Bel canto’s Rankings No 16 No 15 'Teco io sto' Jose Carreras Giuseppe di Stefano
16 Jose Carreras & Katia Ricciarelli Teco io sto Paris 1981 - Start time: 0:12
15 Giuseppe di Stefano & Maria Callas Teco io sto - Start time: 9:40
When ranking these performances, several factors are typically considered to explain the placement:
1. Technical Skill and Voice Quality: Firstly, the singer's vocal technique and quality of voice are paramount. Singers ranked higher often demonstrate mature technical proficiency and a beautiful vocal tone, including control, clarity, and richness of timbre.
2. Emotional Expression and Dramatic Impact: In dramatic works, authentic emotional expression is crucial for successful interpretation. Higher-ranked performers excel in conveying profound emotions through their voice, bringing characters and narratives to life with vividness and emotional depth.
3. Balance and Coherence of Voice: Vocal balance refers to the coordination and natural transitions across different parts of the voice (high, middle, low). Top-ranked singers typically maintain a balanced and coherent voice throughout the vocal range without noticeable breaks or inconsistencies.
4. Collaboration with Accompanists: The performance of accompanying musicians can also influence rankings. Excellent accompanists complement the singer effectively, creating a harmonious and coordinated performance.
5. Historical Background and Influence: The singer's historical significance and influence within the music industry and opera history are also factors in evaluation. Some singers are esteemed for their contributions to the musical world and opera history.
These criteria and considerations help clarify why certain singers are placed higher in this ranking, showcasing their outstanding qualities in technical prowess, expressive power, and overall performance within the realm of Italian bel canto.
15 Giuseppe Di Stefano & Maria Callas - Teco io sto
Di Stefano's voice concentrates on mouth and nasal resonance, lacking proper abdominal breath support and not adhering to bel canto standards, insufficient chest voice onset, not fully relaxed above the vocal cords, passaggio is not smooth, high notes lack penetration.
16 José Carreras & Katia Ricciarelli - Teco io sto Paris 1981
Carreras lacks abdominal support and coordinated full-body resonance, chest voice onset, overly concentrated in the mouth, nose, mask, and forehead, not fully relaxed above the vocal cords, passaggio is not smooth, high notes lack penetration.
