Канал: Creative Thinking KCC

Making the Familiar Unfamiliar

Making the Familiar Unfamiliar

Making the Familiar Unfamiliar (Photo Project)

Making the Familiar Unfamiliar (Photo Project)

IS 161 Introduction to Creative Thinking

IS 161 Introduction to Creative Thinking

Making the Familiar Unfamiliar (Spring 2022)

Making the Familiar Unfamiliar (Spring 2022)

Painterly Still Life Part 2: Adding Color

Painterly Still Life Part 2: Adding Color

Visual Perception Part 1: Eye & Brain

Visual Perception Part 1: Eye & Brain

Painterly Still Life Part 3: Finishing

Painterly Still Life Part 3: Finishing

Making the Familiar Unfamiliar (Photo Project)

Making the Familiar Unfamiliar (Photo Project)

Ganzfeld Red Shape VR

Ganzfeld Red Shape VR

Art 123 Materials List

Art 123 Materials List

Portrait Basics

Portrait Basics

Contour Still Life: Sharpie Pen

Contour Still Life: Sharpie Pen

Drapery Study No 2: Conté on Toned Paper

Drapery Study No 2: Conté on Toned Paper

Drapery Study No. 1: Charcoal

Drapery Study No. 1: Charcoal

vine charcoal & charcoal pencil

vine charcoal & charcoal pencil

Linear Still Life: Part 2 - Glazing Technique

Linear Still Life: Part 2 - Glazing Technique

Vine Charcoal: Bowl

Vine Charcoal: Bowl

Linear Still Life: Part 1 Foundation

Linear Still Life: Part 1 Foundation

Pencil Shading an Imaginary Apple

Pencil Shading an Imaginary Apple

On Thinking Part II: Inductive Reasoning

On Thinking Part II: Inductive Reasoning

On Thinking Part I: Deductive Reasoning

On Thinking Part I: Deductive Reasoning

Drawing One Point Perspective Room

Drawing One Point Perspective Room

Color on Grisaille Part II: Details

Color on Grisaille Part II: Details

Color on Grisaille Part I: Blocking In

Color on Grisaille Part I: Blocking In

Imaginary Perspective: Objects in two-point perspective

Imaginary Perspective: Objects in two-point perspective

Imaginary One-Point Perspective

Imaginary One-Point Perspective

Perspective

Perspective

Color Study No. 2: Mixing Complements

Color Study No. 2: Mixing Complements

Color: Theory & Practice for Painters

Color: Theory & Practice for Painters

Color: Theory & Practice for Painters

Color: Theory & Practice for Painters

Color Study No.3: Mixing Monochromatic & Analogous Colors

Color Study No.3: Mixing Monochromatic & Analogous Colors

Color: Theory & Practice for Painters

Color: Theory & Practice for Painters

Color Study No. 1: Mixing Secondary Colors

Color Study No. 1: Mixing Secondary Colors

Contour Glass Study

Contour Glass Study

Grisaille Study II: Drapery

Grisaille Study II: Drapery

Grisaille Study I: Still Life

Grisaille Study I: Still Life

Tone & Value

Tone & Value

Line Weight & Contour

Line Weight & Contour

Sightlines

Sightlines

Patchwork Method

Patchwork Method

Line Weight & Contour

Line Weight & Contour

Imprimatura

Imprimatura

Geometric Forms

Geometric Forms

Proportion I: Sighting

Proportion I: Sighting

Three Tone Method

Three Tone Method

Blending Basics: Linear & Painterly

Blending Basics: Linear & Painterly

ART 123 Introduction to Painting: Materials

ART 123 Introduction to Painting: Materials

Divergence Part 2

Divergence Part 2

Art 113 Grid Method

Art 113 Grid Method

Visual Perception Part 2: The Box

Visual Perception Part 2: The Box

Divergence 1: Categories

Divergence 1: Categories

Ecological Thinking & Creativity Part 2: Systems Thinking & Emergence

Ecological Thinking & Creativity Part 2: Systems Thinking & Emergence

Ecological Thinking & Creativity, Part 1: Biomimicry

Ecological Thinking & Creativity, Part 1: Biomimicry

Toned Paper Still Life No 1

Toned Paper Still Life No 1

Psychology & the Creative Personality

Psychology & the Creative Personality

Painterly Study

Painterly Study

The Painterly Style: A Brief History

The Painterly Style: A Brief History

The Grid Method

The Grid Method