When Cate Blanchett was around 5, she wrote a mini essay—saved for years by her mother and unearthed serendipitously during a recent move—envisioning her possible future as an adult: “When I grow up, I would like to be a man. I would still love my family. But I could light a fire and go to work. And when I’m bored being a man, I think I’ll just be me.”
Blanchett, 53, is drawn to multi-shaded characters who don’t court our approval—an all-time favorite is Ibsen’s compulsive manipulator Hedda Gabler, whom she’s played onstage—but Lydia Tár, in all her self-destructive glory and compelling unlikability, is like no one else we’ve ever seen onscreen. “We’re all imperfect creatures. And sometimes we don’t want to look at the unthinking, unintentional, inexplicable, ambiguous sides of being female,” Blanchett says. “We are brave, we are noble, we are generous, we are collaborative. But we are also the dark side of that, because women are complex beings.”
Read more about Cate Blanchett's journey: [ Ссылка ]
Subscribe to TIME’s YouTube channel ►► [ Ссылка ]
Subscribe to TIME: [ Ссылка ]
Get the day’s top headlines to your inbox, curated by TIME editors: [ Ссылка ]
Follow us:
Twitter: [ Ссылка ]
Facebook: [ Ссылка ]
Instagram: [ Ссылка ]
