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In this Final Cut Pro color correction/color grading tutorial, we'll be going over how to correct incorrect skin tones in Final Cut Pro. We're going to focus specifically on fixing the hue, or color, of skin tones. I go in depth about adjusting the brightness of skin in my color grading masterclass, but for this tutorial we're going to focus on color both with standard Rec 709 clips and with LOG footage.
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CHAPTER MARKERS
00:00 - Accurate skin tones are so important
00:10 - The very first step
00:29 - Verify with your scopes
01:03 - Crop into your skin
01:36 - Often there’s more than just your subject’s skin that’s off
02:02 - One way to fix skin tones (when shot has an overral cast)
03:04 - Read your shot and determine what’s the best tool to use
03:34 - The wheels make big gradual adjustments to your image
04:16 - A different approach
04:47 - Be cautious of how your adjustment affects the rest of your shot
05:03 - The time I actually suggest using temp and tint sliders for color balancing
05:28 - Quick clean up
06:10 - The enhance light & color feature kinda works?
06:26 - Isolating the hue of skin when the rest of your shot is balanced
06:39 - LOG footage is even simpler
07:11 - Important point for even those who don’t grade LOG footage
07:38 - Another pretty simple fix
08:24 - Join The FCP Color Grading Masterclass!
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Getting PERFECT Skin Tones in Final Cut Pro | Must Know Tips
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