Ask any guitarist: they will all know Mauro Giuliani. Today he is considered Italy’s most important guitarist. His oeuvre consists of over 200 works mainly for the guitar.

Composer: Mauro Giuliani
Artists: Claudio Maccari (guitar) & Paolo Pugliese (guitar)

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Tracklist:
0:00:00 Concerto for Guitar and Orchestra No. 1 in A Major, Op. 30: I. Allegro maestoso
0:16:09 Concerto for Guitar and Orchestra No. 1 in A Major, Op. 30: II. Siciliana (Andantino)
0:21:47 Concerto for Guitar and Orchestra No. 1 in A Major, Op. 30: III. Polonaise (Allegretto)
0:31:16 Concerto for Guitar “terzina” and Orchestra No. 3 in F Major, Op. 70: I. Allegro moderato
0:44:25 Concerto for Guitar “terzina” and Orchestra No. 3 in F Major, Op. 70: II. Andantino alla Siciliana con variazioni
0:51:19 Concerto for Guitar “terzina” and Orchestra No. 3 in F Major, Op. 70: III. Polonaise (Allegretto)
0:59:47 Concerto for Guitar and Strings No. 2 in A Major, Op. 36: I. Maestoso
01:14:34 Concerto for Guitar and Strings No. 2 in A Major, Op. 36: II. Andantino
01:19:26 Concerto for Guitar and Strings No. 2 in A Major, Op. 36: III. Rondò (Allegretto)
01:29:41 Gran Quintetto for Guitar and Strings in C Major, Op. 65: I. Introduzione
01:31:20 Gran Quintetto for Guitar and Strings in C Major, Op. 65: II. Theme and Variations (on the aria “Nel cor più non mi sento”)
01:38:26 Gran Quintetto for Guitar and Strings in C Major, Op. 65: III. Polonaise
01:47:11 Variazioni su “Nume perdonami in tale istante” from Generali’s Baccanali di Roma, for Guitar “terzina” and String Quartet, Op. 102: Introduzione, Thema, Variations


This Giuliani (1781-1829) was one of many Italian guitar virtuosos. On these recordings for Brilliant Classics you can hear five of these pieces. They are the three concertos for solo guitar and orchestra combined with two lesser known chamber works: the Gran Quintetto for guitar and strings in C major op. 65 and the Variazioni for guitar “terzina” and string quartet op. 102. The guitarists are Claudio Maccari and Paolo Pugliese. The Ensemble Ottocento provides the accompaniment on period instruments.

Both the third solo concerto and the Variazione su “Nume perdonami in tale instante”(from Generali’s Baccanli di Roma) are played here on the terzina guitar. This is a slightly smaller guitar than normally used: its pitch being a third higher.

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