Temas realizados para la película "Edward Scissorhands" realizada en 1990.

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Album: "Edward Scissorhands (Original Motion Picture Soundtrack)"
The Story Of Edward Scissorhands.
Part One: Edward Meets The World...
Track 7: "Ice Dance"
Part Two: ...Poor Edward!
Track 7: "The Grand Finale"
Composed, Producer: Danny Elfman.
Conductor: Shirley Walker.
Contractor: Nathan Kaproff.
Orchestrated: Steve Bartek.
Choir: The Paulist Choristers Of California.
Chorus Master: Dr. Jon Wattenbarge.
Vocals: Alex Caparros, Andrew Kim, Andy Lumsden, Bobby Lee, Brian Sanchez, Danto Nakazawa, Erwin Allado, Geraldo Hernandez, Jason Domantay, Jay Johnson, Jesse Ramirez, John McIlnay, Kevin Gough, Matthew Lawrence, Michael Bahna.
Music to Tim Burton's film "Edward Scissorhands".
Phonographic Copyright (p): Geffen Records
Copyright (c): Geffen Records
Distributed: Universal Music Distribution
Distributed: ℗ 1990 20th Century Fox
℗ 1990 © 2015 Geffen Records

Edward Scissorhands is a 1990 American romantic dark fantasy film directed by Tim Burton, produced by Denise Di Novi and Tim Burton, and written by Caroline Thompson from a story by Tim Burton and Caroline Thompson, starring Johnny Depp as an artificial man named Edward, an unfinished creation who has scissors for hands, who is taken in by a suburban family and falls in love with their teenage daughter Kim; additional roles were portrayed by Winona Ryder, Dianne Wiest, Anthony Michael Hall, Kathy Baker, Vincent Price and Alan Arkin.

Edward's scissor hands were created and designed by Stan Winston.

Ice Dance: Arguably Elfman's most harmoniously beautiful piece, this dance will always conjure images of snowfall and endless romance. The first fourth of the piece (which doubles as Edward's second theme) is a beautiful build up for the second portion of the theme, which begins at 0:42, and is preceded by those classic Elfman descending string arpeggios. Ironically, the most amazing aspect of this haunting cue comes from its unbelievable simplicity. The love theme is merely five notes played in ascending order, one after another. A toddler could play this cue with relative ease! It is truly Elfman's writing, Bartek's orchestration, and the direction of the flawless choir that gives this simple theme such a haunting, majestic aura. In addition, the music flows with unparalleled grace as the choir and orchestra meld into one, cohesive sound. Few words can describe the effect, and to be honest, they couldn't do the music justice! Nor could any other composer for that matter.

The Grand Finale: An interesting aspect of this score is Elfman's uncharacteristic ambiguity. In many key scenes, Elfman chooses not let the music dictate how the audience is supposed to feel. Yet, many composers opt for the manipulation technique - John Williams among them. Elfman has used this technique to his advantage as well. This finale lacks that blatant use of manipulation, though. Elfman's music is neither sad or triumphant. Few words can describe the sound that Elfman created, but the closest among them would be bittersweet. Indeed, the Ice Dance theme has been argued over by many separate reviewers; many claim it's sorrowful, while others claim it's elated, but all agree that it is grand.

Daniel Robert Elfman (born May 29, 1953) is an American composer, singer, songwriter, and record producer. From 1976 to 1995 he was the lead singer and songwriter for the band Oingo Boingo.

In 1976 Elfman entered the film industry as an actor. In 1982 he scored his first film, Forbidden Zone, directed by his older brother Richard Elfman. Among his honors are four Academy Award nominations, a Grammy for Batman,[5] an Emmy for Desperate Housewives, the 2002 Richard Kirk Award, and the Disney Legend Award

Source: Bluntinstrument & Wikipedia.

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