Portland Choir & Orchestra performs so many different styles of music from many different composers and eras. The orchestra and must be able to interpret those styles authentically and convincingly, whether it is traditional symphonic music, sacred music, Broadway show tunes or big-band jazz. We have done all of those and we’ll examine how the orchestra adapts to the various styles and genres of music that we perform.
Join us as we discuss how the orchestra adapts to five distinct styles of music:
00:42 Ballet music. On occasion we have collaborated with Fired-Up Dance Academy to integrate dance into our concert pieces. Watch as we discuss Tchaikovsky’s famous ballet The Nutcracker and discuss how the orchestra adapts to this style of music.
Full length version: [ Ссылка ]
Episode 5, PCO on Broadway: [ Ссылка ]
09:33 Baroque concerto. We drill into the idiosyncrasies of the Baroque period with a performance of violin concerto “Winter” from The Four Seasons, by Antonio Vivaldi, featuring a virtuoso performance by violinist Ann Christensen.
Full length version: [ Ссылка ]
Video montage of winter scenes: [ Ссылка ]
16:55 Narrated program music. We were delighted to be joined by Portland sports legend Bill Schonely narrating the powerful Aaron Copland composition Lincoln Portrait, where the music is punctuated by passages from some of Abraham Lincoln’s great speeches. We will talk about the special demands of this kind of music, called 'program music.'
Full length version: [ Ссылка ]
Episode 3, Christmas stories: [ Ссылка ]
26:31 Oratorio. Some styles of music involve a vocal soloist singing with an orchestra and a choir. Examples include requiem, masses, and oratorios (like Handel’s Messiah). Today we examine the demands of performing with orchestra, choir and soloist with an oratorio-like composition called Jubilate Deo.
Full length version: [ Ссылка ]
Episode 5, PCO on Broadway: [ Ссылка ]
Episode 6, It's all Greek to me: [ Ссылка ]
35:08 Big band jazz. We wrap up the discussion of yet another way that an orchestra needs to adapt to the needs of a performance. For one concert we did away with our symphony orchestra and replaced it with a big-band jazz orchestra. We examine a piece that was a huge hit for Glenn Miller in 1941: Song of the Volga Boatmen.
Full length version of Song of the Volga Boatmen: [ Ссылка ]
Full Radio Show concert: [ Ссылка ]
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