This is one I get asked a lot.

I don't have all the all the answers, but this is what I can tell you about the media accreditation process, plus some thoughts on how to achieve what it takes to shoot from the other side of the fence at motorsports events.

We all start somewhere, and that includes every single person who's trackside at Formula 1. But remember that photo credentials are limited — if you get a vest, it’s quite possible that someone else was denied a vest, so keep that in mind, and be respectful to everyone.

Related: here's a video I did about panning technique and shooting motorsports: [ Ссылка ]
(a lot of the B-roll footage in this video was shot for that video)

Camera bodies and lenses shown (commissions earned):
NIKON NIKKOR Z 70-200mm f/2.8 S Telephoto Zoom Lens [ Ссылка ]
Nikon Z 6 II FX-Format Mirrorless Camera Body w/NIKKOR Z 24-70mm [ Ссылка ]
Peak Design SL-BK-3 Slide, Camera Strap, Black [ Ссылка ]
Nikon Z 7 FX-Format Mirrorless Camera Body [ Ссылка ]
Manfrotto 290 4-Section Carbon Fiber Monopod [ Ссылка ]
Nikon D850 FX-format Digital SLR Camera Body [ Ссылка ]
Nikon D800 FX-Format Digital SLR Camera Body [ Ссылка ]

Music from Epidemic Sound: [ Ссылка ]
Pre-order my automotive photography book | [ Ссылка ]
Subscribe to the channel | [ Ссылка ]
Find me on Instagram | [ Ссылка ]
Purchase photo prints | [ Ссылка ]
Inquiries | kevin@capturingthemachine.com

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