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Sor's Op 6 no 8, one of his best known studies. Not having a reverb for the Monserrat monastery (where Sor was educated) I've used the one for the Chapelle Jean Baptiste in Toulouse. Guitar by Simon Ambridge. Please note that in bar 10 I opted to play the first edition version with the B on the first beat, and in bars 12, 14 and 16 I played the ornaments as long leaning notes, rather than the short acciaccaturas you often hear.
