Brought To You by Adam Gheli aka Bhaijaan Yousufi
Thaat: Purvi
Aarohi: S G M d r' S'
Amrohi: S' N d P M G M G r S
Vadi: S
Samvadi: M
Pakard: M d S', N d P, P M G M G, M G r S
Time: 3 am – 6 am (All Times in Spring Season)
Zaat: Audav – Sampuran
Raag Basant is a Hindustani classical raga that is associated with the spring season. It is a morning raga, and is typically performed in the second prahar of the day (between 6 and 9 AM). The raga is characterized by its bright, cheerful mood, and is often used to express themes of love, joy, and springtime.
The notes of Raag Basant are S R G M P D N S'. The rishabh (R) and pancham (P) are varja (forbidden) in the aroha (ascending scale), but are allowed in the avaroha (descending scale). The madhyam (M) is teevra (sharp) in the aroha, and shuddha (natural) in the avaroha. The dhaivat (D) is komal (flat) in both the aroha and avaroha.
The raga is classified as a meend pradhan raga, which means that the meend (or glide) between the madhyam and pancham is an important feature of the raga. The raga is also considered to be a shuddha raga, which means that it does not use any chromatic notes.
Some of the common compositions in Raag Basant include "Basant Bahar" by Amir Khusro, "Rang Mahal" by Tansen, and "Basant Geet" by Ravi Shankar. The raga is also popular in the Sikh tradition, and several shabads (hymns) in the Guru Granth Sahib are composed in Raag Basant.
Raag Basant is a beautiful and evocative raga that captures the essence of the spring season. It is a popular choice for both vocal and instrumental performances and can be enjoyed by people of all ages.
Here are some additional details about Raag Basant:
* The raga is said to have originated in the 8th century and is one of the oldest ragas in the Hindustani classical tradition.
* The raga is associated with the god Krishna, who is often depicted as a young boy playing the flute in the springtime.
* Raag Basant is often used to express themes of love, joy, and new beginnings.
* The raga is considered to be a challenging one to learn and requires a good understanding of the nuances of Hindustani classical music.
I hope this article has helped you to learn more about Raag Basant. If you are interested in listening to or learning more about this raga, I recommend doing a search online or in your local library.
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Intro: (0:00)
Pakard: (0:18)
Bandish: (0:33)
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