Канал: Jeff Curto

Attraverso il Silenzio : Through the Silence

Attraverso il Silenzio : Through the Silence

Cortona Rain - a rainy afternoon in Cortona, Tuscany

Cortona Rain - a rainy afternoon in Cortona, Tuscany

Camera Position 213 : What's Your Hashtag?

Camera Position 213 : What's Your Hashtag?

Winter Into Spring on Lake Superior

Winter Into Spring on Lake Superior

Shooting Star Trails (with Moonlight & Aurora)

Shooting Star Trails (with Moonlight & Aurora)

Camera Position 212 : Sources & Resources

Camera Position 212 : Sources & Resources

The Capitoline Museums, Roma

The Capitoline Museums, Roma

Above the Autumn Clouds

Above the Autumn Clouds

Camera Position 211 : What not to do

Camera Position 211 : What not to do

History of Photography - Class 2 - History Survey Part 1

History of Photography - Class 2 - History Survey Part 1

History of Photography - Class 3 - History Survey Part 2

History of Photography - Class 3 - History Survey Part 2

History of Photography - Class 4 - Light and Likeness: Portrait Photography

History of Photography - Class 4 - Light and Likeness: Portrait Photography

History of Photography - Class 5 - Photography as Transport + On The Road

History of Photography - Class 5 - Photography as Transport + On The Road

History of Photography - Class 6 - Photography and Painting

History of Photography - Class 6 - Photography and Painting

History of Photography - Class 7 - Stereography and Standard Subjects

History of Photography - Class 7 - Stereography and Standard Subjects

History of Photography - Class 8 - Muybridge, Marey and the Movies

History of Photography - Class 8 - Muybridge, Marey and the Movies

History of Photography - Class 9 - Stieglitz and the Photo Secession

History of Photography - Class 9 - Stieglitz and the Photo Secession

History of Photography - Class 10 - Cameras Big and Small

History of Photography - Class 10 - Cameras Big and Small

History of Photography - Class 11 - Women in Photography

History of Photography - Class 11 - Women in Photography

History of Photography - Class 12 - The Manipulative Impulse

History of Photography - Class 12 - The Manipulative Impulse

History of Photography - Class 13 - The Atomic Age and New Frontiers

History of Photography - Class 13 - The Atomic Age and New Frontiers

History of Photography - Class 14 - Szarkowski: How To See

History of Photography - Class 14 - Szarkowski: How To See

History of Photography - Class 15 - Photograph as Document, Concept as Photograph

History of Photography - Class 15 - Photograph as Document, Concept as Photograph

History of Photography - Class 1 - Introduction and Overview

History of Photography - Class 1 - Introduction and Overview

History of Photography Podcast 1 : Introduction

History of Photography Podcast 1 : Introduction

History of Photography Podcast 3 : The Family of Man

History of Photography Podcast 3 : The Family of Man

History of Photography Podcast 2 : Lisette Model

History of Photography Podcast 2 : Lisette Model

History of Photography Podcast 4 : James Van Der Zee

History of Photography Podcast 4 : James Van Der Zee

History of Photography Podcast 5 : Gordon Parks

History of Photography Podcast 5 : Gordon Parks

History of Photography Podcast 6 : Looking at Photographs

History of Photography Podcast 6 : Looking at Photographs

History of Photography Podcast 7 : Tina Modotti

History of Photography Podcast 7 : Tina Modotti

History of Photography Podcast 8 : Sergei Prokudin-Gorsky

History of Photography Podcast 8 : Sergei Prokudin-Gorsky

History of Photography Podcast 9 : Latent Image and Immediate Image

History of Photography Podcast 9 : Latent Image and Immediate Image

History of Photography Podcast 10 : The Kodak Brownie

History of Photography Podcast 10 : The Kodak Brownie

History of Photography Podcast 11 : The Cyanotype

History of Photography Podcast 11 : The Cyanotype

Camera Position 150 : You Are Not The Viewer

Camera Position 150 : You Are Not The Viewer

Camera Position 15 : Moving Camera Position & Moving Your Boundaries

Camera Position 15 : Moving Camera Position & Moving Your Boundaries

Camera Position 16 : The Game Of Inches

Camera Position 16 : The Game Of Inches

Camera Position 08 : Strand’s “The Family”

Camera Position 08 : Strand’s “The Family”

