Black Mirror season 6 exploring Netflix’s sci-fi anthology one episode at a time After a hiatus of a few years — season 5 premiered back in 2019 Black Mirror is back with a five episode season thats streaming now on Netflix As always this season is an anthology with each episode exploring different ways technology could impact our lives usually for the worse Or you know exactly the kind of thing The Verge staff is really into Because each episode stands on its own, we’ll be exploring them individually with different writers tackling different stories There are five episodes in total Joan Is Awful Loch Henry Beyond the Sea Mazey Day and Demon 79 and you can keep up with all of our coverage right here As Black Mirror episodes have continued to balloon to the size of full-blown movies, season 6’s “Mazey Day” is almost refreshing: it’s a compact 40 minutes that rushes by in a fit of flashing lights. It’s a story about celebrities and their unhealthy and often dangerous relationship to the press — the paparazzi n particular It’s fun but because it moves so quickly its premise ultimately isn’t explored with much nuance
Mazey Day from director Uta Briesewitz is about two characters living in parallel who inevitably clash To start there’s Bo Zazie Beetz a paparazzi living in LA who is starting to question her place among her seedy and often desperate colleagues wondering if a more honest living is the better route Meanwhile starlet Mazey Day Clara Rugaard is shooting a film in Europe but struggling with substance abuse and an I Know What You Did Last Summer type of situation When Day abruptly returns to Hollywood she goes into hiding making her photo a very valuable commodity Black Mirror is known as a series about the dangers of technology but it’s often more specifically about the corrupting influence of entertainment Spectatorship makes us cruel the show suggests over and over turning other humans real pain into fodder for our own amusement The sixth season episode Loch Henry fits into this dynamic but in a way that feels surprisingly anemic, neither exploring the potential ugliness of its premise nor developing charactes who transcend it At the beginning of Loch Henry Davis Samuel Blenkin is a film student returning home with his girlfriend Pia Myha’la Herrold It’s supposed to be a brief stopover they’re planning to the bemusement of everyone but Davis a documentary about a man who guards eggs from poachers Then Pia discovers the nigh deserted town was the home of a serial killer named Iain Adair It’s an opportunity to make a film people will actually watch perhaps on the lucrative video platform Streamberry known for its wealth of true crime shows. And Adairs crimes were indirectly uncovered by Davis’ father a local police officer so theres a personal angle to sell
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