Hi folks, in this video, we will show you the T120 by @kurocustomaudio, which is designed to sound like a Matamp GT120. This pedal can go from sparkly vintage clean sounds to massive oversaturated tones, maintaining an impressive wall of sound. The T120 is a hidden gem; you can get so many different tones out of it. It is definitely a must-have box.
#matamp #effectspedals #doommetal
Use the following chapters to navigate through the video:
What are we doing today? - 00:00
Riff #1 - Fender Jazzmaster in C standard (bridge) - 01:07
The VOLUME knob is the GAIN. Can we use the T120 as a clean boost? - 01:20
The DRIVE knob has 4 stages (starting from the left): 1 low gain, 2 low gain with high pass filter, 3 high gain, 4 high gain with high pass filter) - 02:04
The DEPTH knob (this knob controls the bass frequencies in the input section). Going clockwise, you add bass frequencies, and the sound becomes bigger and fatter - 02:45
DRIVE and DEPTH knobs have a huge influence on each other - 03:19
Let's now check BASS and TREBLE knobs - 04:22
The PRESENCE knob - 05:00
Boosting the T120 with the EQD Plumes - 05:53
This is a great tone! - 06:25
Riff #2 - Squier Contemporary Jaguar HH in open C (bridge) - 06:58
How does the T120 react to guitar's volume knob? (two stages of gain) - 07:09
Third stage of gain boosting the T120 with the EQD Plumes - 08:12
Rolling back the volume knob of the guitar. What a great tone! - 08:39
Riff #3 - Fender Jaguar in E standard (bridge) - 08:59
The T120 is great for classic "open chords" tones (long section) - 09:11
Another great tone! - 10:57
Riff #4 - Squier Cabronita Telecaster Baritone in drop A (bridge) - 11:34
Chasing a nice "doom" tone (long section) - 11:43
Boosting the T120 with the EQD Plumes, yay or nay? - 12:44
Headbanging - 14:27
Riff #5 - Squier Cabronita Telecaster Baritone in drop A (bridge) - 15:24
Palm-muting (with and without the EQD Plumes) (long section) - 15:31
Bye-bye - 18:43
Here you can find more info about the Kuro Custom Audio T120 - [ Ссылка ]
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