From the performance “Renaissancissimo!”
Pierre Attaingnant (1st half 16th century)
Quand je bois du vin clairet (song)
Tourdion (dance)
Live recorded in Amsterdam, Muziekgebouw aan t IJ, Grote Zaal
January 21st 2017
Capella Juvenalis pro Musica Antiqua, Renaissance music, song, dance, theatre and acrobacy for all ages
singers and dancers aged 10-21
[ Ссылка ]
Música Temprana [ Ссылка ]
Conductor and musical reconstructions Adrián Rodríguez van der Spoel
Staging Deda Cristina Colonna [ Ссылка ]
Reconstruction and choreography historical dance Dorothée Wortelboer [ Ссылка ]
Scenography Tjallien Walma van der Molen
Costumes Dorothée Wortelboer, Carla Monchen, Dorothee Olthof, Patrica Stuart
Preparation choir Eline Welle
Adrián Rodríguez van der Spoel - renaissance guitar and conductor
Paulina van Laarhoven - vihuela de arco
Nick Milne - vihuela de arco
Andrès Locatelli - recorder
Núria Sanromà Gabàs - cornetto
Simen van Mechelen - trombone
Charles Toet - trombone
François de Rudder - dulcian
Flora Papadopoulos - harp
Pere Olivé - percussion
Capella Juvenalis pro Musica Antiqua is the renaissance ensemble of “Nieuw Vocaal Amsterdam”, a training program in classical singing for children and youth, aged 4 and up, specialising in opera and music theatre. Capella Juvenalis was founded in 2007 by Caro Kindt, has been invited to perform in several european countries and recently won a First Prize Summa Cum Laude at the Europees Muziekfestival voor de Jeugd (linkje eronder naar de engelse pagina).
Capella represents everything NVA has to offer – high quality children’s and youth choir singing, combined with confident stage presentation and more. The melting of Renaissance song, dance, instrumental music, theatre and staging into a dynamic performance, and the fact that this is all performed by children and young people, is a combination you will not find anywhere else. Capella’s performances aim to bring the Renaissance to life; they invite the audience to see the court entertainment from long ago and make the symbolic meanings of the authentic dances meaningful for a modern audience.
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