A #live Concert - Raga Gorakh kalyan at ICMF 2021 Calgery , by #santoor Exponent Sandip Chatterjee with Soumen Sarkar on Tabla ...
Gorakh Kalyan is a raga in Hindustani #classicalmusic music. Its name is attributed to its origins in a regional type of song of Gorakhpur in Uttar Pradesh. Since it does not resemble Kalyan very much, some musicians prefer to just call it Gorakh.
In this Raag, Madhyam is very strong and is a Vadi Swar as well as a resting note, which differentiates it from Raag Narayani where the Vadi Swar and Nyas Swar is Pancham. In Gorakh Kalyan, Komal Nishad of Mandra Saptak is also a resting note and a main characteristic of the Raag. Nishad is Varjya in Aaroh which makes this Raag different from Raag Bageshree. However Komal Nishad is used as an Alp Swar in Aaroh which enhances its beauty like ,D ; ,n R S ; ,n S R S.

While rendering D m a minute touch of Pancham is allowed like D (P)m or m (P)m . But some musicians differ on that and use Pancham sparingly in Avroh. This Raag can be expanded in all three octaves. This Raag does not have Kalyan Ang. A pleasant and enchanting melodic mood is generated when we develop this Raag.

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