Why being politically correct is using free speech well
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Freedom of speech is absolute, says novelist Martin Amis, and as such it must be defended absolutely—even when you don't agree with it. Free speech is what keeps democracies from descending into totalitarian states, but how you exercise your right is as important as having it. "I feel nothing but unease when it’s done lightly... You have to be able to back it up. So I would urge civilized standards of moderation on both sides," says Amis, who admits he's a fan of political correctness—although he's clear to discount the extreme policing of outer-fringe PC culture. Free speech and political correctness are not mutually exclusive, as many presume, and Amis argues that being PC is actually a responsible use of that freedom. Do we really want to just "get away" with saying things, or do we want to raise the standard of discourse? Saying something repugnant without much thought or consideration may not have legal consequences, but there are social ones. Martin Amis' latest book is a collection of essays entitled The Rub of Time: Bellow, Nabokov, Hitchens, Travolta, Trump: Essays and Reportage, 1994-2017.
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MARTIN AMIS:
Martin Amis is regarded by many critics as one of the most influential and innovative voices in contemporary British fiction. Amis is often grouped with the generation of British-based novelists that includes Salman Rushdie, Ian McEwan and Julian Barnes. His latest book is "The Rub of Time: Bellow, Nabokov, Hitchens, Travolta, Trump: Essays and Reportage, 1994-2017".
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TRANSCRIPT:
Martin Amis: I think it’s indivisible, freedom of speech: I mean, either you’ve got it or you haven’t. And every diminution of freedom of speech diminishes everyone and lessens the currency of freedom of speech. But I feel nothing but unease when it’s done lightly. It has to be earned. The controversial statement has to be earned. It can’t just be tossed off. You have to be able to back it up. So I would urge civilized standards of moderation on both sides.
It has to be understood that freedom of speech isn’t just a sort of decadent frippery that we gather around us like all our other comforts and privileges. Democracy can’t work without freedom of speech. It’s an absolute cornerstone of democracy. So we have to be very responsible about this freedom but there’s no giving it up or modifying it, even.
I would say it’s an offshoot of what’s solidified under political correctness, and I’m a fan of political correctness. No one ever says, 'Oh, I’m very politically correct,' but, in fact, it’s good that we are—not the outer fringe PC, but raising of the standards about what can be said, and exclusion of things you could have said and got away with it 10 or 20 years ago and now seems discordant.
And who wants to go back to being opposed to gay marriage? The ease with which that became the orthodoxy was, I thought, tremendously encouraging, and the idea that Donald Trump has cast off these “shackles” and we can go back to being brutes again is a terrible prospect.
PC has been an agent for certain sort of evolutionary acceleration towards progressive ideas, and I think that’s been very good. I mean, when I look back at my very early fiction of 40-odd years ago I’m shocked and made uneasy by some of the liberties I took that I certainly wouldn’t take now. It doesn’t interfere with the freedom of writers, political correctness—it gives you challenges every now and then, you have to sort of work around it a bit. But I never resent that, and I think it’s self-improvement on a general scale that we’ve all responded to.
