Канал: Antoine Petrov

Luca Guadagnino on Film School

Luca Guadagnino on Film School

Alice Rohrwacher on Archaeology and Cinema

Alice Rohrwacher on Archaeology and Cinema

Paul Schrader and Richard Gere on Filmmaking in Repressive Regimes

Paul Schrader and Richard Gere on Filmmaking in Repressive Regimes

Agnès Varda on Her Concept of "Cinematic Writing" and Documentary Filmmaking

Agnès Varda on Her Concept of "Cinematic Writing" and Documentary Filmmaking

William Friedkin on Casting and Doing Many Takes

William Friedkin on Casting and Doing Many Takes

Slavoj Žižek on Tarkovsky

Slavoj Žižek on Tarkovsky

Justine Triet on Editing

Justine Triet on Editing

Atanas Angelov: A Bulgarian in the Third Reich | a short film by Antoine Petrov

Atanas Angelov: A Bulgarian in the Third Reich | a short film by Antoine Petrov

William Friedkin on His Fear of Directing Films

William Friedkin on His Fear of Directing Films

Tarkovsky on the Connection Between Cinema and Poetry

Tarkovsky on the Connection Between Cinema and Poetry

Slavoj Žižek on "Cinematic Thinking"

Slavoj Žižek on "Cinematic Thinking"

Vittorio Storaro on Plato and Cinema

Vittorio Storaro on Plato and Cinema

Christopher Nupen on Music Documentaries

Christopher Nupen on Music Documentaries

Orson Welles on the Greatest Film Ever Made

Orson Welles on the Greatest Film Ever Made

Vittorio Storaro on Caravaggio

Vittorio Storaro on Caravaggio

Slavoj Žižek on Hollywood

Slavoj Žižek on Hollywood

Naos | a short film by Antoine Petrov

Naos | a short film by Antoine Petrov

Requiem | a short film by Antoine Petrov

Requiem | a short film by Antoine Petrov

Lanthimos on His Film Language and Old School Techniques

Lanthimos on His Film Language and Old School Techniques

JOSEPH AND MARIA | a film by Antoine Petrov

JOSEPH AND MARIA | a film by Antoine Petrov

Serge Gainsbourg on Cinema, Colour and Sound

Serge Gainsbourg on Cinema, Colour and Sound

Mia Hansen-Løve on Realism in Films

Mia Hansen-Løve on Realism in Films

Woody Allen on the Ugliness of American Culture

Woody Allen on the Ugliness of American Culture

Wes Anderson on His Life Influencing His Films

Wes Anderson on His Life Influencing His Films

Fritz Lang on Cinema and Life Getting Quicker

Fritz Lang on Cinema and Life Getting Quicker

Von Trier on Tarkovsky

Von Trier on Tarkovsky

Ousmane Sembène on His Filmmaking Process

Ousmane Sembène on His Filmmaking Process

Ousmane Sembène on the Power of Cinema

Ousmane Sembène on the Power of Cinema

Sergio Leone on the Length of Films

Sergio Leone on the Length of Films

‎Wretched | a short film by Antoine Petrov

‎Wretched | a short film by Antoine Petrov

Haneke on Acting in Long Takes

Haneke on Acting in Long Takes

Robert Altman on Pure Film

Robert Altman on Pure Film

Lanthimos on His Filmmaking Process

Lanthimos on His Filmmaking Process

Werner Herzog on the Ecstatic Truth and Cinéma Vérité

Werner Herzog on the Ecstatic Truth and Cinéma Vérité

Vivian Kubrick on the Way Stanley Kubrick Thought About Art

Vivian Kubrick on the Way Stanley Kubrick Thought About Art

Werner Herzog on His Films Not Ageing

Werner Herzog on His Films Not Ageing

Agnès Varda on "Shrewd" Filmmaking

Agnès Varda on "Shrewd" Filmmaking

Pasolini on His Obsession With Images

Pasolini on His Obsession With Images

William Friedkin on Paintings That Influenced Him

William Friedkin on Paintings That Influenced Him

Scorsese on "Content"

Scorsese on "Content"