Camera Position 13 : Time and the Subject

Camera Position 13 : Time and the Subject

Camera Position 17 : The Instant and the Machine

Camera Position 17 : The Instant and the Machine

Camera Position 07 : Light, Idea and Emotion

Camera Position 07 : Light, Idea and Emotion

Camera Position 18 : A Dull Picture of A Useful Object

Camera Position 18 : A Dull Picture of A Useful Object

Camera Position 09 : Composition and Idea

Camera Position 09 : Composition and Idea

Camera Position 05 : Movement and Time

Camera Position 05 : Movement and Time

Camera Position 19 : When Less Really Is More

Camera Position 19 : When Less Really Is More

Camera Position 11 : Weston and the Other 29

Camera Position 11 : Weston and the Other 29

Camera Position 04 : Patience and Seeing

Camera Position 04 : Patience and Seeing

Camera Position 10 : A Story Without Words

Camera Position 10 : A Story Without Words

Camera Position 02 : Light in Montepulciano

Camera Position 02 : Light in Montepulciano

Camera Position 03 : Paul Caponigro’s Two Leaves

Camera Position 03 : Paul Caponigro’s Two Leaves

Camera Position 12 : Motivation and Inspiration

Camera Position 12 : Motivation and Inspiration

Camera Position 14 : Strand’s “Family” Revisited

Camera Position 14 : Strand’s “Family” Revisited

Camera Position 06 : Left, Right, Up, Down

Camera Position 06 : Left, Right, Up, Down

Camera Position 01 : An Introduction Through an Italian Window

Camera Position 01 : An Introduction Through an Italian Window

Camera Position 32 : Gallery Talk

Camera Position 32 : Gallery Talk

Camera Position 30 : After The Shutter Closes

Camera Position 30 : After The Shutter Closes

Camera Position 31 : Editing as Creative Process

Camera Position 31 : Editing as Creative Process

Camera Position 24 : Looking & Looking Back – Stieglitz & “The Steerage”

Camera Position 24 : Looking & Looking Back – Stieglitz & “The Steerage”

Camera Position 28 : Which Came First?

Camera Position 28 : Which Came First?

Camera Position 29 : Where Are You From?

Camera Position 29 : Where Are You From?

Camera Position 25 : Pick a Pair of Portraits

Camera Position 25 : Pick a Pair of Portraits

Camera Position 23 : Take a Left Turn

Camera Position 23 : Take a Left Turn

Camera Position 27 : The Mind & The Machine

Camera Position 27 : The Mind & The Machine

Camera Position 21 : Caravaggio and the Road to Rome

Camera Position 21 : Caravaggio and the Road to Rome

Camera Position 20 : The View Through

Camera Position 20 : The View Through

Camera Position 26 : Weston & The Edges

Camera Position 26 : Weston & The Edges

Camera Position 33.3 : I’m Guest-Hosting “Tips From The Top Floor”

Camera Position 33.3 : I’m Guest-Hosting “Tips From The Top Floor”

Camera Position 45 : Back in the Zone

Camera Position 45 : Back in the Zone

Camera Position 40 : Leftover Hash

Camera Position 40 : Leftover Hash

Camera Position 42 : Color Pioneers

Camera Position 42 : Color Pioneers

Camera Position 46 : Passion & Profession

Camera Position 46 : Passion & Profession

Camera Position 43 : There’s Creativity in The Zone

Camera Position 43 : There’s Creativity in The Zone

Camera Position 22 : Getting Back Your Box of Crayons

Camera Position 22 : Getting Back Your Box of Crayons

Camera Position 41 : Color Me Back!

Camera Position 41 : Color Me Back!

Camera Position 44 : Photographer’s Bookshelf #3

Camera Position 44 : Photographer’s Bookshelf #3

Camera Position 38 : It’s About Time

Camera Position 38 : It’s About Time

Camera Position 33 : What’s on Your Bookshelf?

Camera Position 33 : What’s on Your Bookshelf?

Camera Position 39 : Your Mission & Your Audience

Camera Position 39 : Your Mission & Your Audience

Camera Position 37 : Hey! Crop it Out!

Camera Position 37 : Hey! Crop it Out!

