Over the years, many students have asked me for help, saying that they struggle with figurative drawing, that they can’t get the right likeness and, in most cases, it’s the same problem: they try to draw what they know not what they see. We all know what an eye is supposed to look like right, but it doesn’t mean that it actually looks like that on the model. We all know what a nose is supposed to look like but depending on the angle, the lights and shadows, it might make it look unusually different from our expectations.
The fundamental problem is that we tend to draw what we know, not what we see but it’s not even sure that we see what we see.


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I am an artist living and working in France. I learned the techniques of the Atelier of the Nineteenth century and now I try to share some of my knowledge with the rest of the world, because I think that beauty still has an important role to play in artistic creation. I do mostly drawing and oil painting, and my goal is always to provide techniques, thoughts and explanations that can be useful to anyone, from beginners to more advanced artists.


The material I use most of the time (not necessarily in this video) :

Drawing
✓ Kneaded eraser
✓ Plumb line (DIY)
✓ Small mirror
✓ An old synthetic brush
✓ Masking tape
✓ Cutter
✓ Sandpaper or sanding block
✓ Mahlstick or Hand rest (DIY)
✓ Level ruler
Graphite
✓ Pencils 2H, HB and 2B
Charcoal
✓ If available: Nitram charcoals (H, HB and B)
✓ Square charcoals
Black and white chalk
✓ Sketch pencil Conté white
✓ Square Conté noir : HB and 2B
✓ Chalk or pencil holder
✓ Pencil sketch Conté Pierre noire : H and HB
Sanguine
✓ Sketch pencil Conté : Blood and blood Medici
✓ Crayon Polychromos Faber-Castel : sanguine
✓ Sketch pencil Conté white
Oil painting
Palette
(Extra-fine paint, recommended brands depending on availability: Sennelier, Lefranc Bourgeois, Winsor and Newton, Royal Talens Rembrandt, Blockx, Michael Harding, Gamblin)
✓ Titanium White PW6
✓ Flake White (or substitute) PW1
✓ Cadmium Yellow light (or "lemon") PY35
✓ Yellow Ochre PY42
✓ Raw Umber PBr7
✓ Transparent Red Oxyde PR101
✓ Burnt Umber PBr7
✓ Venetian Red PR101
✓ Pyrrole Red PR255
✓ Quinacridone Rose PV19
✓ Quinacridone Magenta PV19
✓ Ultramarine Blue PB29
✓ Mars Black PBk11
✓ Cobalt Teal Blue (turquoise light) PG50
✓ Phthalo green warm PG36
Brushes
✓ Filbert hog bristle and Synthetic sizes n° 4, 6, 8, 10 and 12
✓ Flat Synthetic brushes (same size)
✓ Round sable brush or round Kolinsky sable n° 4, 8, 10, 12 (from the size of the nail (about one inch) or synthetic imitation
Medium
✓ Linseed stand oil
✓ Odorless mineral spirits
✓ Or Alkyd medium (Liquin, Galkyd, Flow'n'Dry etc.)
✓ Safflower oil
Surface
✓ Linen canvas, fine grain universal coating
✓ For studies : Canson oil-acrylic oil paper Figueras
Others
✓ Palette
✓ Sponge and spalter brushes
✓ Palette knife in the shape of a water drop, no souldering
✓ A few small pots, containers, jars...
✓ Paper towels

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#art #painting #inspiration
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Thanks for watching !

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