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Kanhaiya Lal Chaturvedi (1910 - 14 August 1982) was an Indian film actor who acted in 105 films in his career, primarily in Hindi films produced in Bollywood, the Mumbai-based film industry.

Kanhaiyalal was born in 1910 in Varanasi. His father Pandit Bhairodutt Choube, popularly known as Choubeji, was the proprietor of the Sanatan Dharm Natak Samaj in Varanasi. With his father not in agreement with him taking up any form of stage work, he eventually wore out his father's opposition and did odd jobs in the troupe. At 16, he started writing and then moved on to small roles. When his father died, the brothers tried for some time to run the drama company. Proving to be unsuccessful, they downed shutters and Kanhaiyalal decided to seek a film career in Bombay. His elder brother Sankata Prasad Chaturvedi had already set a precedent and established himself as an actor in silent films, but Kanhaiyalal came to films without the intention of acting, wanting to write and direct instead.

He was fond of plays and came to Mumbai to find a space on stage. He staged his own written play Pandrah August in Mumbai, and later he tried his luck in films. He also had written many plays. In the 1939 film Ek Hi Raasta as Banke, he got a break in Hindi films and in 1940 he got the role of the moneylender (Sahukar) in Mehboob Khan's film Aurat as Sukkhi Lala. Some of the performances of Kanhaiyalal which were appreciated by the audience for his versatility include his characters in the films Bhookh (1947), Ganga Jamuna, Gopi, Upkar, Apna Desh, Janta Hawaldar, Dushman, Bandhan, Bharosa, Dharti Kahe Pukar Ke, Hum Paanch, Upkar, Gaon Hamara Desh Tumhara, Dadi Maa, Gruhasti, Hatyara, Palkon Ki Chhaon Mein, Heera, Teen Bahuraniyan, Dost etc. His memorable roles include those as villainous[1] scheming moneylenders in the films Mother India , Ganga Jamuna, Gopi and Upkaar.

As he recalled in an interview, "An actor playing Motilal's father had not reported on the sets, so there was an opportunity to step into the breach. The dialogue I had to speak ran to a full sheet of foolscap paper. Almost everyone on the sets was ready to laugh at me trying to be an actor, but God helped me and I did my job." The film was Jhul Badn, written by K. M. Munshi (the founder of Bharatiya Vidya Bhavan), directed by Sarvottam Badami and starring Motilal and Sabita Devi.


However, the rise of his career graph was launched by Mehboob Khan with writer Wajahat Mirza playing catalyst. At his instance Kanhaiyalal was selected for the role of Sukkhi Lala in Aurat (1940).

During the shooting of the scene in which the house collapses on the salacious Sukhilala, Kanhaiyalal got hurt. In honour of the dictum, the show must go on, he right away told Mehboob Khan not to call a doctor immediately, but to finish the remaining shots. When he came out of the set eventually, the doctor was waiting for him. Aurat had a golden jubilee run with Sardar Akhtar (Mrs. Mehboob Khan) playing the lead. When Mehboob remade Aurat as Mother India (1957), only Kanhaiyalal reprised his role, a first in Hindi cinema with the same actor replaying the same character 17 years later.

Telescoped into the stereotype that bears his signature, early in his career he experimented much more than in his later years. "In Mehboob's film Bahen (1941), I had the role of a good-natured pickpocket. Here, four scenes originally conceived for me were spun out into about fourteen by Wajahat Mirza. In National Studios' Radhika (1941), directed by K. B. Lall, I played a temple priest and in Lal Haveli (1944, again by Lall), I played the comic role of a Pandit.

In Gunga Jumna (1961), he again excelled as a munim. He also shone in Mahesh Kaul's Sautela Bhai (1962), but the film tanked. Gemini's Grahasti (1962), in which he played a station master gave him immense satisfaction and he said: "In my opinion, it's the first picture from the South starring me to achieve that much versatility."

The trouble monger continued his winning streak with Upkar, Ram aur Shyam (both 1967), Teen Bahuraniyan, Dharti Kahe Pukare (1969), Gopi, Jeevan Mrityu (1970), Dushman (1972) Apna Desh (1972), Heera, Dost, Palkon Ki Chaon Mein, Karmayogi (1978), Janata Hawaldar (1979) and Hum Paanch (1980).

After completing a century of roles in Bollywood, Hathkadi (1982) became his swan song as his histrionics breathed their last on 14 Aug 1982 while he was 72.


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