Ola Amigo, We Have The Best Guitar Floor Multi Effect Pedals Fit For You Here!
➟ Line 6 HX: [ Ссылка ]
➟ Boss GX-100: [ Ссылка ]
➟ Boss GT-1000: [ Ссылка ]
➟ TC Electronic Plethora X5: [ Ссылка ]
➟ Mooer GE300: [ Ссылка ]
➟ Zoom MS-70 CDR: [ Ссылка ]

00:00 Intro
00:16 Line 6 HX
01:22 Boss GX-100
02:25 Boss GT-1000
03:44 TC Electronic Plethora X5
05:09 Mooer GE300
06:07 Zoom MS-70 CDR

Hey guys, welcome back to our youtube channel. I hope you all are doing well , so in today's video we’ll be discussing the best guitar floor multi-effect pedals of 2022. All the links to the products are given in the description video below, So without further ado let's jump straight into the video.

Editing is quite intuitive, just like on the bigger units. Lightly tapping a footswitch activates the patch's edit menu, where patch and parameter switching is accomplished with the large rotary and left-right buttons. With a few menu clicks, the user may access more complicated capabilities like modifying signal flow, which makes it simple to create your own banks.

We discovered that after we assigned a custom bank and signal chain, we didn't need to switch banks very frequently. Understanding how the big user bank capacity might be helpful for function or cover band work is simple. The same excellent sound effects from the flagship devices are present and accurate, along with several new products created in the interim.

Line 6 has added some new "out there" sounds to the HX, perhaps in response to those pedal nerds with boutique pedals with distinctive sounds that we'd like in our chain. There are still all the typical choruses, tape echos, sweep echos, reverse delays, and filters. Still, there are also more unusual sounds like the stunning Particle Verb, which is probably a nod to the Red Panda Particle granular delay and reverb.

More than 150 different effects types are there in addition to the 23 amp models, and you may use up to 15 assignable blocks to construct your own sounds and save them to any of the 200 available preset spaces. A looper is also functional, delivering 19 seconds in stereo and 38 seconds in mono.

More choices are available on the unit's back, including the ability to operate it in mono or stereo, attach headphones, use MIDI and Bluetooth, integrate a pedalboard via a pair of send/return ports, and connect an external expression pedal or two external footswitches. The latter will require an adaptor, but it will let you stream audio and manipulate noises. There is also a USB connection for editing with the Boss Tone Studio software or home recording to your computer. The GX-100 is a stylish floor unit with clean lines and a splash of color. Naturally, you'll want to look after it well. But it's made to be sturdy. Its metal enclosure appears to be capable of taking a lot of abuse. With a weight of under 8 lbs, it is also transportable.

It is a beast in terms of size. Boss's newest design is sleek and contemporary and appears durable enough to survive a fall down a flight of stairs. The standard selection of inputs and outputs are located in the back, along with a USB recording out and an input for an additional expression pedal. There are jacks for either one stereo external pedal or two mono external pedals. There is also a clever send that enables changing amp channels. When the device first turns on, an introductory screen appears. Using the page buttons, you can switch it to only display the patch name, all of the footswitches' operations, or the signal chain for the currently selected patch. However, it isn't the most natural to edit with. We had to consult the manual—a first for the current generation of modelers—to figure out how to begin altering the blocks.
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