This sequence was actually shot at my day job, and my boss allowed me to make my own personal edit with the footage. It was shot on S-Cinetone, which really limits the color possibilities. Since this is meant to be a trippy sequence, I really pushed the color and made the best with the cards I was dealt (haha).

I had a blast editing this sequence and doing my best to capture that dark, trippy casino energy from The Weeknd's "After Hours" visuals.

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