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Two of the most annoying frequency ranges in metal:

1) 20hz - 250hz
2) 250hz - 500hz

Both the subs and low-mids almost always need to be adjusted in order to keep a fat, hard-hitting production from sounding muddy.

Too much of these ranges and your mix sounds like murky-mud-cardboard. Too little and your mix starts to sound brittle and harsh.

It's common to see people attempting to combat this issue by utilizing overcomplicated techniques. I've been guilty of it myself, but it's not the best way to go in my opinion.

Mix mud removal can actually be dead simple. Since I started implementing this simple mix mud removal hack years ago, annoying mix mud is something I rarely have to think about anymore.

Give it a shot within your own mixes so you can move on to the important stuff.

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