Michael Haneke is one of the most unsettling directors out there - but not for the reasons you may think. So what makes his films so uncomfortable to watch, and why does he do it?
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Extra Credits:
Great read on Michale Haneke by Mattias Frey:
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An article on Code Unknown:
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"Camera Shutter, Fast, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org
Violin Concerto in F major, RV 293 'Autumn' - II. Adagio Molto by John Harrison is under Attribution 3.0 ShareAlike license ([ Ссылка ]) and is downloaded from [ Ссылка ]
The Reek of Madness by Ov Moi Omm | [ Ссылка ]
Creative Commons Attribution 4.0 International (CC BY 4.0)
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Timestamp
0:00 Introduction
0:52 Films
1:37 Frustration
2:28 Long takes & Objectivity
3:50 Code Unknown's Sequence Shots
6:02 Medias Res
6:39 White Ribbon's Deception
7:49 Subversion in Benny's Video
9:47 GOD
11:46 Off Screen Violence
12:21 Expansion of Space
14:41 Non-consumable
15:34 On Screen Violence
16:23 Unresolved Conflicts
18:35 Foreshadowing
20:15 Unsolvable
20:42 THE GAP
21:36 Thank You
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Why Are Michael Haneke Films So Unsettling?
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