#bengalclassicalmusicfestival
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Vidushi Bombay Jayashri, one of the finest exponents of Indian classical music, showcased her mastery in Carnatic music in the fourth edition of Bengal Classical Music Festival, held in 2015. Vidushi Bombay Jayashri, the show-stopper for the day, earned accolades from the audience she started joyfully interacting with them rendering Raga Hamsadhwani, pertaining to Bilawal Thaat. The performance mesmerised all, thanks to the violin accompanist Srikant Venkataraman's sawal-jawab styled saat sangat.
Vidushi Bombay Jayashri demonstrated with great elan, sruti, swara, raga and tala, which form the foundation of improvisation and composition in the Carnatic tradition. She is one of the few artists in the Indian music circuit, who learned and perfected both the Carnatic and North Indian genres. By the age of six, Vidushi Jayashree had already memorised over eighty kirtans. She took lessons in North Indian classical music from K Mahavir Jaipurwale and Ajay Pohankar, and learned Carnatic music from the legendary Lalgudi Jayaraman.
Accompaniment:
Srikant Venkataraman - Violin
Delhi S Sairam - Mridangam
Krishna S - Ghatam
Taanpura - Supriya Das
Razia Sultana
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Vatapi Ganapatim", also known as "Vatapi ganapatim bhaje ham" or "Vatapi ganapatim bhaje", is a Sanskrit kriti song by the South Indian poet-composer Muthuswami Dikshitar (1775–1835), one of the "Trinity of Carnatic music". The panegyrical hymn praises Vatapi Ganapati, Ganesha (Ganapati) worshipped in a shrine in Tiruchenkattankudi in the Indian state of Tamil Nadu. The hymn is composed in Hamsadhvani raga (musical mode); however, in tradition of kritis, individual performers add their own variations in the tune. Vatapi Ganapatim is considered the best-known piece of Muthuswami Dikshitar and is one of the most popular compositions of Carnatic music (South Indian classical music school). The hymn is traditionally sung at the beginning of many Carnatic music concerts. (Ref Wikipedia )
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