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Holy Motors is not a work that was made to be liked, but rather to be experienced, and as such it doesn't belong to the kind of films that are a part of the entertainment film industry for the broad masses.
Holy Motors doesn't rely on symbolism but on associations.
In this episode I discuss does our existence have a meaning, and if it does, does it benefit us? We do not have our own identity, since we are all the time forced to be someone else. We wear someone else's mask almost in every situation, and we rarely have an opportunity to see our own face in the mirror.

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