The Camera in The Cathedral: Camera Position goes Historical

The Camera in The Cathedral: Camera Position goes Historical

Camera Position 59 : Evidence of Hands on Stone

Camera Position 59 : Evidence of Hands on Stone

Camera Position 77 : Project Planning Roadmap – Production: Needs, Habits & Goals

Camera Position 77 : Project Planning Roadmap – Production: Needs, Habits & Goals

Camera Position 58 – Pictures of an Exhibition

Camera Position 58 – Pictures of an Exhibition

Camera Position 79 : A Workshop Overview

Camera Position 79 : A Workshop Overview

Camera Position 78 : Project Planning Roadmap – Audience & Distribution

Camera Position 78 : Project Planning Roadmap – Audience & Distribution

Camera Position 81 : Project Planning Roadmap – DAM!

Camera Position 81 : Project Planning Roadmap – DAM!

Camera Position 60 : Back to Basics – Composition

Camera Position 60 : Back to Basics – Composition

Camera Position 36 : Who’s Lookin’ At You?

Camera Position 36 : Who’s Lookin’ At You?

Camera Position 55 : Does Size Matter?

Camera Position 55 : Does Size Matter?

Camera Position 34 : Sequencing

Camera Position 34 : Sequencing

Camera Position 73 : The Project Planning Roadmap – An Introduction

Camera Position 73 : The Project Planning Roadmap – An Introduction

Camera Position 68 : Zoom With Your Feet!

Camera Position 68 : Zoom With Your Feet!

Camera Position 57 : Photographer’s Bookshelf #4

Camera Position 57 : Photographer’s Bookshelf #4

Camera Position 69 : Go With the Gestalt (part 1)

Camera Position 69 : Go With the Gestalt (part 1)

Camera Position 50 : Messages From Your Website

Camera Position 50 : Messages From Your Website

Camera Position 76 : Project Planning Roadmap – Passion & Mission

Camera Position 76 : Project Planning Roadmap – Passion & Mission

Camera Position 65 : What Are You Lookin’ At? How do you Know?

Camera Position 65 : What Are You Lookin’ At? How do you Know?

Camera Position 74 : Project Planning Roadmap – New Idea Germination and “Hard & Soft”

Camera Position 74 : Project Planning Roadmap – New Idea Germination and “Hard & Soft”

Camera Position 54 : Photograph like a Child

Camera Position 54 : Photograph like a Child

Camera Position 70 : Go With the Gestalt (part 2)

Camera Position 70 : Go With the Gestalt (part 2)

Camera Position 80 : Project Planning Roadmap – A Place For Your Stuff!

Camera Position 80 : Project Planning Roadmap – A Place For Your Stuff!

Camera Position 72 – Photographer’s Bookshelf #5

Camera Position 72 – Photographer’s Bookshelf #5

Camera Position 67 : The Mind as Camera

Camera Position 67 : The Mind as Camera

Camera Position 64 : Old Tools

Camera Position 64 : Old Tools

Camera Position 82 : Beauty Begs to be Recorded

Camera Position 82 : Beauty Begs to be Recorded

Camera Position 35 : Bookshelf #2

Camera Position 35 : Bookshelf #2

Camera Position 71 : How To Get Really Good at Photography

Camera Position 71 : How To Get Really Good at Photography

Camera Position 83 : What’s On Your Desert Island?

Camera Position 83 : What’s On Your Desert Island?

Camera Position 47 : Focus/Defocus/Refocus

Camera Position 47 : Focus/Defocus/Refocus

Camera Position 53 : Realizing the Image

Camera Position 53 : Realizing the Image

Camera Position 61 : Summer Peaches on a Winter’s Day

Camera Position 61 : Summer Peaches on a Winter’s Day

Camera Position 56 : The Parable of the Sheep

Camera Position 56 : The Parable of the Sheep

Camera Position 66 : Memory and the Photograph

Camera Position 66 : Memory and the Photograph

Camera Position 51 : Travel Gear

Camera Position 51 : Travel Gear

Camera Position 62 : Is Beauty Enough?

Camera Position 62 : Is Beauty Enough?

Camera Position 63 : Beauty and Background

Camera Position 63 : Beauty and Background

Camera Position 49 : Know Thy Subject

Camera Position 49 : Know Thy Subject

Camera Position 52 : Tossing Your Preconceptions

Camera Position 52 : Tossing Your Preconceptions

Camera Position 48 : Getting “Unstuck”

Camera Position 48 : Getting “Unstuck”

Camera Position 75 : Project Planning Roadmap – What Do You Care About?

