"Midnight Special" is a traditional folk song thought to have originated among prisoners in the American South. The title comes from the refrain which refers to the passenger train Midnight Special and its "ever-loving light" (sometimes "ever-living light").

Let the Midnight Special shine her light on me, Let the Midnight Special shine her ever-loving light on me. (Traditional)

The song is historically performed in the country-blues style from the viewpoint of the prisoner. The song has been covered by many artists.

Lyrics appearing in the song were first recorded in print by Howard Odum in 1905.
Get up in the mornin' when ding dong rings, Look at table — see the same damn thing.
The first printed reference to the song itself was in a 1923 issue of Adventure magazine, a three-times-a-month pulp magazine published by the Ridgway Company. In 1927 Carl Sandburg published two different versions of "Midnight Special" in his The American Songbag, the first published versions.

The song was first commercially recorded on the OKeh label in 1926 as "Pistol Pete's Midnight Special" by Dave "Pistol Pete" Cutrell (a member of McGinty's Oklahoma Cow Boy Band). Cutrell follows the traditional song except for semi-comedic stanzas about McGinty and Gray and "a cowboy band".

Now, Mister McGinty is a good man, But he's run away now with a cowboy band. Refrain
Now Otto Gray, he's a Stillwater man, But he's manager now of a cowboy band.
Refrain[

In March 1929, the band, now Otto Gray and the Oklahoma Cowboys, recorded the song again, this time with the traditional title using only the traditional lyrics.

Sam Collins recorded the song commercially in 1927 under the title "The Midnight Special Blues" for Gennett Records. His version also follows the traditional style. His is the first to name the woman in the story, Little Nora, and he refers to the Midnight Special's "ever-living" light.
Yonder come a Little Nora. How in the world do you know? I know by the apron and the dress she wears.

свернуть