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Late in his career, synthesis pioneer Bob Moog entered the stompbox market with a series of large format pedals cheekily named Moogerfoogers. Dr. Moog passed away in 2005, but Moog effects live on. Their current incarnations, dubbed Minifoogers, cram big-pedal functionality into standard-sized enclosures. And the newest Minifooger is the MF Chorus, an all-analog effect powered by bucket-brigade chips.
The MF Chorus feels familiar: Its rate, depth, time, and feedback controls need little explanation. But the three-position mix mini-toggle is something special. Its first two positions change the chorus effect from classic and airy to thick and syrupy, while the third position calls up vibrato mode. The 1/4" output jack works in stereo when you connect a TRS splitter cable. All jacks are conveniently located on the back panel, and as on most Moog pedals, there’s an expression pedal input jack. The power LED pulses in time with the modulation rate.
Fairly or not, chorus will always be associated with the ’80s. So I grabbed my ’81 Shergold Masquerader and plugged into a Simms-Watts 100 for maximum clean headroom. Inline were a Boss DS-1 (because, you know, the ’80s) and the MF Chorus.
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