Camera Position 75 : Project Planning Roadmap – What Do You Care About?

Camera Position 97 : Pictures From The Exhibition

Camera Position 97 : Pictures From The Exhibition

Camera Position 158 : The Courage To Create

Camera Position 158 : The Courage To Create

Camera Position 137 : An Update

Camera Position 137 : An Update

Camera Position 149 : The Roots of Ideas

Camera Position 149 : The Roots of Ideas

Camera Position 141 : The Medium Is Not The Message

Camera Position 141 : The Medium Is Not The Message

Camera Position 131 : The Hammer and The Nail

Camera Position 131 : The Hammer and The Nail

Camera Position 157 : The Elements and Principles of Art

Camera Position 157 : The Elements and Principles of Art

Camera Position 134 : Off The Wall #2 - iBooks

Camera Position 134 : Off The Wall #2 - iBooks

Camera Position 130 : Babies, Pointing and Photography

Camera Position 130 : Babies, Pointing and Photography

Camera Position 145 : Leave Home, Part 2

Camera Position 145 : Leave Home, Part 2

Camera Position 140 : Editing & Sequencing

Camera Position 140 : Editing & Sequencing

Camera Position 136: Persistence of Vision - Olivia Parker & 40 Years of Moving Forward

Camera Position 136: Persistence of Vision - Olivia Parker & 40 Years of Moving Forward

Camera Position 128 : Carol Golemboski’s Psychometry App

Camera Position 128 : Carol Golemboski’s Psychometry App

Camera Position 135 : Off The Wall #3 - The Digital Story

Camera Position 135 : Off The Wall #3 - The Digital Story

Camera Position 151 : The Way of Zen

Camera Position 151 : The Way of Zen

Camera Position 133 : Off The Wall #1 - MagCloud

Camera Position 133 : Off The Wall #1 - MagCloud

Camera Position 147 : A Personal Style

Camera Position 147 : A Personal Style

Camera Position 146 : Escape Velocity

Camera Position 146 : Escape Velocity

Camera Position 159 : A Sense of Humanity

Camera Position 159 : A Sense of Humanity

Camera Position 139 : The Story Spine

Camera Position 139 : The Story Spine

Camera Position 138 : Telling a Story with Pictures

Camera Position 138 : Telling a Story with Pictures

Camera Position 160 : Accept The Inner Critic

Camera Position 160 : Accept The Inner Critic

Camera Position 132 : I am a Translator

Camera Position 132 : I am a Translator

Camera Position 143 : Sport Cooking

Camera Position 143 : Sport Cooking

Camera Position 142 : Dolce far Niente, or Put The Camera Down

Camera Position 142 : Dolce far Niente, or Put The Camera Down

Camera Position 148 : Snowshoes and Photography

Camera Position 148 : Snowshoes and Photography

Camera Position 144 : Leave Home

Camera Position 144 : Leave Home

Camera Position 156 : Critical Thinking is Creative Thinking

Camera Position 156 : Critical Thinking is Creative Thinking

Camera Position 108 : Mary Virginia Swanson – Part 3: Craft, Publishing & Folios

Camera Position 108 : Mary Virginia Swanson – Part 3: Craft, Publishing & Folios

Camera Position 95 : The Juror’s Experience

Camera Position 95 : The Juror’s Experience

Camera Position 122 : Craft Is Not Content

Camera Position 122 : Craft Is Not Content

Camera Position 96 : Three Prizewinners

Camera Position 96 : Three Prizewinners

Camera Position 106 : Mary Virginia Swanson – Part 1

Camera Position 106 : Mary Virginia Swanson – Part 1

Camera Position 129 : Finding Meaning in Details

Camera Position 129 : Finding Meaning in Details

Camera Position 119 : The Power of the Single Photograph

Camera Position 119 : The Power of the Single Photograph

Camera Position 126 : Arno Says “Stay On The Bus”

Camera Position 126 : Arno Says “Stay On The Bus”

Camera Position 87 : Desert Island Photographs – Part 1

Camera Position 87 : Desert Island Photographs – Part 1

Camera Position 90 : Inertia & Inspiration

Camera Position 90 : Inertia & Inspiration

Camera Position 91 : Living With Art

Camera Position 91 : Living With Art

Camera Position 86 : Italy Photo Workshops - Photographing and Editing in Rome & Tuscany