Celine Song on Film Acting vs Theatre Acting

Celine Song on Film Acting vs Theatre Acting

Scorsese on Redubbing Dialogue and Using Natural Sounds

Scorsese on Redubbing Dialogue and Using Natural Sounds

Fritz Lang on the Film Speaking for Itself

Fritz Lang on the Film Speaking for Itself

Woody Allen on Criticism and His Ambitions

Woody Allen on Criticism and His Ambitions

Jacques Tati on Working Slowly

Jacques Tati on Working Slowly

Aubrey Plaza on Bergman

Aubrey Plaza on Bergman

Antonioni on Silence

Antonioni on Silence

Francis Ford Coppola on Writing

Francis Ford Coppola on Writing

Antonioni on the Future of Television

Antonioni on the Future of Television

Тарковский об искусстве как молитве

Тарковский об искусстве как молитве

Antonioni on Not Making Films for the Audience

Antonioni on Not Making Films for the Audience

Francis Ford Coppola on Films Not Being a Business

Francis Ford Coppola on Films Not Being a Business

Werner Herzog on Not Shooting Coverage

Werner Herzog on Not Shooting Coverage

Mark Jenkin on Poetry and Script Writing

Mark Jenkin on Poetry and Script Writing

Тарковский о свободе творчества

Тарковский о свободе творчества

Wes Anderson on Writing

Wes Anderson on Writing

Тарковский о смысле жизни

Тарковский о смысле жизни

Tarkovsky on Religion

Tarkovsky on Religion

Werner Herzog on the Audience's Perception of a Film

Werner Herzog on the Audience's Perception of a Film

Тарковский о Брессоне, Бахе, Толстом, Леонардо и Шекспире

Тарковский о Брессоне, Бахе, Толстом, Леонардо и Шекспире

Werner Herzog on Not Going to Film School

Werner Herzog on Not Going to Film School

Haneke on Music as the Art Closest to Cinema

Haneke on Music as the Art Closest to Cinema

Werner Herzog on the Only Person He Has Learned From

Werner Herzog on the Only Person He Has Learned From

Béla Tarr on Jean-Luc Godard

Béla Tarr on Jean-Luc Godard

Orson Welles on NOT Learning From Other Directors' Films

Orson Welles on NOT Learning From Other Directors' Films

Kiarostami on Why He Makes Art

Kiarostami on Why He Makes Art

Тарковский об использовании музыки и живописи в кино

Тарковский об использовании музыки и живописи в кино

Тарковский о цветном и черно-белом кино

Тарковский о цветном и черно-белом кино

Kubrick's and Bresson's Dialogue Editing

Kubrick's and Bresson's Dialogue Editing

Haneke on How to End a Film

Haneke on How to End a Film

Haneke on Off-Camera Dialogue

Haneke on Off-Camera Dialogue

Mia Hansen-Løve on Camera Movement

Mia Hansen-Løve on Camera Movement

Haneke on Long Takes

Haneke on Long Takes

Ozu's Script Writing Process

Ozu's Script Writing Process

Bresson's Advice to Young Filmmakers

Bresson's Advice to Young Filmmakers

Louis Malle on Bresson

Louis Malle on Bresson

The Difficulty of Watching Bresson's Films

The Difficulty of Watching Bresson's Films

Bresson on the Three Births of "Cinematography"

Bresson on the Three Births of "Cinematography"

Kieślowski on Casting

Kieślowski on Casting

Bresson on Using Music in Films

Bresson on Using Music in Films

Kelly Reichardt and Joanna Hogg on Film Editing

Kelly Reichardt and Joanna Hogg on Film Editing

Peter Greenaway on Cinema as the Youngest Art

Peter Greenaway on Cinema as the Youngest Art

Joachim Trier on Jan Troell

Joachim Trier on Jan Troell

Joachim Trier on Tarkovsky

Joachim Trier on Tarkovsky

Jodorowsky on Beauty

Jodorowsky on Beauty

Bresson on His "Automatism" and the Future of Cinema

Bresson on His "Automatism" and the Future of Cinema

THE SHADOW OF THE EARTH | a film by Antoine Petrov

THE SHADOW OF THE EARTH | a film by Antoine Petrov

Haneke on His Filmmaking Process

Haneke on His Filmmaking Process

Haneke on Mainstream Cinema

Haneke on Mainstream Cinema

Apichatpong Compares Films to Dreams

Apichatpong Compares Films to Dreams

Céline Sciamma on Making Compromises While Shooting

Céline Sciamma on Making Compromises While Shooting

Céline Sciamma on Sound Design

Céline Sciamma on Sound Design

Bergman on the Artist's Freedom

Bergman on the Artist's Freedom

How Bergman Directs a Cat

How Bergman Directs a Cat

Liv Ullmann on Ingrid Bergman hurting Ingmar Bergman

Liv Ullmann on Ingrid Bergman hurting Ingmar Bergman

Tilda Swinton on Falling Asleep on Films

Tilda Swinton on Falling Asleep on Films

Тарковский о "Андрее Рублёве" (1966)

Тарковский о "Андрее Рублёве" (1966)

Bergman on the Relationship Between an Artist and His Audience

Bergman on the Relationship Between an Artist and His Audience

Bergman on Being Understood

Bergman on Being Understood

Kubrick compared to John Ford, Kubrick's Aloneness

Kubrick compared to John Ford, Kubrick's Aloneness

Liv on Bergman Being a Male Chauvinist

Liv on Bergman Being a Male Chauvinist

Orson Welles: "You can make a wonderful film about nothing. Look at Fellini."

Orson Welles: "You can make a wonderful film about nothing. Look at Fellini."

Apichatpong on Why He Makes Films

Apichatpong on Why He Makes Films

Apichatpong Sleeps on His Own Films

Apichatpong Sleeps on His Own Films

Orson Welles on Watching Too Many Films

Orson Welles on Watching Too Many Films

Ozu the Genius

Ozu the Genius

Ozu's Pre- and Post-Production

Ozu's Pre- and Post-Production

Roberto Rosselini: an Avant-Gardist

Roberto Rosselini: an Avant-Gardist

Roy Andersson on Old vs New European Films

Roy Andersson on Old vs New European Films

Spielberg Meets John Ford

Spielberg Meets John Ford

Тарковский о поэтических образах, основанных на натурализме

Тарковский о поэтических образах, основанных на натурализме

Tati's Way of Working Told by Two Extras from Playtime (1967)

Tati's Way of Working Told by Two Extras from Playtime (1967)

The Occupational Condition - Bergman

The Occupational Condition - Bergman

The Occupational Condition - Haneke

The Occupational Condition - Haneke

Von Trier on Ingmar Bergman Masturbating

Von Trier on Ingmar Bergman Masturbating

Kaurismäki on Ozu

Kaurismäki on Ozu

Haneke on Happiness

Haneke on Happiness

Bresson on Being Cold

Bresson on Being Cold

Bergman on the Right Atmosphere on Set

Bergman on the Right Atmosphere on Set

Bergman on Solitude

Bergman on Solitude

Bergman on His Guilt and Compensating it With Work

Bergman on His Guilt and Compensating it With Work

John Ford Archival Footage

John Ford Archival Footage