Few words about Raga Manj Khamaj
Pakad of Manj Khamaj is: SGMPNS SnDPMPMGRS ) i.e. omitting the Re.
Aroha and Abroha of Manj Khamaj is:
SRGPM, GMPDnD, PDNS, SnDPM, GRGPM, GRS
The Pundits of Indian music suggest that Ma "functions as a secondary tonic", but in fact there is evidence for Ma being a pivotal note. Maybe it is one of those things where Manj Khamaj is already a deviation from Khamaj so there is license to roam a bit from the constraints of Khamaj.
Mostly, it is agreed that both Khamaj & Manjh Khamaj are very similar, their CHALAN is also the same, even some of the Bandishes of both Raagas are same -- the only difference is that in Manjh Khamaj, we halt more on M e.g. Like G m P D n D P m G m R G m.... D n S G m P G m R G m....

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