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Roman Numeral Analysis in Minor Keys

Roman Numeral Analysis in Minor Keys

Diatonic Triads in Minor Keys Part 4

Diatonic Triads in Minor Keys Part 4

Diatonic Triads in Minor Keys Part 3

Diatonic Triads in Minor Keys Part 3

Diatonic Triads in Minor Keys Part 2

Diatonic Triads in Minor Keys Part 2

Diatonic Triads in Minor Keys Part 1

Diatonic Triads in Minor Keys Part 1

Roman Numeral Analysis in Major Keys Part 3

Roman Numeral Analysis in Major Keys Part 3

Roman Numeral Analysis in Major Keys Part 2

Roman Numeral Analysis in Major Keys Part 2

Roman Numeral Analysis in Major Keys Part 1

Roman Numeral Analysis in Major Keys Part 1

Diatonic Triads in Major Keys

Diatonic Triads in Major Keys

Figured Bass Accidentals

Figured Bass Accidentals

One Last Thing About Figured Bass

One Last Thing About Figured Bass

Figured Bass Part 1

Figured Bass Part 1

Figured Bass Part 2

Figured Bass Part 2

Identifying Inversions

Identifying Inversions

Inversion of Triads

Inversion of Triads

Identifying Triads

Identifying Triads

Augmented Triads

Augmented Triads

Diminished Triads

Diminished Triads

Minor Triads - Part 2

Minor Triads - Part 2

Major Triads

Major Triads

Minor Triads - Part 1

Minor Triads - Part 1

Chords and Triads

Chords and Triads

Common Tones

Common Tones

Roman Numeral Analysis

Roman Numeral Analysis

Part Writing With Repeated Chords

Part Writing With Repeated Chords

Parallelism

Parallelism

Contrary Fifths

Contrary Fifths

Open Structure

Open Structure

Motion Between Voices

Motion Between Voices

Introduction to Four-Voice Harmony

Introduction to Four-Voice Harmony

Vocal Ranges

Vocal Ranges

Close Structure

Close Structure

Diatonic Progressions in Minor Keys

Diatonic Progressions in Minor Keys

Diatonic Progressions in Major Keys

Diatonic Progressions in Major Keys

Authentic Cadences

Authentic Cadences

Root Movement by 5th

Root Movement by 5th

Writing Seventh Chords

Writing Seventh Chords

Figured Bass for Seventh Chords

Figured Bass for Seventh Chords

Seventh Chord Inversions

Seventh Chord Inversions

Common Seventh Chords

Common Seventh Chords

Seventh Chords

Seventh Chords

Anticipations

Anticipations

Retardations

Retardations

Suspensions (Part 2)

Suspensions (Part 2)

Suspensions (Part 1)

Suspensions (Part 1)

