►WATCH ALL SYNTH VIDEOS: [ Ссылка ]
I am very excited to check out this mysterious and very powerful analog synth that sits in the same neighborhood of the Korg Polysix, with 6 VCO analog oscillators, a 4-pole filter and an analog chorus. However, the AX60 has more oscillator waveforms, all of which can be PWM'd, as well as S+H on the LFO, Filter FM, white noise and the chorus is stereo! One day maybe I'll check out it's little sibling the AX-80 which has DCO's.
The AX60 is a polyphonic analogue keyboard synthesizer manufactured by Akai Professional in the mid-1980s. It was Akai's answer to the popular Roland Juno series synthesizers. The AX60 uses voltage-controlled analogue oscillators and filter circuitry based on the Curtis Electronics CEM 3394 integrated circuit.
This electronic keyboard is a 61 key, 6-voice bitimbral polyphonic, analogue synthesizer. Its keys are unweighted and not velocity-sensitive. Its features include bitimbral splitting of the keyboard, Unison mode, a variable arpeggiator with a "Hold" function for latching the arpeggiator, multi-mode BBD chorus effect, and voice input for several of Akai's then-contemporary samplers such as the S612, S700, and X7000. It has 64 memory locations for sounds.
The AX60 uses voltage-controlled analogue oscillators and filter circuitry based on the Curtis Electronics CEM 3394 integrated circuit.[1] The same chip is also used in several Sequential Circuits synthesizers, including the Six-Trak, Max, Multi-Trak, and Split-8.
Each of the AX-60's 6 synthesizer voices consist of a single oscillator, which can output sawtooth, triangle, square, or sawtooth+triangle waveforms. Pulse-width modulation is available for all four waveforms, with a dedicated low-frequency oscillator (LFO) for this parameter. Pitch can be modulated by an LFO or the VCF cutoff frequency ADSR envelope generator, while the VCA volume has its own envelope generator.
The AX-60's filter is a 4-pole (24 dB/octave) resonant lowpass type. A feature of the filter section rarely available in an analog synthesizer is the ability to modulate the filter's cutoff frequency using the VCO signal, resulting in timbres ranging from a slightly growly character to sounds that can be similar to some of the metallic FM sounds typically produced by the Yamaha DX7, depending on the VCO waveform, the VCF cutoff frequency, and the amount of filter resonance.
The AX-60's VCF's cutoff frequency can be made to track the keyboard, allowing higher notes to sustain their harmonic content.
The modulation section of this synthesizer features a low-frequency oscillator with four available waveforms (triangle, square, sawtooth and random) which can be routed to VCF cutoff, VCO pitch or VCA amplitude. These also have a programmable delay before their effect sets in. A second LFO is dedicated to pulse-width modulation, and only its rate and depth are programmable.
There is also a programmable output level for each patch, to help balance loud and soft sounds, a multi-mode arpeggiator, a white noise generator, and a multi-mode chorus effect similar to the Roland Juno series chorus.
►TIP: [ Ссылка ]
►MERCH: [ Ссылка ]
►Other Links: [ Ссылка ]
![](https://s2.save4k.ru/pic/2aLLByEWwL0/maxresdefault.jpg)