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Songs of Rabindranath Tagore

♦️ রবীন্দ্রনাথের প্রেমের গান ♦️
༝ ┉┉┉┉┉┉┉┉┉┉┉┉┉┉ ༝


˚*❋ Track List ❋*˚

1. Kon Se Jhorer Bhul ▶️ 00:00​​​
Artiste: Rezwana Choudhury Bannya
Parjaay: Prem
Upa-parjaay: Prem-Boichitra
Taal: Dadra
Style: Kirtan
Anga: Kirtan
Written on: 1938
Swarabitan: 61
Notation by: Shailajaranjan Majumdar

2. Purano Janiya Cheyo Na ▶️ 3:50​​​
Artiste: Mita Huq
Parjaay: Prem
Upa-parjaay: Prem-Boichitra
Taal: Dadra
Style: Kirtan
Anga: Kirtan
Written on: 1927 (9 Phalgun 1333)
Place: Shantiniketan
Swarabitan: 13
Notation by: Dinendranath Tagore

3. Ami Rupe Tomay Bholabo Na ▶️ 9:32​​​
Artiste: Flora Ahmed
Parjaay: Prem
Upa-parjaay: Prem-Boichitra
Taal: Tritaal
Style: Kirtan-Tappa
Anga: Kirtan
Written on: 1910
Collection: Raaja
Swarabitan: 42 (Arupratan)
Notation by: Shailajaranjan Majumdar / Dinendranath Tagore

4. Bone Jodi Phutlo ▶️ 16:20​​​
Artiste: Iffat Ara Dewan
Parjaay: Prem
Upa-parjaay: Prem-Boichitra
Taal: Kaharwa
Style: Kirtan
Anga: Kirtan
Written on: 1925
Swarabitan: 30
Notation by: Dinendranath Tagore

5. Aj Sobar Ronge Rong ▶️ 20:43​​​
Artiste: Shukla Paul Setu
Parjaay: Prem
Upa-parjaay: Prem-Boichitra
Taal: Dadra
Style: Kirtan
Anga: Kirtan
Written on: 1919
Swarabitan: 33 (Kabyageeti)
Notation by: Dinendranath Tagore
Notes: This song was published in autumn, 1919.

Amita Sen, daughter of Khitimohan Sen, who was also a student of Shantiniketan at its early stage, writes in ‘Nriya-rachanay Rabindranath’, an essay published in Sharadiya Jugantar –

… That year we all had a dance session after the Sharodatsava on the song ‘Aaj Sabar Range Rang Mishate Hobe …’. Rabindranath in his baul style and we danced spinning around with brisk stepping and vails flung high up, we sang –

Ogo aamar priyo

Tomar rongin uttoriyo

Poro poro poro tobe

Rong mishate hobe …

Aban, Gagan, Samar along with everyone joined the dance party. Din-da danced snapping his fingers on both hands and his feet stepping rhythmically. Along with us danced Mr.Elmherst and Mr.Benowa. What an exhuberance. If anyone had fallen behind Rabindranath would help him or her to take a better position in the front. The dance was at its climax when Rabindranath took the center of the stage bowing with folded hands and the curtains closed from either side. We too stopped dancing and positioned ourselves beside Rabindranath with folded hands. It was a beautiful scene when the curtains were drawn.

This beautiful bowing gesture of Rabindranath was lost forever, and could not be preserved. …

Most probably this was an incedent of 1922 (1329B) when Sharodotsava was staged for two consecutive days, Alfred theatre on the first day and Madan theatre on the following day. Rabindranath had enacted the role of a Sannyasi, Dinendranath the grandfather, Gaganendranth the King and Samarendranath had the role of the Minister. On the second day Dinendranath had to quit following his father’s death and rushed to Shantiniketan. Abanindranath had to take up the role of Grandfather within a few hours. Amita Sen was only ten years old.

6. Tobu Mone Rekho ▶️ 24:25​​​
Artiste: Sohini Mukhopadhyay Paula
Parjaay: Prem
Upa-parjaay: Prem-Boichitra
Taal: Baitalik / Dadra
Style: Kirtan
Anga: Kirtan
Written on: 1887
Swarabitan: 50 (Shephali)
Notation by: Prafulla Kumar Das / Dinendranath Tagore

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