Pedal Tones

Pedal Tones

Escape Tones

Escape Tones

Appogiaturas

Appogiaturas

Changing Tones

Changing Tones

Neighbor Tones

Neighbor Tones

Passing Tones

Passing Tones

The Cadenza

The Cadenza

Arpeggiated Six-Four Chord

Arpeggiated Six-Four Chord

Pedal Six-Four Chords

Pedal Six-Four Chords

Passing Six-Four Chords

Passing Six-Four Chords

Consecutive First-Inversion Triads

Consecutive First-Inversion Triads

Cadences with the Leading-Tone Triad

Cadences with the Leading-Tone Triad

Part Writing with Leading-Tone Triads

Part Writing with Leading-Tone Triads

The Leading-Tone Triad

The Leading-Tone Triad

Octave and Unison Structure

Octave and Unison Structure

Neutral Structure

Neutral Structure

Part Writing with First-Inversion Triads

Part Writing with First-Inversion Triads

First-Inversion Triads

First-Inversion Triads

Creating a Soprano Line

Creating a Soprano Line

The Cadential Six-Four Chord

The Cadential Six-Four Chord

Truncated Progressions and Retrogressions

Truncated Progressions and Retrogressions

The Subtonic Triad

The Subtonic Triad

Root Movement by 3rd Part 1

Root Movement by 3rd Part 1

Root Movement by 3rd Part 2

Root Movement by 3rd Part 2

Irregular Doubling part 2

Irregular Doubling part 2

Irregular Doubling Part 1

Irregular Doubling Part 1

Deceptive Cadences

Deceptive Cadences

Root Movement by 2nd

Root Movement by 2nd

Plagal Progressions

Plagal Progressions

Plagal Cadences

Plagal Cadences

Half Cadences

Half Cadences

Picardy Third

Picardy Third

Root Movement by Fifth Part 1/3

Root Movement by Fifth Part 1/3

Root Movement by Fifth Part 3/3

Root Movement by Fifth Part 3/3

Root Movement by Fifth Part 2/3

Root Movement by Fifth Part 2/3

Gospel and Country Tour

Gospel and Country Tour

Jazz and Blues Tour

Jazz and Blues Tour

7.2.6 Natural Minor Scale

7.2.6 Natural Minor Scale

7.2.3 Determining Keys

7.2.3 Determining Keys

7.2.2 Relative Major Keys

7.2.2 Relative Major Keys

7.2.1 Relative Minor Keys

7.2.1 Relative Minor Keys

6.2.2 Descending Intervals

6.2.2 Descending Intervals

6.2.5 Compound Intervals

6.2.5 Compound Intervals

6.2.1 Interval Inversion

6.2.1 Interval Inversion

5.2.8 Altering Minor Intervals

5.2.8 Altering Minor Intervals

5.2.1 Minor Intervals

5.2.1 Minor Intervals

5.2.4 Augmented Intervals

5.2.4 Augmented Intervals

5.2.3 Diminished Intervals

5.2.3 Diminished Intervals

4.2.6 Musical Algebra

4.2.6 Musical Algebra

4.2.4 Intervals of the Major Scale

4.2.4 Intervals of the Major Scale

4.2.1 Intervals

4.2.1 Intervals

3.2.5 Circle of Fifths with Sharps

3.2.5 Circle of Fifths with Sharps

3.2.8 Identifying Key Signatures with Flats

3.2.8 Identifying Key Signatures with Flats

3.2.7 Identifying Key Signatures with Sharps

3.2.7 Identifying Key Signatures with Sharps

3.2.1 Introduction to Intervals

3.2.1 Introduction to Intervals

3.2.6 Circle of Fifths with Flats

3.2.6 Circle of Fifths with Flats

3.2.4 Key Signatures with Flats

3.2.4 Key Signatures with Flats

3.2.2 Key Signatures with Sharps

3.2.2 Key Signatures with Sharps

4.2.4 The Mid-Renaissance

4.2.4 The Mid-Renaissance

4.2.3 Music in the Early Renaissance

4.2.3 Music in the Early Renaissance

4.2.2 General Characteristices of Renaissance Music

4.2.2 General Characteristices of Renaissance Music

4.2.1 Life and Times in the Renaissance

4.2.1 Life and Times in the Renaissance

4.1 Introduction

4.1 Introduction

3.2.3 Polyphony

3.2.3 Polyphony

3.2.1 Secular Song

3.2.1 Secular Song

3.1 Introduction

3.1 Introduction

2.2.1 Major Scales

2.2.1 Major Scales

2.2.3 Plainchant

2.2.3 Plainchant

2.2.1 Introduction

2.2.1 Introduction

2.2.2 General Characteristics of Medieval Music

2.2.2 General Characteristics of Medieval Music

2.1 Introduction

2.1 Introduction

Unit 1: The Art of Listening

Unit 1: The Art of Listening

Rhythm Slashes

Rhythm Slashes

Diminished Triads

Diminished Triads

Augmented Triads

Augmented Triads

3/8 and 6/8 at Fast Tempos

3/8 and 6/8 at Fast Tempos

Major Triads

Major Triads

Minor Triads

Minor Triads

Chords and Triads

Chords and Triads

6/8 Time

6/8 Time

3/8 Time

3/8 Time

Melodic Minor Scales

Melodic Minor Scales

Harmonic Minor Scales

Harmonic Minor Scales

Minor Scales

Minor Scales

Identifying Keys

Identifying Keys

Relative Keys

Relative Keys

Common Time and Cut Time

Common Time and Cut Time

Time Signatures

Time Signatures

Perfect Intervals

Perfect Intervals

Major Intervals

Major Intervals

Intervals

Intervals

Pick Up Notes

Pick Up Notes

Identifying Key Signatures with Flats

Identifying Key Signatures with Flats

Identifying Key Signatures with Sharps

Identifying Key Signatures with Sharps

Order of Accidentals in a Key Signature

Order of Accidentals in a Key Signature

Key Signatures with Sharps and Flats

Key Signatures with Sharps and Flats

Key Signatures

Key Signatures

Dotted Quarter Note

Dotted Quarter Note

Scale Degrees

Scale Degrees

Major Scales with Flats

Major Scales with Flats

Major Scales

Major Scales

Major Scales with Sharps

Major Scales with Sharps

Eighth Rests

Eighth Rests

Eighth Notes

Eighth Notes

Whole Tone Scale

Whole Tone Scale

Whole Steps

Whole Steps

Chromatic Scales

Chromatic Scales

Half Steps

Half Steps

Repeats

Repeats

Ties and Slurs

Ties and Slurs

Rests

Rests

Additional Accidentals

Additional Accidentals

Enharmonic Notes

Enharmonic Notes

Naturals

Naturals

Flats

Flats

Sharps

Sharps

2/4 and 3/4 Time Signatures

2/4 and 3/4 Time Signatures

The Dotted Half Note

The Dotted Half Note

Articulations

Articulations

Dynamics

Dynamics

Measures and Time Signatures

Measures and Time Signatures

Note Values

Note Values

Ledger Lines

Ledger Lines

The Bass Clef

The Bass Clef

Notation and the Treble Clef

Notation and the Treble Clef

Music Fundamentals Introduction

Music Fundamentals Introduction