Канал: Articulate Guitar

Pocket Licks X: A Dash of Dissonance

Pocket Licks X: A Dash of Dissonance

Let's Get Weird: The Mixolydian Mode

Let's Get Weird: The Mixolydian Mode

Let's Get Weird: The Minor 4

Let's Get Weird: The Minor 4

Learning from Legends: The Allman Brothers and "Blue Sky"

Learning from Legends: The Allman Brothers and "Blue Sky"

Learning from Legends: Hendrix and the "Little Wing" Chords

Learning from Legends: Hendrix and the "Little Wing" Chords

Pocket Licks IX: Sliding Sixths

Pocket Licks IX: Sliding Sixths

Double Stop It Up! (adding weight to single note lines)

Double Stop It Up! (adding weight to single note lines)

Learning from Legends: Def Leppard and "Hysteria"

Learning from Legends: Def Leppard and "Hysteria"

Learning from Legends: Mike Campbell and the "Breakdown" Hook

Learning from Legends: Mike Campbell and the "Breakdown" Hook

Clever Cowboy Chords (Key of G)

Clever Cowboy Chords (Key of G)

Clever Cowboy Chords (A Major)

Clever Cowboy Chords (A Major)

Clever Cowboy Chords (C Major)

Clever Cowboy Chords (C Major)

5 Church Band Stereotypes (and how to fix them)

5 Church Band Stereotypes (and how to fix them)

The Tone Pyramid IV: Modulation and Other Effects

The Tone Pyramid IV: Modulation and Other Effects

The Tone Pyramid III: Delay and Reverb

The Tone Pyramid III: Delay and Reverb

The Tone Pyramid II: Gain Staging

The Tone Pyramid II: Gain Staging

The Tone Pyramid I: Intro & Amp EQ

The Tone Pyramid I: Intro & Amp EQ

Harmony-Palooza!

Harmony-Palooza!

Tone Hacks III: Fully Immersed!

Tone Hacks III: Fully Immersed!

How YOU Can Help Articulate

How YOU Can Help Articulate

Throw It in Reverse! (Tone Hacks II)

Throw It in Reverse! (Tone Hacks II)

3 Ways to Make Every Note Count

3 Ways to Make Every Note Count

Get Rid of The Root

Get Rid of The Root

Tone Hacks: The Knob Hack

Tone Hacks: The Knob Hack

Cascading Hybrid Lines

Cascading Hybrid Lines

Practice This With Me!

Practice This With Me!

Hook Factory IV: Using Ethical Borrowing

Hook Factory IV: Using Ethical Borrowing

Alternative Power (Chord) Sources IV

Alternative Power (Chord) Sources IV

The Hook Factory III: Using The Chords

The Hook Factory III: Using The Chords

5 Music Theory Door-Openers

5 Music Theory Door-Openers

The Hook Factory II: Using Whoa-Ohs

The Hook Factory II: Using Whoa-Ohs

Pocket Licks VIII: Hybrid Power

Pocket Licks VIII: Hybrid Power

Part Writing: Transitional Chords

Part Writing: Transitional Chords

The Hook Factory I: Using the Vocal

The Hook Factory I: Using the Vocal

CAGED Shapes as Single Note Lines

CAGED Shapes as Single Note Lines

Articulate Guitar Live Stream

Articulate Guitar Live Stream

Back to Basics IV: Expansions

Back to Basics IV: Expansions

Back to Basics III: Chords

Back to Basics III: Chords

Back to Basics II: Intervals

Back to Basics II: Intervals

Back to Basics: Scales

Back to Basics: Scales

Technique Spotlight: Swell Stabs

Technique Spotlight: Swell Stabs

Tasteful Tension V: The Duplicitous Dominant

Tasteful Tension V: The Duplicitous Dominant

Playing In Position (Un-Caging The CAGED System)

Playing In Position (Un-Caging The CAGED System)

We're Picking Too Hard

We're Picking Too Hard

Pocket Licks VII: Tense Turns

Pocket Licks VII: Tense Turns

Alternative Power (Chord) Sources III

Alternative Power (Chord) Sources III

Setting Delays: Subjective Subdivisions

Setting Delays: Subjective Subdivisions

Articulate Rig Rundown 2017

Articulate Rig Rundown 2017

The Dynamic Roadmap: Intensity

The Dynamic Roadmap: Intensity

The Dynamic Roadmap: Complexity

The Dynamic Roadmap: Complexity

The Dynamic Roadmap: Density

The Dynamic Roadmap: Density

The Dynamic Roadmap: Intro

The Dynamic Roadmap: Intro

"You Are Not Alone" (Playthrough)

"You Are Not Alone" (Playthrough)

Tomorrow Is #ShareArticulateDay!

Tomorrow Is #ShareArticulateDay!

