Today's question from Jamie B. is, “During your concert shoots, you put remote cameras around the stage and in the lighting rigs. Can you cover the process and products you use to remotely fire the cameras and the grip you use to mount them? Thanks!”

Go to [ Ссылка ] to submit your own photo question, see David's gear list, and view the episode archive.

Chapters:
00:00 Intro
01:00 What is a remote camera?
01:27 Reasons to use a remote
03:21 Picking a lens
04:14 Exposure
04:54 Remote is a bonus
05:32 Focus
06:35 High-speed bursts
06:51 Floor camera
09:18 Super clamp and magic arm
12:17 Safety
14:08 Hard wiring
15:38 Radio triggers
18:00 Pre-trigger cable
20:31 When to use
21:56 Camera apps
22:22 Outro

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✘ PRODUCTS USED:

Canon EOS R5 Mirrorless Digital Camera Body
[ Ссылка ]

Canon RF 15-35mm f/2.8 L IS USM Lens
[ Ссылка ]

Gaffer Tape
[ Ссылка ]

Manfrotto 496 Center Ball Head with 200PL-PRO Quick Release Plate
[ Ссылка ]

Manfrotto 2909 Super Clamp w/Reversible Short Stud
[ Ссылка ]

Manfrotto 244 Variable Friction Magic Arm with Camera Platform
[ Ссылка ]

Manfrotto FF3276 Steel Safety Cable
[ Ссылка ]

Canon RS-80N3 Remote Switch
[ Ссылка ]

PocketWizard Plus X Transceiver 2 pack
[ Ссылка ]

Pocket Wizard cords
[ Ссылка ]

Pocket Wizard pre-trigger cables
[ Ссылка ]

✘ PRODUCTION EQUIPMENT USED:

Canon EOS R Mirrorless Full Frame Digital Camera Body
[ Ссылка ]

Canon RF 24mm f/1.8 Macro IS STM Lens
[ Ссылка ]

Manfrotto MT055XPRO3 Black Aluminum Tripod with MVH502AH Pro Video Head
[ Ссылка ]

CLAR Illumi Max 500 High Power 5600K LED Light
[ Ссылка ]

Glow EZ Lock Octa Quick XL Softbox With Bowens Mount (48")
[ Ссылка ]

Prograde Digital 512GB SDXC UHS-II V90 Memory Card
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All Prograde cards and readers
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#learnphotography #photographytips #adorama

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THANKS SO MUCH FOR WATCHING!

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