Канал: Remington's Guitar Theory

Groups of 5 On Guitar part 2 IG21

Groups of 5 On Guitar part 2 IG21

5 Notes Per String IG20

5 Notes Per String IG20

Practicing Secondary Dominant Chords PMA5

Practicing Secondary Dominant Chords PMA5

Drop Tune Classical Guitar IG19

Drop Tune Classical Guitar IG19

Drop Tuning vs Down Tuning PMA4

Drop Tuning vs Down Tuning PMA4

Remington James Cook - Crawl

Remington James Cook - Crawl

Arpeggios BG26

Arpeggios BG26

Sepultura - Refuse/Resist (In Theory #3)

Sepultura - Refuse/Resist (In Theory #3)

Remington James Cook - Gore Guts Mayhem

Remington James Cook - Gore Guts Mayhem

Natural Versus Harmonic Versus Melodic Minor Scales BMT 12

Natural Versus Harmonic Versus Melodic Minor Scales BMT 12

Metallica - Enter Sandman (In Theory #2)

Metallica - Enter Sandman (In Theory #2)

Motionless in White - Porcelain (In Theory #1)

Motionless in White - Porcelain (In Theory #1)

Key Signatures BMT11

Key Signatures BMT11

Italian French and German Augmented 6 Chords AMT12

Italian French and German Augmented 6 Chords AMT12

Pedal Chord AG14

Pedal Chord AG14

Remington James Cook - Bled Out

Remington James Cook - Bled Out

Pedal Tone and Inverted or Implied Chords AG13

Pedal Tone and Inverted or Implied Chords AG13

Rhythmic Variation AMT9

Rhythmic Variation AMT9

Modulation PMA3

Modulation PMA3

Root Position Arpeggios BG26

Root Position Arpeggios BG26

Picking For Arpeggios in One Direction IG18

Picking For Arpeggios in One Direction IG18

Remington James Cook - Confined

Remington James Cook - Confined

Modulation or Key Change IMT16

Modulation or Key Change IMT16

Practicing Key Signature Versus Just Scales BG25

Practicing Key Signature Versus Just Scales BG25

Rhythmic and Melodic Variation AMT8

Rhythmic and Melodic Variation AMT8

Practicing Scales on One or Two Strings BG24

Practicing Scales on One or Two Strings BG24

Variation Techniques: Round Bass AMT7

Variation Techniques: Round Bass AMT7

Dungeon

Dungeon

7th chords IMT14

7th chords IMT14

Pentatonic Patterns and Sequences BG23

Pentatonic Patterns and Sequences BG23

Diminished Chord IMT13

Diminished Chord IMT13

Pentatonic Improvisation BG22

Pentatonic Improvisation BG22

Remington James Cook - MANIC

Remington James Cook - MANIC

Finger Exercises With String Skipping IG17

Finger Exercises With String Skipping IG17

Mobile Riffs and Resetting AG12

Mobile Riffs and Resetting AG12

Dominant 7 Chord IMT12

Dominant 7 Chord IMT12

Finger Rolling on Fretboard IG16

Finger Rolling on Fretboard IG16

Chordal Riffs With Melody AG11

Chordal Riffs With Melody AG11

Pentatonic 5th Position BG21

Pentatonic 5th Position BG21

Remington James Cook - Implode

Remington James Cook - Implode

Chicken Pickin' and Hybrid Picking Ag10

Chicken Pickin' and Hybrid Picking Ag10

Triplets over Triplets AG9

Triplets over Triplets AG9

Complex Rhythmic Articulations IG15

Complex Rhythmic Articulations IG15

More Practice Shapes IG14

More Practice Shapes IG14

Strong Chord Progressions Circle Progression BMT10

Strong Chord Progressions Circle Progression BMT10

String Naming With Alternate Tunings What Makes Sense and Why PMA2

String Naming With Alternate Tunings What Makes Sense and Why PMA2

Minor Pentatonic Positions 3 and 4 BG20

Minor Pentatonic Positions 3 and 4 BG20

Renaissance Polyphony Practices IMT12

Renaissance Polyphony Practices IMT12

Remington James Cook - Excess Emptiness

Remington James Cook - Excess Emptiness

Fully Diminished Versus Half Diminished Chord IMT11

Fully Diminished Versus Half Diminished Chord IMT11

Odd Groupings of Notes Over 4/4 Time AG8

Odd Groupings of Notes Over 4/4 Time AG8

Polyphonic Lines and Harmonizing IG13

Polyphonic Lines and Harmonizing IG13

Polyphony IMT10

Polyphony IMT10

Gallop/Broken 16ths VS. Triplets

Gallop/Broken 16ths VS. Triplets

Minor Pentatonic Scale Position 1 and 2 BG19

Minor Pentatonic Scale Position 1 and 2 BG19

RJC "Doom"

RJC "Doom"

