Recorded at Pieterskerk, Leiden, Holland, @ 1993
Choir of King's College Cambridge Brandenburg Consort
Stephen Cleobury

Messiah (HWV 56), the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. The wordbook (also called libretto or text) was supplied by Charles Jennens. This article covers Part I and describes the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his virgin birth by several prophets, namely Isaiah. His birth is still rendered in words by Isaiah, followed by the annunciation to the shepherds as the only scene from a Gospel in the oratorio, and reflections on the Messiah's deeds. Part II covers the Passion, death, resurrection, ascension, and the later spreading of the Gospel. Part III concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven.

After all the music he had composed throughout his lifetime, Handel would eventually be known worldwide for this singular work, Messiah, largely composed in just three weeks during the late summer of 1741. Upon completing his composition, he humbly acknowledged, After he wrote the "Hallelujah" chorus, Handel was quoted as saying, "I did think I did see all Heaven before me, and the great God Himself." Those who feel the touch of the Holy Spirit as they experience the overpowering testimony of Handel’s Messiah would agree.
Zechariah 9:9-10

Rejoice greatly, O daughter of Sion, shout, O daughter of Jerusalem: behold, thy King cometh unto thee. He is the righteous Saviour, and He shall speak peace unto the heathen.

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