in ASCAP vs BMI I discuss what a Performance Rights Organization (PRO) is and which major United States organization you should consider.
Performing Rights Organizations are a must to be apart of, but you need to understand that they aren't going to launch your career. They are a piece of the royalty puzzle.
During my ASCAP vs BMI battle I discuss the two main differences which are...
1. Up front costs
2. Royalty Distribution
There is a third major player in the PRO world, and that is SESAC. SESAC however is an exclusive society. You have to apply, get invited, or be recommended by another member to get in.
Currently on their website they are not taking any unsolicited applications.
In this ASCAP vs BMI video I also touch on the history of PRO's, Publishing Admin, and non-interactive digital royalties.
For my break down of publishing admin companies like CD Baby and Tunecore please check out my resource ... [ Ссылка ]
Another good resource on a similar topic is my video Music Directories | Are Resources Like The Indie Bible Worth It? Check it out here ... [ Ссылка ]
I hope that this video helps you along your journey to getting paid!
*editors note* ASCAP will collect non-interactive streaming royalties as well for copyright holders. SoundExchange collects for Master Recording Owners and Performers. For full explanation please visit [ Ссылка ]
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