Why shouldn’t Eve have the situation in hand? She has put herself at risk. And she has no problem with that. The serpent thinks it can wrap itself around her. Wrong: she’s the one who’ll control the embrace. This is how the perfumes in this venomous collection work – Playing With The Devil, Good Girl Gone Bad – with their sensual, insistent intermingling; an animality sweetened by Arabian jasmine, Opoponax resinoid. Fruity but not mawkish, with the tang of spicy and woody notes. A sort of irresistible, narcotic, disinhibited stupor. An almost palpable evocation, a tactile emotion. These sillages run through centuries as swiftly as sin.

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Most notable fragrance within the collection:

Good girl gone Bad
The uninhibited Good girl gone Bad finds herself in a luscious floral whirlwind in the garden of good and evil.

Fragrance story: Half-innocent, half-voluptuous, the apricot-tinged osmanthus absolute, orange blossom and rose of May absolute that open the fragrance are beholden by the ultimate temptress: an explosion of the three-sirens of flowers: tuberose absolute, jasmine and narcissus.

Key notes: osmanthus absolute, orange blossom, rose, tuberose absolute, jasmine, narcissus

PERFUMER
Alberto Morillas

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#Kilian #PerfumeAsAnArt #GoodgirlgoneBad

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