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Bhimsen Gururaj Joshi (4 February 1922 – 24 January 2011) was an Indian vocalist in the Hindustani classical tradition. He is known for the khayal form of singing, as well as for his popular renditions of devotional music (bhajans and abhangs).
In 1998, he was awarded the Sangeet Natak Akademi Fellowship the highest honour conferred by Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama. Subsequently received the Bharat Ratna, India's highest civilian honour, in 2008.
Joshi's performances have been acknowledged by music critics such as S. N. Chandrashekhar of the Deccan Herald to be marked by spontaneity, accurate notes, dizzyingly-paced taans which make use of his exceptional voice training, and a mastery over rhythm. The Hindu, in an article written after he was awarded the Bharat Ratna, said: Bhimsen Joshi was ever the wanderer, engendering brilliant phrases and tans more intuitively than through deliberation. Joshi occasionally employed the use of sargam and tihaais, and often sang traditional compositions of the Kirana gharana. His music often injected surprising and sudden turns of phrase, for example through the unexpected use of boltaans. Over the years, his repertoire tended to favour a relatively small number of complex and serious ragas; however, he remained one of the most prolific exponents of Hindustani classical music. Some of Joshi's more popular ragas include Shuddha Kalyan, Miyan Ki Todi, Puriya Dhanashri, Multani, Bhimpalasi, Darbari, and Ramkali. He was a purist who has not dabbled in experimental forms of music, except for a series of Jugalbandi recordings with the Carnatic signer M. Balamuralikrishna.
Joshi's singing has been influenced by many musicians, including Smt. Kesarbai Kerkar, Begum Akhtar and Ustad Amir Khan. Joshi assimilated into his own singing various elements that he liked in different musical styles and Gharanas

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