#musicpublishing #musicublisher #makemusicincome

In this DEFINITIVE video on How Music Publishing Works, we interview Trevor Mathiesen of Curb/Word Entertainment in Nashville, TN. We talk about Copyright, when something is copyrighted and when/if you need to register that copyright, as well as about copyright and licensing. We talk about Music Publishing and what a music publisher does.

We go behind the curtain of the music publishing industry and find out how they work in detail. We talk about PROs like BMI, ASCAP, SESAC, including how they work and find out how to get in SESAC which is invite only. We talk about performance royalties PROs collect including radio, TV, events, and classical.

We talk about Mechanical Royalties and how they work, including defining The MLC and what they collect, and then how SoundExchange work. Then we talk about Content ID and its importance to music publishing.

0:00 - Intro
2:05 - It’s Coming…Back
2:52 - Introducing Trevor Mathiesen of Curb/Word Entertainment
3:48 - Defining Copyright
8:24 - Copyright and Licensing
11:15 - What a Music Publisher Does
15:58 - A Music Publishing Example
18:17 - Publishing Splits in Music
18:55 - Has Music Publishing Changed?
20:32 - Is Licensing Growing in Publishing?
22:50 - Is Sheet Music Still a Thing?
24:36 - Performing Rights Organizations (PROs)
24:43 - BMI, ASCAP, SESAC
27:10 - TV, Film, Events
28:50 - Events & Classical
30:44 - Mechanical Royalties
32:06 - The MLC (Mechanical Licensing Collective)
32:58 - SoundExchange
33:58 - Content ID in Publishing Today

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This resource is a comprehensive look at over 30 stock music licensing libraries, my experience with each of them – especially the ones I have been accepted to, and some thoughts about each.

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