 Pianos!

Subtext in Acting: A Beginner's Introduction

Subtext in Acting: A Beginner's Introduction

On the set of a Horror Film! (Behind the Scenes Chat)

On the set of a Horror Film! (Behind the Scenes Chat)

I wrote an Opera

I wrote an Opera

Horror Films 3: Victims and Villains

Horror Films 3: Victims and Villains

Status in Horror 2: The Villain

Status in Horror 2: The Villain

Horror Films 1: The Victim Character | Acting

Horror Films 1: The Victim Character | Acting

Acting in Comedy: 3 Tips for Beginners

Acting in Comedy: 3 Tips for Beginners

28 Steinway Pianos!!

28 Steinway Pianos!!