In this episode of Bare Bones Camera, cinematographer Leigh Lisbão Underwood takes you behind the scenes on the making of the short film FLIGHT, and talks about the creative and technological choices behind shooting a fiction film in anamorphic with the Kinefinity Mavo LF and Atlas Orion Anamorphic lenses. This deep dive into the cinematography approach to the film (coming soon to the festival circuit) offers insight and inspiration for narrative filmmaking, on a tight budget but with ambitious aspirations, where cinematic images and visual style can be the key to storytelling for the big screen.
Coming soon: a look into the lighting choices behind FLIGHT, and the tools that were used to achieve a natural, cinematic lighting look.
Thanks to Kinefinity, Movcam and Atlas Lens Company for their support in the production of FLIGHT and these episodes for Bare Bones Camera.
Music used:
FREE DRIVING by Reminiscor - from Fugue
MIAMI - from Fugue
[ Ссылка ]