Selective Swells

Selective Swells

Technique Spotlight: Mini-Sweeps

Technique Spotlight: Mini-Sweeps

Tone Talk: Space and Soup

Tone Talk: Space and Soup

Alternative Power (Chord) Sources II

Alternative Power (Chord) Sources II

Tone Talk: Compound Reverbs

Tone Talk: Compound Reverbs

Pocket Licks VI: Walking Thirds

Pocket Licks VI: Walking Thirds

Swiss Chords II

Swiss Chords II

Technique Spotlight: Tap Harmonics

Technique Spotlight: Tap Harmonics

Tasteful Tension IV: 1 Over 6

Tasteful Tension IV: 1 Over 6

Giveaway! M30 Music OD No.30 Special

Giveaway! M30 Music OD No.30 Special

An Articulate Anniversary

An Articulate Anniversary

Pocket Licks V: Legato Stops

Pocket Licks V: Legato Stops

An Octave Alternative

An Octave Alternative

Harmony the Easy Way

Harmony the Easy Way

The Mix and You: Pickups and Presence

The Mix and You: Pickups and Presence

Technique Spotlight: Unison Bends

Technique Spotlight: Unison Bends

Immerse Reverberator by Neunaber Audio

Immerse Reverberator by Neunaber Audio

Alternative Power (Chord) Sources

Alternative Power (Chord) Sources

Tasteful Tension III: The Static Seventh

Tasteful Tension III: The Static Seventh

Pocket Licks IV: The Scalar Cycle

Pocket Licks IV: The Scalar Cycle

Tapestry Audio Bloomery VP Review

Tapestry Audio Bloomery VP Review

Common Tones In Rhythm: Static Fifth

Common Tones In Rhythm: Static Fifth

Tasteful Tension II: 6 Over 4

Tasteful Tension II: 6 Over 4

The Mix and You: Pragmatic Power Chords

The Mix and You: Pragmatic Power Chords

Happy Accidentals

Happy Accidentals

How I Use: M30 Music Custom OD

How I Use: M30 Music Custom OD

Swiss Chords

Swiss Chords

Tasteful Tension I

Tasteful Tension I

Ask Articulate I

Ask Articulate I

Happy Holidays from Articulate! ("O Holy Night")

Happy Holidays from Articulate! ("O Holy Night")

Pocket Licks III: Natural Harmonics

Pocket Licks III: Natural Harmonics

Tone Talk: Intro to Setting Delays

Tone Talk: Intro to Setting Delays

Why You Should Try Using A Slide

Why You Should Try Using A Slide

Un Caging The CAGED System VIII

Un Caging The CAGED System VIII

Un Caging The CAGED System VII

Un Caging The CAGED System VII

Un-Caging The CAGED System VI

Un-Caging The CAGED System VI

Un-Caging The CAGED System V

Un-Caging The CAGED System V

Pocket Licks II: Hendrix-Stops

Pocket Licks II: Hendrix-Stops

Common Tones In Rhythm: Open D String Chords

Common Tones In Rhythm: Open D String Chords

Part Writing: Non-Adjacent Dyads

Part Writing: Non-Adjacent Dyads

How I Use: Pitch Bay by Earthquaker Devices

How I Use: Pitch Bay by Earthquaker Devices

Pocket Licks I: Half-Step Bend Embellishments

Pocket Licks I: Half-Step Bend Embellishments

Why You Should Try Hybrid Picking

Why You Should Try Hybrid Picking

How I Use: EXP by Neunaber Audio

How I Use: EXP by Neunaber Audio

Un-Caging The CAGED System IV

Un-Caging The CAGED System IV

Un-Caging The CAGED System III

Un-Caging The CAGED System III

Un-Caging The CAGED System II

Un-Caging The CAGED System II

Un-Caging The CAGED System I

Un-Caging The CAGED System I

The Mix and You: Filling Your Space

The Mix and You: Filling Your Space

Two Notes To Rule Them All

Two Notes To Rule Them All

A Special Announcement

A Special Announcement

Tone Talk: Articulate Rig Rundown

Tone Talk: Articulate Rig Rundown

Technique Spotlight: Ambient Tapping

Technique Spotlight: Ambient Tapping

The Mix and You: Actually Finding The Right Space

The Mix and You: Actually Finding The Right Space

The Most Useful Shape You'll Ever Learn

The Most Useful Shape You'll Ever Learn

Part Writing: Using Open Strings

Part Writing: Using Open Strings

Tone Talk: Why You Only Need One Dirt Pedal

Tone Talk: Why You Only Need One Dirt Pedal

Part Writing: Odd Rhythmic Groupings In 3 Easy Steps

Part Writing: Odd Rhythmic Groupings In 3 Easy Steps

Technique Spotlight: Whale Noises

Technique Spotlight: Whale Noises

The Mix and You: Cutting and Blending

The Mix and You: Cutting and Blending

Using Common Tones Pt IV: Exploring Possibilities

Using Common Tones Pt IV: Exploring Possibilities

Using Common Tones Pt. III: Useful Voicings

Using Common Tones Pt. III: Useful Voicings

Using Common Tones Pt II: Harmony

Using Common Tones Pt II: Harmony

Using Common Tones

Using Common Tones