BMT9 Dotted Notes, Their Lengths, and How to Count Them

BMT9 Dotted Notes, Their Lengths, and How to Count Them

Bluegrassy Country Style Finger Picking BG18

Bluegrassy Country Style Finger Picking BG18

Alternate Picking Rhythm Into Sweep Picking AG7

Alternate Picking Rhythm Into Sweep Picking AG7

Classical Style Playing With Melody in Bass IG11

Classical Style Playing With Melody in Bass IG11

Notes as They Appear in Written Music and Their Lengths BMT8

Notes as They Appear in Written Music and Their Lengths BMT8

Finger Exercises 3 Notes Per String for Guitar IG10

Finger Exercises 3 Notes Per String for Guitar IG10

Finger Exercises for Guitar IG9

Finger Exercises for Guitar IG9

Time Signatures, Notes on the Staff, and Note Lengths BMT7

Time Signatures, Notes on the Staff, and Note Lengths BMT7

Chord Strumming Pattern BG17

Chord Strumming Pattern BG17

Chord Inversions BMT6

Chord Inversions BMT6

Flat Pickin' String Skippin' IG8

Flat Pickin' String Skippin' IG8

Continuous or Cyclical Key Changing AMT6

Continuous or Cyclical Key Changing AMT6

Arpeggio Chord Changing at Odd Spots AG6

Arpeggio Chord Changing at Odd Spots AG6

Passing Chords AMT5

Passing Chords AMT5

Key Changing on Pivot Chords AMT4

Key Changing on Pivot Chords AMT4

Augmented Chords and Passing Chord Function IMT9

Augmented Chords and Passing Chord Function IMT9

Intervals BMT5

Intervals BMT5

Locrian Mode IMT8

Locrian Mode IMT8

Circle Of Fifths BMT4

Circle Of Fifths BMT4

Cascading Sweeping Arpeggios AG5

Cascading Sweeping Arpeggios AG5

Extended Range Guitars BG16

Extended Range Guitars BG16

String Muting on Guitar BG15

String Muting on Guitar BG15

How to Make a Melody BG14

How to Make a Melody BG14

Raised 7th Scales and Harmonic Minor IMT 7

Raised 7th Scales and Harmonic Minor IMT 7

Combining Sweeps Economy Picking and Alternate Picking AG4

Combining Sweeps Economy Picking and Alternate Picking AG4

Mixolydian Mode Fifth Position BG13

Mixolydian Mode Fifth Position BG13

Dominant Chord and Diminished Chord Relationship AMT3

Dominant Chord and Diminished Chord Relationship AMT3

Intervals and Their Shapes on Guitar BG12

Intervals and Their Shapes on Guitar BG12

String Skipping IG7

String Skipping IG7

Songwriting Song Structure BG11

Songwriting Song Structure BG11

Economy Picking: Secret Shred Tool IG6

Economy Picking: Secret Shred Tool IG6

Inside/Outside Picking Practice Etude BG10

Inside/Outside Picking Practice Etude BG10

Arpeggios as They Relate to a Key Center IG5

Arpeggios as They Relate to a Key Center IG5

Diminished Chord Phrygian Lydian BG9

Diminished Chord Phrygian Lydian BG9

More Scale Positions BG8

More Scale Positions BG8

Sweep Picking to Taps on Guitar AG2

Sweep Picking to Taps on Guitar AG2

Guitar Arpeggio Shapes IG4 AG1

Guitar Arpeggio Shapes IG4 AG1

Parallel Key Change and Chord Borrowing AMT 3

Parallel Key Change and Chord Borrowing AMT 3

Dying Season

Dying Season

Parallel Chord Borrowing AMT2

Parallel Chord Borrowing AMT2

Odd Time Signatures IG3

Odd Time Signatures IG3

Classic Rock/Metal Riffs Continuation of BG7

Classic Rock/Metal Riffs Continuation of BG7

Video Serialization Explanation

Video Serialization Explanation

Mixolydian Mode IMT6

Mixolydian Mode IMT6

Beginner Fingerstyle Guitar Playing Technique BG7

Beginner Fingerstyle Guitar Playing Technique BG7

Lydian Mode IMT5

Lydian Mode IMT5

Beginner Guitar Picking Technique BG6

Beginner Guitar Picking Technique BG6

Thrash Modal

Thrash Modal

Scale Sequences for Guitar IG2

Scale Sequences for Guitar IG2

Beginner or Intermediate Guitarist Sweep Picking IG1

Beginner or Intermediate Guitarist Sweep Picking IG1

Phrygian Mode Guitar IMT4

Phrygian Mode Guitar IMT4

BMT3 Chord Building

BMT3 Chord Building

IMT 3 Dorian Mode

IMT 3 Dorian Mode

BMT2 Scale Building

BMT2 Scale Building

AMT1 Common Tone Chord Replacements

AMT1 Common Tone Chord Replacements

BG6 G Major Starting From the 6th and 7th

BG6 G Major Starting From the 6th and 7th

BG5 Barre Chords Covering G Major

BG5 Barre Chords Covering G Major

BG4 Slides Pull offs Making Your Own Riffs

BG4 Slides Pull offs Making Your Own Riffs

RJC "Anything But Pain"

RJC "Anything But Pain"

IMT2 Secondary Diminished Chords

IMT2 Secondary Diminished Chords

IMT1 Secondary Dominant Chords

IMT1 Secondary Dominant Chords

BG3 Major Scale and Palm Muting

BG3 Major Scale and Palm Muting

BMT 2 12 Tones Naturals Sharps Flats

BMT 2 12 Tones Naturals Sharps Flats

BMT1 (BG) Time Signatures and Counting Music

BMT1 (BG) Time Signatures and Counting Music

BG2 Guitar First ChordS

BG2 Guitar First ChordS

BG1 Beginner Guitar String Names Tuning

BG1 Beginner Guitar String Names Tuning

Guitars Music Theory and Getting to Know Me

Guitars Music Theory and Getting to Know Me