Camera Position 86 : Italy Photo Workshops - Photographing and Editing in Rome & Tuscany

Camera Position 109 : Mary Virginia Swanson – Part 4: Public Art, Galleries & Image Size

Camera Position 109 : Mary Virginia Swanson – Part 4: Public Art, Galleries & Image Size

Camera Position 85 : A Bazillion Photographs

Camera Position 85 : A Bazillion Photographs

Camera Position 84 : Interesting Visual Friends

Camera Position 84 : Interesting Visual Friends

Camera Position 99 : Harder Seeing

Camera Position 99 : Harder Seeing

Camera Position 127 : Monochrome Followup

Camera Position 127 : Monochrome Followup

Camera Position 123 : Print The Small Stuff

Camera Position 123 : Print The Small Stuff

Camera Position 94 : How To Do vs. What To Do

Camera Position 94 : How To Do vs. What To Do

Camera Position 110 : Mary Virginia Swanson – Part 5: Story & Narrative

Camera Position 110 : Mary Virginia Swanson – Part 5: Story & Narrative

Camera Position 116 : Turn It Upside-Down!

Camera Position 116 : Turn It Upside-Down!

Camera Position 92 : A Gallery for Fine Photography in New Orleans

Camera Position 92 : A Gallery for Fine Photography in New Orleans

Camera Position 89 : Camera Position & Camera Distance

Camera Position 89 : Camera Position & Camera Distance

Camera Position 101 : Creativity “Defined”

Camera Position 101 : Creativity “Defined”

Camera Position 100 : Conferring Significance

Camera Position 100 : Conferring Significance

Camera Position 111 : A Real Time for Things

Camera Position 111 : A Real Time for Things

Camera Position 103 : The Importance of Exploration

Camera Position 103 : The Importance of Exploration

Camera Position 121 : The Raw and The (over)Cooked?

Camera Position 121 : The Raw and The (over)Cooked?

Camera Position 118 : (Back)Story Matters

Camera Position 118 : (Back)Story Matters

Camera Position 88 : Desert Island Photographs – Part 2

Camera Position 88 : Desert Island Photographs – Part 2

Camera Position 105 : Stay Ready

Camera Position 105 : Stay Ready

Camera Position 107 : Mary Virginia Swanson – Part 2: Books, Blogs & Salons

Camera Position 107 : Mary Virginia Swanson – Part 2: Books, Blogs & Salons

Camera Position 93 : Symbolism & Metaphor

Camera Position 93 : Symbolism & Metaphor

Camera Position 91 - Living With Art

Camera Position 91 - Living With Art

Camera Position 102 : Creative Process in Stages

Camera Position 102 : Creative Process in Stages

Camera Position 125 : Thinking in Monochrome

Camera Position 125 : Thinking in Monochrome

Camera Position 115 : The Self-Assignment

Camera Position 115 : The Self-Assignment

Camera Position 113 : Tension and Resolution with Ludwig Van

Camera Position 113 : Tension and Resolution with Ludwig Van

Camera Position 98 : Passion & Direction

Camera Position 98 : Passion & Direction

Camera Position 117 : Photographer’s Bookshelf – “The Color Of Hay”

Camera Position 117 : Photographer’s Bookshelf – “The Color Of Hay”

Camera Position 104 : Don’t Check the Checkboxes

Camera Position 104 : Don’t Check the Checkboxes

Camera Position 114 : Feed Your Eyes

Camera Position 114 : Feed Your Eyes

Camera Position 120 : Visual Acoustics

Camera Position 120 : Visual Acoustics

Camera Position 124 : Light and Shadow

Camera Position 124 : Light and Shadow

Camera Position 112 : Chance Favors the Prepared Mind

Camera Position 112 : Chance Favors the Prepared Mind

Camera Position 11 : Weston and the Other 29

Camera Position 11 : Weston and the Other 29

Camera Position 169 : Black and White Revisited

Camera Position 169 : Black and White Revisited

Camera Position 175 : From One, Many

Camera Position 175 : From One, Many

Camera Position 207 : On Warming Up

Camera Position 207 : On Warming Up

Camera Position 180 : Mining the Data Set

Camera Position 180 : Mining the Data Set

Camera Position 190 : Watching Photographers Photograph

Camera Position 190 : Watching Photographers Photograph